UK - Arts Council England has opened its £18m Developing your Creative Practice (DYCP) fund to a wider pool of creative practitioners in light of the COVID-19 effects on the workforce.
Able to apply for a grant this year will be DJs, performer/creators, arts and cultural educators, community practitioners/engagement specialists, movement directors, cultural conservators, creative enablers and creative technicians.
“We know that COVID-19 has had a significant impact for individuals, and many will need to develop themselves and their work to respond to the new environment,” says the Arts Council. “We want to support as many people as possible to reshape and redefine their work and continue to make a positive impact on creativity and culture.”
The grants, ranging from for £2,000 to £10,000, will be awarded for development activities from practitioners worki

UK - Creative Technology (CT) has introduced some changes to its UK senior management structure that have been in development for a few years.
Nick Askew is stepping into the role of head of corporate events and will have overall responsibility for CT UK’s corporate projects.
Matt Eve is the new commercial director, focusing on the development and alignment of sales and marketing across CT.
Dan Burgess has moved into the creative services division as head of creative services and Will Case is taking on the role of director of innovation, continuing to develop strategies and techniques that bring our client’s ideas closer to our services and technology.
“We are pleased to see on-site event work picking up in selected markets as well as virtual and remote production that we moved into heavily over the spring and summer continuing to progress,” says Ma

UK - The latest range of Panasonic 3-Chip DLP laser projectors, available in December, are designed for immersive location-based entertainment with 4K image quality alongside ease of set-up and use. The small and light 30,500 lumen projectors, the PT-RQ35K (4K) and PT-RZ34K (WUXGA) are designed to ‘visually thrill visitors to museums, exhibitions, theme parks and events and for projection mapping’. Reliability and Quiet Mode (46dB) also make them suitable for use at conferences and in auditoriums.
“With consumer behaviour changing, location-based entertainment (LBE) brands and destinations will need to compete with bigger and more stunning attractions to bring visitors back into venues,” said Hartmut Kulessa, European marketing manager at Panasonic Business. “Immersive digital experiences will play a huge part in this transition. With its spellbinding picture quali

UK - Based in London’s Fitzrovia, Epic Games’ London Innovation Lab is a hub for the creative community, offering creators across industries a platform to produce real-time content and immersive virtual experiences, using Epic’s Unreal Engine (UE) software. The new curved LED Volume, recently installed at the Lab and running on Brompton Technology processing, is a testament to the company’s continuous commitment to empower new ways of content creation using the latest technology advances.
Whilst UE has been at the forefront of Virtual Production (VP) since the first workflows began to emerge, it is the first time that the company has introduced its state-of-the-art virtual studio, working with partners such as Brompton Technology, ARRI and creative technical production company 80six, ‘to bring the magic of virtual production to life’.
“Our initial convers

UK - Events and creative industry professionals Mark Davies, Jerry Cleary and Edwin Higgins have joined forces to launch a new event production company, JEM LIVE.
The new venture combines a physical event production offering with services such as live streaming, extended reality (xR) and social media amplification to enable organisers and agencies to expand the reach of their event.
“We wanted to create a company which was fluent in virtual event technologies while not forgetting the importance of more classic elements of event production,” comments Davies. “High quality design, lighting, sound, staging etc. remain at the heart of live events but in the COVID-19 era we have to be willing to integrate virtual elements too.”
Davies has more than 25 years’ experience in live events and entertainment architecture and is responsible for the commercial and

Australia - Green Hippo has added two new distribution specialists to its international sales network.
Representing the brand in Australia and New Zealand is Melbourne-based Corsair Solutions. Established in 2009, Corsair imports and distributes professional and commercial AV equipment and has established itself as a trusted partner of AV system integrators, pro audio and video equipment resellers and equipment rental companies throughout Australia and New Zealand. Corsair also distributes Green Hippo’s sister brand within Spitfire Creative Technologies, tvONE.
Meanwhile, Wholestage has been appointed to represent Green Hippo in Latin America and the Caribbean. Founded in Venezuela in 1998, Wholestage is today based in Miami, Florida, with offices in Colombia, Dominican Republic, Panama, Chile and Spain. It specializes in the distribution of pro video, audio, riggin

UK - 7thSense has promoted Jack Dowd to the position of product manager of the Delta Media Server range.
After joining the company in 2013 as systems engineer within the production department, Jack was promoted to technical sales and systems engineer as a key member of the 7thSense sales team in 2019 - providing technical support to customers, as well as the commissioning of systems on-site.
“Jack’s promotion is incredibly well-deserved, and a reflection of his vast understanding of, and contribution to, our Delta Media Server line of products,” notes Richard Brown, 7thSense CTO. “Jack has been instrumental in the development of new product features over the years, ensuring that our customers always receive the highest standard of service and support. We look forward to the next chapter with him as a new member of our expanding product management team.”

