Inside our March issue you’ll find Rob Halliday’s in-depth production report on Cirque du Soleil’s gravity-defying Corteo show, as it visits the Royal Albert Hall. Plus, we bring you our bumper round-up of news from last month’s ISE, Barcelona and expected highlights from next month’s Prolight + Sound, Frankfurt. Meanwhile, Steve Moles visits the new Design & Digital Arts building at Nottingham Trent University; Phil Ward learns how SSL’s System T is assisting with Sonosphere’s livestreaming projects; and Louise Stickland meets the largely Ukrainian crew behind a televised pop music spectacular in Luxembourg. On the tech front, James Simpson reviews Cameo’s Opus X4 Profile, and Richard Cadena explores what US tariffs could mean for the tech industry. Plus, of course, all your regular favourites and more!
Rob Halliday reports from London’s Royal Albert Hall as Cirque du Soleil’s Cortéo show accomplishes a host of impressive technical feats . . .
Steve Moles reports from Nottingham Trent University’s state-of-the-art new facility dedicated to design and digital arts . . .
Expected highlights from the 30th anniversary edition of Prolight + Sound, which returns to Messe Frankfurt this 8-11 April . . .
James Simpson reviews the high-output moving head from Cameo with an impressive array of features packed into its compact design . . .
LSi learns how strong partnerships and a commitment to collaboration and sustainability are helping AV supplier Blue-i make waves in theatreland . . .
Ian Cullen discovers how The Book of Mormon’s UK tour has put its faith in a new, all-LED lighting rig . . .
Louise Stickland learns how a predominantly Ukrainian production crew assembled to help Luxembourg select its 2025 Eurovision entry . . .
Rachel Terzian attends the unveiling of ETC’s new eco-building in Greenford, and takes a tour of its expanded space and upgraded facilities . . .