Lighting

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14 March 2016

SGM Lighting, owned since February 2012 by entrepreneur Peter Johansen, currently employs 85 people in Aarhus, according to Danish television station TV2, and the majority of the staff have now been sent home while the company's situation is clarified.

TV2 reported that the company's legal representative, Christian Jul Madsen, has said that several interested parties have submitted offers to buy the entire company.

Originally an Italian lighting brand, SGM was acquired by Italian pro audio manufacturer RCF in April 2009. In November 2010, at a press event in central London, RCF president Arturo Vicari introduced Peter Johansen as the new head of R&D for SGM. Johansen was already well-known in the professional lighting industry as the founder of Marti

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14 March 2016

To replace a dimmer system that was over 35 years old, Illuminate Design's technical sales manager Ken Berreen specified three of Zero 88's successful Chilli Bypass Racks to be installed. These were chosen for the flexibility they provide.

The project also included new circuits being added in the venue along with new control lines and additional other works to the DMX infrastructure plus the addition of a DMX distribution system.

Commenting on the work carried out at his venue, technical manager Harry Harris said, "The recent installation of our new dimmers and DMX infrastructure by Illuminate Design couldn't have gone better and working with the company was an absolute pleasure., They managed the project perfectly from start to finish and

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14 March 2016

The entire performance was lit by lighting designer Mike Gunning. He states, "The aim of the evening was to raise funds for the London Library in order to allow free access for those not in a position to purchase membership. As it marked 50 years since T.S. Eliot's death, along with the fact he was president of the library, it seemed rather fitting to base the evening around readings of his work."

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14 March 2016

Fineline has been a big investor in Avolites control, particularly in the last two years, explains MD Rob Sangwell, with a selection of Tiger Touch, Tiger Touch Pro, Quartz and Pearl Expert ranges in their hire stock which are constantly in use. "Avo has always been a powerful and simple to use control surface," says Rob, "And apart from making some of the best 'live' consoles on the market, the service and backup has also been fantastic."

Stuart England, Fineline's operations co-ordinator said, "The Arena ticks all the boxes for us. It builds from the popular Tiger Touch operating architecture with extra faders to retain that old school buskability for which Avo desks are famous

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14 March 2016

The new rig has been designed by Jason Kew, technical supervisor in charge of lighting in the Barbican's Music Department, and the fixtures were specified by Jason and Mark Bloxsidge, technical manager (music events), following an evaluation which involved the whole technical team at the Barbican Hall.

The order was delivered via leading UK sales and rental company White Light and Robe UK, co-ordinated by Jonathan Haynes for White Light following a tender process led by the Barbican's Luke Freeborough, technical manager (projects).

The Barbican Hall was originally built as an orchestral venue when the Centre opened in 1982. In addition to bei

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14 March 2016

Lighting designer Nick Richings and set / costume designer Libby Watson added plenty of colour, drama and atmosphere to the work, proving just how much can be achieved with a little bit of technology and copious amounts of imagination.

HSL's project manager John Slevin commented, "The budget was expedient and the tech / rehearsal timeframe short, but everyone involved worked as a team utilising creativity and ingenuity to ensure a truly excellent production that was a big hit with audiences."

Nick and Libby worked closely on developing the whole visual concept with director Pete Rowe, setting it in the 1960s underlined with a strong Pop Art aesthetic, together with all the boldness, stylized text / images an

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14 March 2016

The luminaire's high-performance LED engine delivers a total of 20,000 lumens, a level of power comparable to a 1200W discharge lamp. A flexible four-blade rotating framing shutter system is included that allows the beam to be shaped and angled as required for precise highlighting of set pieces and performers. Designers can also use the flexible framing system to create outstanding projection or mid-air effects.

A full-range CMY colour mixing system with variable CTO offers a wide palette of colour shades while an extra seven dichroic colours provides added colou

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14 March 2016

"This was a great year at LDI," said Doug Brown, president of DNJ Pro. "We met a lot of people who were excited about the kaleido effect of the Nova-Scope and also a lot of people who were just excited to the other Novalight products again."

Nova-Scope is a 2KW weatherproof moving light that implements an innovative reflector design to "deliver stunning effects in mid-air". With seven gobo options, a kaleido wheel effect, shutter, dimmer, and strobe effects combined with six colours, white, and CMY colour mixing, dramatic effects can be achieved.

