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14 March 2016

"We have watched the impressive development of PLASA Focus as it has established itself as a strong and effective regional event, and we felt that 2013 was the right time to get involved," states Shaun Pearce, MD of Pearce Hire.

The past year has seen significant expansion for Pearce Hire in a number of areas, with an increased warehouse footprint at their HQ in Peterborough. The company has also made significant investments in their product inventory and expanded the team to meet the challenges and demands of a diverse and growing range of customers. All in all this should ensure that th

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14 March 2016

The line-up of international stars included music artists Ryan Adams, Kasabian, Noel Gallagher, Damon Albarn, Graham Coxon, and Paul Weller as well as comedy stars Russell Brand and Noel Fielding.

Flown above the stage, XL supplied an 8m x 4.5m Lighthouse R7 LED screen which showed IMAG footage of the shows combined with information films about Teenage Cancer Trust's work helping young people with cancer. Below the screen a 28m wide LED banner, formed from Pixled F-25, provided an additional scenic element as well as showing details on how the audience

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14 March 2016

Celebrations for this unique event were led by a spectacular pyrotechnic performance from Walk the Plank, one of the UK's leading forces in creative event production. Based around a firework display on the banks of the city's River Foyle, from moving speedboats and on the deck of the recently built Peace Bridge, Wackiki provided audio coverage across a 2.5km stretch along the river's edge.

Working closely with Walk the Plank's own Melvyn Coote, Wackiki designed a system that could be cleverly controlled from the fixed mix position, and also wirelessly from any point along the system's stretch.

Starting from the recently re-imagined Ebrington concert site, multiple stacked L'Acousti

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14 March 2016

To mark the occasion the BBC staged a series of televised events and programming including a live concert by Madness outside the building (broadcast on BBC Four), a special 'outdoor' One Show on BBC One which linked live to the concert and a two hour documentary about the building where a host of stars shared their TV Centre memories.

ELP provided lighting for both outside broadcast events. The company already supplies lighting director Dave Evans for the daily (studio based) One Show broadcasts. For this outdoor special Evans specified a completely new rig which included: Arri Junior

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14 March 2016

Ilumipanel 40 IP is a powerful interior/exterior fixture, designed as a mid-range wash light, suitablel for uplighting walls, and featuring a slim structure, which blends with the environment and fits in areas with tight tolerances. Ilumipanel 40 IP has 40 3-watt RGB LEDs and 30-degree lenses. Reliable in the harshest of environments, this wash light features an impact-resistant glass lens cover and a GORE® valve. The fixture's dimension

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14 March 2016

Four SpeakON connectors - one of which has a pin-reversed socket - allow two separate monitor ways through only one four-pole lead.

The M20 monitor is acoustically compatible with the MT12 multi-purpose loudspeaker and also mechanically compatible with the SW18 subwoofer. Thus the M20 fits into ProAudio Technology's coherent system concept.

(Jim Evans)

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14 March 2016

The company, who will be exhibiting in the main lobby of Hall 4.2 alongside all the other TC Group brands, together in one place for the first time at an international show, invite all attendees to demonstrate the new release. Version 6.1 features substantially improved implementation of Dante - the leading digital audio networking technology from Audinate - new integration support for well-known real-time audio analysis software, SysTune, and a number of other key developments aimed at both live sound and large-scale fixed install applications.

Across both Lab.gruppen's PLM (Powered Loudspeaker Management) Series and Lake LM (Loudspeaker Management)

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14 March 2016

The DN200 Dual-Channel Active DI Box delivers the connectivity and exceptional audio performance customers have come to expect from Klark Teknik plus some innovative new features. Housed in a robust alloy case, and further protected by a replaceable silicon sleeve, the DN200 features inputs on pairs of XLR, TRS and RCA sockets, plus a switchable 20 dB pad and ground lift switch.

In addition to the usual applications of a stereo DI, the DN200 can operate in Sum mode, where left and right input signals are merged and routed to both left and right outputs, or Split mode, routing the left input signal to both the left and right outputs. The DN200 supports 24 - 48 V phantom-power operation.

(Jim Evans)

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14 March 2016

The idea was the brainchild of Blues chief operating officer, Denise Barrett-Baxendale, who deals with all of Everton's community based activities, with key support from the Club's memorable match day team alongside close consultation from Adlib Lighting's Pete Abraham.

The project focused on creating a huge visual impact for Everton supporters by lighting up the Park End stand ahead of important fixtures versus West Bromwich Albion, Oldham Athletic and Wigan Athletic.

It also follows on from a guerrilla style Adlib supported projection project that took place at key strategic sites around the city of Liverpool in December 2012 when for the 12 days before Christmas Everton turned the city Blue

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14 March 2016

Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video, will conduct two sessions each day. The first session will focus on microphone techniques and applications used for episodic television with a focus on multi-track recording, and the second session will be about techniques for rigging and attaching lavalier microphones to actors for film and video production.

Robert Bigelow, audio engineer for HBO's Tremé, will also present two sessions. First he will share his experiences of recording live music for broadcast on Tremé, and later provide a better understanding of Mid-Side stereo recording.