USA - Fuse Technical Group turned to 13 disguise gx 2c media servers with Designer software and Sockpuppet control features to help deliver a home game feel for teams and fans at home, as the NBA resumed its season.
The NBA has set up a ‘bubble’ isolation zone at Walt Disney World near Orlando, Florida to enable professional basketball to resume in the US, while keeping players safe. Although spectators were not permitted in the stands at ESPN’s Wide World of Sports Complex where the games were held, fans have been able to watch televised basketball once again.
“This was a totally new experience for the NBA as well as the teams involved,” says Charles Dabezies for Fuse Technical Group. “Our largest challenge was understanding how to adapt 22 different team’s shows for this new environment. Adapting a traditional basketball game to this layout was new for

UK - Epic, the company behind Unreal Engine, has finalised the refurbishing of its London-based Innovation Lab, including a complete virtual production LED stage featuring ROE Visual LED products.
Epic Games, known for its video games, develops the Unreal Engine realtime 3D creation tool. This game engine not only powers their internally developed video games such as Fortnite and Infinity Blade series but is used to develop the virtual backgrounds and sets that made virtual production in film possible.
Since the technique of LED virtual production was explored and the first pioneering steps were taken, both Unreal engine and ROE Visual have been involved.
“ROE had already proven itself at the very cutting-edge and high end of LED virtual production with its pioneering use on Star Wars Mandalorian. It was important for us at Epic to give c

China - A watch tower that overlooks China’s second-longest river - the Yellow River - is lit by Christie laser projectors for a light show aimed at promoting Yellow River culture and boosting the local cultural tourism industry.
Located in Lanzhou, capital of Gansu province, the 90m high Yellow River Tower is the centrepiece of a night-time extravaganza titled The Great Lanzhou, which made its official debut on 29 September ahead of China’s 71st National Day celebrations. The outdoor show features 3D projection mapping, stage lighting, lasers, atmospheric effects and live performances to tell the story of the Yellow River basin - birthplace of ancient Chinese civilisation, and the most prosperous region in early Chinese history.
Projection is accomplished by Christie’s newly-appointed distributor Zhongqing Yingye Group using 32 Christie 1DLP and 3DLP l

USA - Foo Fighters recently played the #SOSFest livestream with Brit Row providing the virtual remote mixing solution. Performing at West Hollywood’s Troubadour, the gig was streamed to fans on 18 October as part of a collective action weekend in support of independent US-based music venues.
A total of 35 artists - including Miley Cyrus, The Roots, Major Lazer and Leon Bridges - played in multiple venues in cities across the US and joined the Foo Fighters in raising awareness and funds to keep North America’s cherished independent concert venues from closing indefinitely.
Named #SOSFest, the three-day virtual music festival was created to support the Save Our Stages initiative and America’s National Independent Venues Association’s (NIVA) Emergency Relief Fund. NIVA’s YouTube hosted the festival, with individual sets also aired on artist channels.
Pri

Italy - A Lawo 24-fader mc²36 All-in-One console and two compact Lawo stageboxes are at the heart the new 4K OB truck that Lawo partner ARET Video & Audio Engineering has designed and built for a Middle East customer. The Gulf state client manages a culture-based television channel in addition to various tourist, cultural and media activities, and plans to expand into the filming of sporting events.
The new OB van features a layout that maximizes internal space while allowing interoperability between all three operational areas: the main production area, with monitor wall, slow motion equipment and character generator stand, the Audio room, with its custom acoustic insulation, and the engineering and camera control area with control of up to eight cameras via fiber-optic connection, plus two wireless cameras. Each of these areas, including the racks, has its own indepen