The Super-Nova incorporates outstanding lighting power, vi

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14 March 2016

LED will be star of ETC's demonstration offerings, with the always-popular Source Four LED Series 2 being shown alongside the recently-introduced ColorSource range. The ColorSource PAR, which earned the Lighting Product of the Year award at the ABTT Theatre Show 2015, will be joined by the new ColorSource Spot, making a range of great quality LED lighting available for the first time on productions with limited budgets. Demonstrations will also be available for the ETC Source Four LED Fresnel and CYC adapters, as well as the extensive range of lens tubes, s

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14 March 2016

The 156 new artists signed by Sony Music, Universal Music and Warner Music was 26 more than in 2013, and just 12 fewer than the recent peak in 2009 of 164 new deals. Geoff Taylor, chief executive of the BPI and Brit Awards, said, "It's no fluke that 2014 was such an outstanding year for British music. Alongside the artists themselves, the passion and commitment labels show in unearthing, nurturing and developing the next wave of talent is one of the main reasons our music is the envy of the world right now."<

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14 March 2016

Yet when the time came to upgrade The Heights' lighting system, Dennis was intent on going beyond the church's concert tradition by putting together a rig that could do more than animate music with bold bright hues. He also wanted lighting with the depth and flexibility to create engaging scenes for his church's sermon series. Being on a limited budget, he needed to do this with as few fixtures as possible. He accomplished this ambitious goal with the multi-tasking Rogue RH1 Hybrid from Chauvet Professio

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14 March 2016

Italian lighting designer Massimo Tomasino, who followed the artist on his 2010 tour, designed the lights and counted on Clay Paky equipment for its reliability and reputation.

In every city where the concert was hosted in the UK (London, Glasgow, Leeds, Manchester and Birmingham), the production team had no difficulty in procuring the same Clay Paky lights or, at least, equally effective alternatives made by the same manufacturer.

Tomassino himself cannot hide his pride when he says "I am glad Clay Paky is an Italian name since it is highly appreciated abroad." He put eight Alpha Spot HPE 1200s on the bac

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14 March 2016

Chris specified 20 x Robe BMFL Blades as a major part of the lighting scheme for the Sunset Cliffs (main) Stage of the three day event, a music 'experience' and a specially curated 'sound voyage', combining rock music and some EDM with comedy, food, contemporary art, great vibes and premium amenities.

Chris worked closely with co-designer Erik Parker and assembled a hand-picked team of lighting programmer / operators to run and coordinate lighting for all the stages. Music headliners included The Killers, No Doubt, Snoop Dog, The Zac Brown Band and many, many more.

The goal was to make each stage look different and dynamic while keeping everything u

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14 March 2016

This year, the production team concentrated on two priorities: making sure the entire audience, including those furthest from the stage, had a high level of concert visibility and outstanding sound quality. To meet these requirements, an imposing sound system was installed and an impressively big curvilinear stage architecture was built, featuring a magnificent LED wall (960 square yards, 0.6" pitch).

Jo Campana comments, "We wanted everyone there to be able to see the event as if they were in the front row as well as enjoy the music. A lot of airtime was devoted to live images on the huge LED w

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14 March 2016

PR Live's team, project managed by Justin Hammond, were working for live communication agency Premier PR. The Boiler House was transformed into a replica set of Monica's apartment, complete with Central Perk style café and pop-up hair salon where visitors could get a Rachael Green style blow dries plus a load of Friends props and memorabilia. Organised by Comedy Central, tickets for the event sold out within minutes of going on sale.

PR Live's crew worked closely with the builders Scena from Croydon. First, they installed a combination flown / ground supported rigging

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14 March 2016

Durham Marenghi has been appointed by CC2016 as lighting designer for the Rio 2016 Olympic Opening and Closing Ceremonies. Supporting Durham will be Brazilian associate LD Joyce Hammond, UK programmer Andy Voller, TV lighting director Nick Collier, lighting team manager Jennie Marenghi, followspot coordinator Chris Henry and some of Brazil's finest programmers, spot operators and technicians.

Durham commented to LSi: "Having worked on Ceremonies in Turin, Beijing and Sochi, the contract to light the Olympic Ceremonies in Rio is a once in a lifetime opportunity to enjoy the amazing culture, people and weather - the Brazilians know how to PARTY! Exp

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14 March 2016

Dock 10 in Salford Manchester has fast become the home of children's television and so who better to be in the seat for designing the lighting show, than Lee Allen who is now so involved with the studios and CBBC that he even has a second home in the area!