Steve Savanyu, Audio-Techn

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14 March 2016

The MCX 15 is a coaxial high performance monitor with low profile casing design. The design enables two set up options - with a flat angle of 35° for a monitoring from near to short distances and a steep angle of 55° for longer distances. With its elegant optic it harmonious fits into all surroundings. With its solid construction and the high protective front grid it can deal with the hard stage requirements perfectly. The dispersion of 65° vertical and 45° horizontal has been adapted to the monitor angle and can be rotated 90°. Each, left and right side includes a connection panel with each two Neutrik NL 4 Speakon sockets for an efficient cabeling and linking of the stage signals.

The direct-rad

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14 March 2016

Bronski, who started working with Rita in February last year, has opted to use Sennheiser microphones for both Rita and her band because, he says, there is simply no better sounding, more reliable product on the market.

"Sennheiser wireless products are second to none," he says. "It's always the easiest choice to make, and it helps that Rita's voice sounds great on an SKM 2000 with an e 935 capsule. Her vocal always sits on top of the mix, and the e 935 enables me to find delicacies in her strong

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14 March 2016

According to Derek Mahaffey, general manager of the event's audio supplier KiAN Concert Sound Services, TOIFA chose LEO for its power, coverage, and exceptional clarity.

"The production manager for the event heard LEO at an electronic dance music festival," Mahaffey says, "He was very impressed by the system's performance."

At TOIFA, LEO will play the critical role of voice reinforcement as well as supporting the soundtracks and live music presentations. The system will use 30 LEO-M line array loudspeakers and 12 1100-LFC low-frequency control elements to cover the arena's 180-degree se

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14 March 2016

In fact, explains dbn project manager Nick Walton, the company - in a different format to now - has been involved in My Bloody Valentine live shows dating back around 20 years, and he personally also dealt with some rare live performances shortly after their much heralded reformation in 2009.

Their LD is James Murray with whom Walton and dbn have also enjoyed a great working relationship for many years. Both the band's tour management and Murray wanted to use dbn again.

The show was moody, raw and highly theatrical, with atmospheric front p

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14 March 2016

With support from the UKTi (UK Trade & Investment), the APRS has created a specially designed stand to act as a hub for all UK exhibitors and attendees to meet, network and promote themselves in the centre of Hall 5.1, which houses the growing recording and remix sectors.

The APRS stand will be actively encouraging UK exhibitors and attendees to use the large bar networking area, offering a place to meet and greet customers and prospective clients, book 30 min slots in the private meeting room, use the large promotional area to display their brochures, and network with others from the pro audio sector on the stand for the final h

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14 March 2016

With large moving scenic elements and a tall video orientated set, Olly Murs' production dimensions are certainly ambitious. Ant Carr, tour production manager via Production North, is making sure the tour takes every necessary precaution with system safety. During rehearsals he engaged Load Cell Rental (LCR) to provide an accurate assessment of the dynamic loads.

"The rig itself is typical for an arena tour," explains Carr. "Tour rigger Mark Wade fr

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14 March 2016

Kasabian's lighting designer Nick Gray from creative design practice Renegade decided to go 'all-out' to ensure that their show looked distinctive and memorable, with the installation of a floor based 'specials' package of over 90 lighting fixtures.

"Basically I took the entire lighting rig from or two warm-up dates in Doncaster and Plymouth . . . and added it to the festival style 'house' rig being supplied by PRG for the TCT shows," explains Gray.

He wanted to make a serious impact for TCT, "It's a high profile gig and I reckoned the show visuals should be imprinted on people's retinas . . . and

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14 March 2016

Kenny, who has lit tours, events and TV shows for over 30 years worldwide, has designed tours for the likes of David Byrne, Santana, Juanes, Eric Clapton, Robert Plant and Jimmy Page, David Bowie and of course The Who amongst many others. He says he used the Sharpys' effects to "sculpt the stage show and add drama, dimension and high impact architecture to the multi-media set."

Kenny says: "I love the Sharpys for their small size and speedy functionality. On the Who they gave a striking sharp beam and were especially effective when we're using no haze or smoke -they really cut through the extensive vi

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14 March 2016

Dandy, who assumes the role with immediate effect, has been with Unusual Rigging in the UK for two years and is qualified to NRC Level 2. His new responsibilities will incorporate all aspects of project management from site visit to completion across Unusual Rigging & Engineering's busy and diverse project portfolio. Recent projects in the region have included the Mall of the Emirates, Ferrari World Abu Dhabi and Dubai Airshow.

Dandy joined Unusual Rigging in the UK as an apprentice rigger in 2010, progressing rapidly to project and production rigger, before becoming head rigger in 2012. Past projects with the company have included the opening of St Pancras Renaissance Hotel, the Queen's Diamond Jubilee and the London 2012 Olym

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14 March 2016

David Moffat joined Black Light at the end of 2012. He is a very experienced events projects manager, who has previously worked freelance all over the UK. "I worked with Black Light a lot during 2012 and it was a natural step to join the company," says Moffat, who is pleased with his first few months on the job. "We've just finished organizing the 30th Anniversary Open Day which was a great way to immerse myself in what the company is all about."

Paul de Luca started at Black Light in March of this year. He is part of the company's sales des