UK - disguise has launched three Extended Reality (xR) stages in its London, Los Angeles, and Hong Kong offices. The new stages provide a dedicated space for xR innovation and customer demonstrations, allowing disguise to present new workflows.
The stages are equipped with disguise’s xR solution and a proven complement of LED displays, cameras and camera tracking systems to ensure successful xR productions. For its London and LA stages, disguise has chosen long-term partner ROE Visual to deliver LED panels that bring high-quality visual effects to life on large display formats, creating immersive experiences for performers on stage and audiences at home.
“It’s a pleasure to have partnered with disguise on this fantastic project. We are pleased to be at the forefront of the ever-popular technique of virtual production and it’s great to have a fully functioning

UK - Having secured £3.6m in funding from the Solent Local Enterprise Partnership (LEP), the University of Portsmouth will launch its new Centre for Creative and Immersive eXtended Reality (CCIXR) in 2021.
The CCIXR will be the UK’s first fully integrated facility to support innovation in virtual, augmented and extended realities. In order to deliver this project, the University has partnered with technical solutions specialist White Light (WL). The Centre will utilise WL’s SmartStage technology for innovation, research, and delivery of the Faculty’s curriculum.
CCIXR will offer 12 XR areas of development. The facilities will enable staff and students, in collaboration with the university’s national and global partners, to engage with a diverse range of content in an innovative way. The flexibility of the SmartStage will allow users to “push the boundaries o

UK - Green Hippo is launching an online version of its popular HippoSchool training for the first time, making it universally accessible in response to the COVID-19 pandemic. The move means more emerging users of its Hippotizer Media Server range can access learning in a virtual environment ‘anywhere, anytime, while adhering to social distancing guildelines’.
HippoSchool Online offers complete basic training of the Hippotizer ZooKeeper software - the control interface for Hippotizer and the hub for real-time control of the engine and all of its components. Sessions consist of two online courses that take approximately five hours to complete, with more courses in the pipeline. They are modular, with videos that the user can follow in their own time, featuring ‘Try It Yourself’ tasks to ensure full immersion into as-real-world use of the feature-packed software.

USA - Atlona has promoted David Shamir to VP of product management. Reporting to Atlona co-founder and CEO Ilya Khayn, Shamir will continue to lead the company’s product strategy while expanding his responsibilities to oversee engineering and product development.
“Our industry was already very dynamic and constantly changing, but the pandemic has accelerated many existing trends while making AV more critical in environments such as small and home offices,” said Shamir. “With Covid-19, things are changing by the minute, making it challenging to accurately predict how the AV market will evolve. We will stay as nimble as possible to address our customers’ changing needs, while offering flexible solutions that help them adapt to world conditions and whatever their ‘new normal’ becomes.”
Shamir notes that the agility of Atlona’s solutions is strengthened b

UK - Like many events, the BBC Proms, which turned 125 in 2020, had to undergo a significant re-conception in format due to COVID-19. Once again returning to its home at the Royal Albert Hall, the season this year combined live performances with archive footage of past festivals. However, for the first time, no guests were in physical attendance for the live shows and instead the audience tuned in via TV or radio from their homes.
Technical solutions specialist White Light (WL), with strategic partners ELP and SFL, supplied the lighting and video elements for the Proms 2020 Live run.
While planning commenced prior to the pandemic, the creative and technical teams, led by production manager Steve Nolan, began collaborating virtually during lockdown to find a solution. A range of options were explored, enabling the festival to go ahead in accordance with guidelines, resu

UK - Avolites has released Prism Player, a new software application for media previewing and encoding. This is the first release under the Prism product range and can work as an auxiliary tool to the Avolites Ai video software platform.
Earlier this year, Avolites launched the Q Series Media Servers, a range of four media servers designed to power every performance. The company is now looking to expand its user base and introduce the discipline to new users with Prism.
The Prism platform is designed with an intuitive and clear user interface to give newer video designers and operators a stepping stone into the discipline. “With Prism, we wanted to create a set of complementary tools that would help designers start to integrate video into their projects as well as improve the user experience for our current Ai users,” says Paul Wong, managing director at Avolites.