It's always so exciting when a new LD gets hold of show, just to see what they will do with it and Big Friday Wind-Up is no exception.

The set and lighting is bright and bold, the perfect back drop for the fun and games that take part on the show. Lee's lighting rig, supplied by Richard Martin Lighting (RML) is a mix of the old and the new, including VL2000 Wash, Golden Scans, Mini Scans, Nexus 4x4, Chroma Flo

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14 March 2016

In 1989's Back to the Future II, the time travelling Doc sets the destination time in the plutonium powered DeLorean DMC-12 sports car to 21 October, 2015, thus transporting Marty McFly and his girlfriend Jennifer into the future to save the past. To mark this date of mythical cult status, Vision SL was commissioned by Tattooed Bakers to help create a life-sized DeLorean cake for a Back to the Future Day celebration.

Vision SL brought this edible automobile to life with help from two Geyser RGB foggers that simulated plumes of smoke emanating from the cake-car's exhaust. To add extra realism to colour the DeLorean, Vision SL also used four COLORado

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14 March 2016

Originally founded around 1968 and since 1970 operating out of a disused school building in the south suburbs of the city, the club became a popular hippy hangout in the 1970s, and through 40 years at the cutting edge of live music and entertainment, legendary for showcasing ground-breaking artists on the cusp of success and popularity from Pink Floyd to the Gaslight Anthem. It also hosts Holland's longest running club night, Planet Rose.

As well as being renowned for some of the best techno sounds in the country, Doornroosje was also well known in the day as one of the first places in the Netherlands where marijuana was openly available.

Now housed in a new building right downtown, sandwiched between central station on one side and the police const

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14 March 2016

EVO, the new D.T.S. moving head, was chosen for the tour. 30 units were mounted vertically beside the large central LED wall and on the ground behind the platforms of the musicians.

"The EVOs create remarkable backlight effects, and energetic extra-bright beam projections. The exclusive Dyna Prism (D.T.S. Patent Pending) is also very effective, enhancing with spectacular animations any gobo projection," says DTS.

Lighting operator for the tour was Nicola Tallino, whilst Agorà was the rental company.

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14 March 2016

For this show, the company supplied LED screen and Catalyst media server control, a side projection system plus IMAG cameras and PPU.

The fundamental concept of Rudimental's full design was to make the stage an interactive and theatrical environment with several contrasting visual layers which peeled back as the all-action set developed, revealing more depth and new eye-candy every few songs. The space was defined by several impressive scenic pieces including a large replica of the Hackney Central (London, E8) railway bridge, and a tabbed double-sided back cloth which was in for the first few

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14 March 2016

"To maintain SGM as the absolute leader of intelligent LED light, further investments were needed. After a period of disagreement between shareholders about the future capital structure, the board of directors had no other option than to apply for a proceeding aiming to restructure the company. On 9 November at 18:00, SGM was completely re-established with its new shareholder and capital. The management ascertains that SGM will continue as before without any changes - and stronger than ever."

The company says that all elements of its business remain unchanged, and that the entire team, the worldwide distributor network and all warranty commitments remain identical to before

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14 March 2016

To create the lighting design for the explosive musical comedy, freelance designer William Price worked with Philips Entertainment to bring in a winning combination of his own that included Showline SL BEAM 300 FX, SL BAR 640, and SL NITRO 510 LED luminaires, along with Philips Vari-Lite VL4000 Spot luminaires and Philips Selecon PLCYC1 LED luminaires.

"When I was initially asked to create the lighting design for Bring It On, I wanted to pay homage to the original Broadway design by Jason Lyons," began Price. "Understanding the high-impact lighting de

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14 March 2016

The German Laserworld company Ray Technologies GmbH, located in Valley next to Munich, manufactures high end show laser light equipment, especially for demanding applications like touring, cruise ships and multimedia shows. The RTI NANO RGB 30 laser systems were especially developed for well-colour-balanced high power applications. Due to them being waterproof IP 65, they are the main choice of many pro laser show companies like Laserfabrik.

"The major challenges at this event were the various changes in requirements from the organizer's side. Due to our many years of experience it was no problem to get a spectacular show going