Lighting

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14 March 2016

Commenting on the agreement, David Morgan of Lighting Partners said, "We have seen many Smoke Factory machines come through our operation and have always been impressed with the build quality and their longevity. Since meeting with Florian von Hoffen and the team in Germany, we have been very excited about bringing a dedicated sales and technical support service to the UK while expanding still further our new sales offering."

Smoke Factory's Florian von Hofen added, "We are very excited about this new co-operation. The UK used to be one of our most important markets, and with these dedicated partners we are looking forward to serving our existing customers as well as many new customers with Smoke Factory machines and service in the UK."

(J

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14 March 2016

As part of the Scenofest! programme the art of stage lighting is recognised as making its own distinctive contribution to the theatre and this is reflected in the calibre of the workshop and presentation speakers such as Beverly Emmons, Nick Schlieper and Richard Pilbrow.

Beverly Emmons has designed for Broadway, Off-

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14 March 2016

The lighting rig was supplied by Ministry Light and Sound from Banska Bystrica, who provided the trussing, rigging and all lighting fixtures including the Robes, plus an Avolites Pearl for control that was operated by Ludek Kovarik.

The trussing was sculpted into an interesting shape. It featured three long 'fingers' linking the stage with a circular truss that was suspended over the audience, together with several wide straight trusses, running the width of the building, positioned at FOH and at the rear of the stage.

The Robes - a mix of ColorSpot 1200 ATs and ColorSpot and ColorWash 575 ATs - were distributed all over the various tr

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14 March 2016

"The pink goddess is beautiful! I have had it out on two shows already," Carson said just one week after receiving the custom PC Wing which was used for the recent Sovereigns Ball event at RMA Sandhurst Military Academy. The MagicQ PC Wing was controlling 12 Colour Block DB4 units all acting as audience blinders over an arch truss and all dimmers.

Carson added, "The wing was used because the operator, Mark Jones, was using an Avo Pearl 2000 and it became apparent that there wasn't enough power in that desk to run the LED flexibly and create many interesting looks. Th

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14 March 2016

Sarah Jakubasz, lighting designer for Lightswitch created an overall design that used as many eco-friendly lighting fixtures as possible. Lightswitch designers use eco-friendly fixtures when ever possible on all their projects, says the company. Jakubasz created her design using Color Kinetics' Color Blaze 72s and Color Blast 12s. She also designed custom compact florescent fixtures that were placed on each end of the bars. Lending a hand to this worthy cause was Production Resource Group who provided lighting gear and helped defray some of the rental costs.

Lighting manufacture ETC also pitched in by donating some HID Source F

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14 March 2016

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14 March 2016

All items will be sold on a first come, first served basis. "This isn't an auction, but the buying frenzy will be the same, based on the pricing we're already seeing coming in," says GearSource president Michael Fairbairn. "Obviously, PRG has a massive inventory of equipment in audio and lighting. This event is created to help them liquidate that inventory without the trouble of staging an auction," says Fairbairn. While the Gear-Up sale may eventually open up to other GearSource.com vendors, this event is exclusive to PRG's US-based invent

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14 March 2016

BGV-C1 is a German code of practice for the entertainment and theatrical venues, part of which covers lifting and rigging equipment. Adopting BGV-C1 is voluntary, but it is generally required to obtain insurance within Germany and is therefore rapidly becoming an industry standard across Europe. A C1 chain hoist can be defined as a unit suitable for use to move and hold loads above people, and as such has to meet certain criteria such as a design factor of 10:1, underload and overload protection and a double brake mechanism.

"We needed to make a simple hoist that could work

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14 March 2016

Developed around Martin's fluorescent colour-mixing module, the Cyclo IP65 Directional Series is further enhanced by its use of a well-known lamp technology that ensures long lamp life (20,000 hours) and a low maintenance schedule, says the company.

The Cyclo IP65 Directional can be programmed to generate smooth variations in light and colour, as well as 'daylight' variations in colour temperature. The Series offers a choice of static colours, variable colour temperature, or RGB colour mixing. Each of t

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14 March 2016

On display will be the award-winning WARP/M (Motorised) and manual WARP zoom profile spotlights, which have recently been installed in the UK at leading venues including the Barbican Concert Hall, Glyndebourne Opera, the English National Opera's home at the London Coliseum and the London School of Speech and Drama.

Alongside it on LSI's stand will be the compact, powerful ADB Mentor control console, whose leading UK customers include ITN and the BBC, which has taken delivery of ten consoles for its UK regional television studios and recently ordered another two of the desks for a new London studio that will open in June.

LSI Projects will also be displaying the Europe and Eurospot luminaires, two of ADB's best-selling lig

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14 March 2016

The company has also reports seeing strong uptake of its lighting control systems in the touring rental, TV/studio and architainment markets.

The new London office will have a dedicated technical support and sales team in place to support the UK market, and the company plans to open its New York office later this month, through its US distributor A.C.T Lighting, to service its growing Broadway presence.

(Lee Bald

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14 March 2016

The theme of the evening was the Four Seasons, and for the room lighting, Hawthorn's LD Matt Oscroft used PAR cans and Selecon Cool 90s, complete with gobo break-ups to change the mood from season to season throughout the ceremony.

Working for The Staging House, Hawthorn also installed a 76ft x 12ft foot stage using its Steeldeck modular staging units, as the stage had to be large enough not only for the live band, but also to hold all of the award winners together for group photos at the end of the awards.