Canada - Solotech has announced the appointment of Omar Prashad as sales director, Ontario.
Prashad will be responsible of the leadership of the sales teams (Toronto and Ottawa offices), with the objective of establishing Solotech’s business position and growing revenue and market share in the province. He will oversee the development of key existing accounts in the live performance and entertainment sectors, while ensuring a strong diversification strategy to penetrate high-promising market segments such as corporate and education.
With over 15 years of experience in the systems integration business, namely at Westbury National, Advanced Presentation Solutions and DuoCom Canada, Omar Prashad has a strong background in managing and motivating sales teams, financial management and strategic planning initiatives.
“Omar’s proven vision and sales development c

UK - iMAG Displays has added a Brompton Technology Hydra to its inventory.
The Hydra is an advanced measurement system custom-designed for LED panels fitted with a Tessera R2 receiver card. Panels must be measured with Hydra to benefit from Dynamic Calibration, the technology that enables Brompton HDR.
iMAG has invested in a Hydra not just to recalibrate its own stock of LED panels, but also to make it available for hire to other UK rental houses so they can update their own panel inventory.
The decision to purchase Hydra was made before the pandemic but was put on hold whilst the company – previously focused on servicing live events – realigned its focus and looked at new business opportunities. Such an investment may seem like a bold move in the current climate, but the decision was based on seeing first-hand the benefits of Dynamic Calibration and Brompto

UK - Following the sudden death of its legendary landlord Louis Hayle – more commonly known as Dutty Ken – the future of reggae venue, the Star & Garter in Montpelier, Bristol, was cast into uncertainty.
The pub had already been saved from the hands of the tax man a few short years ago thanks to a vociferous crowdfunding campaign, and in the months after Dutty Ken’s death, fears surfaced that it would be sold and converted into flats.
This threat, which could be seen as indicative of a wider phenomenon that has swallowed a number of the UK’s most well-loved venues in recent years, was enough to call the local community to action once more.
With this new campaign succeeding in saving the Star & Garter for a second time, another stalwart of the Bristol music and events scene, Malcolm Haynes, stepped in to take ownership of the situation.
With

Sweden - Visual design studio PXLFLD recently deployed Hippotizer Media Servers from Green Hippo to provide the visual backdrop for a secret party and live performance by singer-songwriter Veronica Maggio.
Conceived by Red Bull, the exclusive event, staged at the Nobis Hotel in central Stockholm, was available only to fans who completed a treasure-hunt-like series of tasks.
Nikolaj Brink, Maggio’s lighting designer and a recent addition to the PXLFLD team, was responsible for the event’s show design, and called in his colleagues to deliver the show’s visual playback elements. But with the limitations imposed by Covid-19, this was a show with a difference.
PXLFLD’s Anders Granström explains, “The stage was built in the hotel’s grand lobby. To maintain social distancing, the audience enjoyed the concert from their hotel rooms, looking down at the perfo

Italy - The Green Carpet Fashion Awards (GCFA), organised by Italian fashion body, Camera Nazionale della Moda Italiana and sustainability consultancy, Eco Age, traditionally presents a star-studded celebration of sustainability in the fashion industry during Milan’s Fashion Week.
This year, the Awards’ ethos of togetherness was upheld with a revolutionary show designed by NorthHouse incorporating cinematic footage with augmented reality, visual FX and hologram technology provided by AHRT Media. The show was directed by Giorgio Testi and produced by Livia firth and Pulse Films.
NorthHouse, a creative studio focused on design and direction for live shows, put forward the concept to overcome the restrictions in place due to the global pandemic. The studio’s ideas saw Milan’s La Scala transformed into a vibrant magical garden.
Founder and creative director o

South Africa - Rokunda Netshiluvhi of DirectorRo has managed to ride the COVID-19 wave and come out tops, using this time to learn, establish himself as a lighting designer and set up a virtual platform at Vision View Productions based in Cosmo Business Park, Johannesburg.
Rokunda resigned from full-time employment at rental company Murangi Productions and started his own company as a freelancer in November 2019. “I decided to register myself as a business so that I could be accountable in everything I do,” he explains. “If freelancers pay attention, they can do what I’m doing. It starts off by thinking of yourself as a business instead of living hand-to-mouth.
“Many freelancers rely on receiving a phone call and being booked for an event. They think that to get work, someone has to call, instead of thinking let me try and make something myself, let me pitch

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