Hawthorn's stage backdrop consisted of an 18m x 6m Prolyte truss goal post, with a starcloth backdrop and sharkstooth gauze panel in front. LD Oscroft used the gauze as a projection surface fo

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14 March 2016

The RSC attracts audiences and artists from around the world to its three theatres (Royal Shakespeare Theatre, Swan Theatre and Courtyard Theatre) in Stratford-upon-Avon. Currently, King Lear and The Seagull are performed in repertoire at the 1500 seat Courtyard Theatre. The two productions make up the last of the RSC's Complete Works season after which the productions will embark on a world tour that includes stops in Singapore, New Zealand, Australia and the East and West Coasts of America before returning to the UK. The remainder of the tour will be played over an eight week

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14 March 2016

The draft standards, BSR E1.35-200x, Standard for Lens Quality Measurements for Pattern Projecting Luminaires Intended for Entertainment Use, and BSR E1.36-200x, Model Procedure for Permitting the Use of Tungsten-Halogen Incandescent Lamps and Stage and Studio Luminaires in Vendor Exhibit Booths in Convention and Trade Show Exhibition Halls, can be accessed at http://www.esta.org/tsp/documents/public_review_docs.php

BSR E1.35-200x, Standard for Lens Quality Measurements for Pattern Projecting Luminaires Intended for Entertainment Use, describes a method for measuring stage and studio luminaire lens quality with particular emp

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14 March 2016

For this tour, Groban wanted a more industrial rock look for the lighting even though he's not recognised as that kind of performer. He asked production designer Roy

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14 March 2016

The Royal Centre, a celebrated Nottingham landmark and regular touring venues, is currently undertaking a strategic review. MD James Ashworth explains, "Theatre Projects were the natural choice for the job with their intimate knowledge of the building, having helped us conceive it during the 1970s and 80s. With a vast portfolio of experience and an unparalleled reputation for excellence, we believed they would assist us in ensuring the Royal Centre continues to be one of the country's finest facilities for the 25 years."

Theatre Projects is currently celebrating its 50th anniversary of consul

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14 March 2016

The 2500s were chosen for their power and intensity and also their reliability. 21 of the CS 2500E ATs are rigged onto the main trussing structure above the ice, consisting of a circle in the centre, with eight spines radiating outwards towards the edges of the ice. There are six units on the circle and then either one or two on each of the eight spine trusses. There's another four above the judge's panel at the end of the ice rink, and six on the floor directly behind them.

Pedersen has been a Robe advocate ever since the first time he used ColorSpot 1200 ATs two years ago on a TV sp

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14 March 2016

Bandit also supplied the original Once In A Lifetime (OIAL) tour in 2005 as well as the OIAL country tour in 2006, all project managed by Bandit Lites' Lester Cobrin.

For this Rewind tour, the lighting design was completely reworked by Bandit's production designer, Dizzy Gosnell from their San Francisco office, which included the addition of a moving truss system. This enabled the rig to be moved into different shapes for all the acts. Although there was a specific running order, they were all effectively headliners.

"Making each artist look different was the biggest task for me," says lighting director and console operator Pe

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14 March 2016

According to Janusz Plewin'ski, the general lighting operator for TVP in Poznan, "Congo is a good choice for mid- to large-sized studios, particularly because the console doesn't use a touchscreen. Its versatile faders and keys allow quick shortcuts to help lighting designers keep up with the busy world of broadcasting."

Congo's 'zoomable' channel views are another helpful feature for television studios, as well as the zoomable Channel Layout function that allows users to draw their own live displays using standard channel symbols or icons. TVP technicians apprec

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14 March 2016

Prior to joining Wybron, Steele was the Rosco Laboratories account executive in charge of covering the northeastern United States. He is currently an artist in residence at the University of New Haven.

"Bryan is a terrific salesperson, well-known and liked in our industry," said Larry Turner, CEO of Wybron. "Many of our dealers have written me to congratulate us on hiring him and tell us how much they look forward to working with him as he transitions to Wybron. Additionally, Bryan's background as a lighting designer really gives him a clear understanding of our clients needs."

(Jim Evans)

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14 March 2016

Major employers in the theatre, live music and events industries already report serious difficulties recruiting qualified and experienced professionals in a wide range of disciplines including lighting, sound, stage controls and specialist backstage support staff.

Since January 2007, more than 300 individuals and organisations - including employers, trade bodies and freelancers - have been consulted on the Skills Academy proposal being developed by Creative & Cul

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14 March 2016

"What's unique about this show is that you're dealing with 20 performing artists in 20 days," notes LD Systems' John Dickson, who handled all the overhead stage lighting. "And that means 20 different lighting designers. They don't run the board; they give you ideas to translate. The challenge is coming up with different looks using exactly the same rig every night.

The grandMA is really fluid, and its timecode is totally cool. Two shows were done to timecode: the National Anthem and a multimedia presentation honouring the volunteers and featuring a brief history of the rodeo. The grandMAs took the timecode feed better than any other system I've used

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14 March 2016

SPS has worked on the IoD flagship event for four years and utilised its extensive experience to design and construct the impressive stage set. SPS used LED screen technology both as a graphic display and a powerful lighting source. This allowed the 2,500 company directors attending the event a clear view of the stage. These LED screens coupled with two large video projection screens created a dramatic stage set. SPS's creative team also produced the graphics and visual content.

The theme of this year's event was Success in a Challenging World. It examined topics such as the rapidly expanding European Union, globalisation of markets and environmental issues. Key note speakers in

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14 March 2016

The Stagebar 54 is bright enough to be matched with other light sources. With five coloured diodes (Red, Green, Blue, Amber and White), instead of the usual three, the Stagebar 54 offers a broad range of colors. Lens options include a 29° standard lens or opaque diffuser.

A central feature of the Stagebar 54 is the ability to create even and consistent colours. Each pixel board has been measured and calibrated, "guaranteeing standardized brightness and colour performance".

To ensure the best possible lumen performance, on-demand fans monito