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14 March 2016

The production lighting designer is Manfred Ollie Olma, one of Germany's best known LDs.

His company, mo2 design GmbH, is also based in Köln, and has executive lighting designer & director of photography David Kreileman taking care of the week-to-week running of the show's lighting. He's working alongside mo2 project managers Sebastian Kirsch and Matthias Allhoff.

They are using 40 x Robe ColorSpot 2500E AT fixtures and 70 x ColorWash 2500E ATs, together with a large generic and white light rig including some 270 x 1K fresnels hung around the side walls for a special tungsten 'starlight' effect.

An important aspect of the lighting is to make the coupl

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14 March 2016

Set up by brothers Paul and Preston Hoffman in 2005, Pulse Lighting were asked to light the Californian-based 'fusion' band in their own right for the first time. "The management knew we had experience of the venue, and in running concert lights for broadcast," said Preston.

The day of the event - 20 April 20- was also significant since it is the day when counter-culturists celebrate the love of cannabis, as Preston explains. "With cannabis legalised in the state in 2013, the 4/20 show was historic for everyone involved in that c

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14 March 2016

The new tour, which began in Columbus on 4 April and will wrap in Scandinavia in October, marks the first for the band since 2009's sold-out Unleashed tour. This year is also the 35th anniversary of their Rumours album, one of the most successful in recording history.

Lighting designer Paul 'Arlo' Guthrie of Minneapolis-based Toss Film + Design is Fleetwood Mac's long-time lighting designer. "I have to cater to four different personalities (Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks) and bring them together as one team," he explains. "For this show we have four big LCD panels and 32 Sharpy Washes on curved lighting pipes, some of them on the floor, some on the rigs and some

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14 March 2016

The development gives the UK market another option in terms of power flying, says Mark Priestley, capital projects manager at Unusual: "The system, which has a real pedigree in control technology, can be tailored to suit the specific requirements of each client and each installation, bringing the Unusual magic to even more elements of theatre engineering."

(Jim Evans)

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14 March 2016

The Doughty motorised lectern is fully DDA (Disability Discrimination Act) compliant and will be in operation on the stand. Mark Chorley, design engineer at Doughty Engineering said, "We believe this lectern is unique - it will certainly be a real crowd-pleaser! It's been developed on the basis that not everyone who has to speak in front of a crowd is the same height, while enabling those who are unable to stand for long periods, or are wheelchair bound, to give their presentations while sitting down. All will be revealed at ABTT!"

Riggers who visit Doughty's stand will be able to discuss their specific needs with a member of the team while also viewing the new r

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14 March 2016

Star of the console area will be Eos Titanium (aka Ti), which takes its place as the company's flagship Eos line desk, with new Eos v2.0 software featuring Magic Sheets installed. Eos Ti incorporates new hardware and features that make designing and programming even easier.

Over in the fixtures area of the stand will be the Source Four LED, which comes in a range of models, depending on its intended use, from the powerhouse full colour Lustr+ to the white light specialists Tungsten, Daylight and the new Studio HD version. Staff will be available to show them to visitors, and explaining how they can fit into a mixed rig with conventional fixtures.

Another new addition to the range, and available for a special preview at ABTT, is the Source Four LED Cyc, wh

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14 March 2016

Four MA VPU plus (Video Processing Unit) together with a grandMA2 replay unit and two grandMA2 light consoles were used for lighting and video control.

MedienReich - Gesellschaft für professionelle Eventtechnik mbH was responsible for the technical realisation of the event. Holger Turban worked as lighting technician and programmer, while Chris Pauli worked as video technician and programmer and created the video content.

Pauli commented on his choice of the MA system, "The MA system convinced u

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14 March 2016

The successful TP speaker range has now been replaced by the Blakite range, consisting of three mid/tops and four subs. The new range is being built in the UK using high quality materials with custom drivers supplied by Fane.. The new range offers increased build quality, efficiency, power handling, frequency range and a marked improvement in sound quality, says the company.

On the lighting side, the Mini-Map LED screen will be the first MilTec lighting product to be made in the UK. The Mini-Map is a miniature LED screen with 36 tricolour pixels and in a break with convention is controlled via DMX512. It measures just 155mm square and is designed to be mounted individually or in clusters to provide stunning video and graph

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14 March 2016

The main Royal Shakespeare Theatre auditorium and smaller adjacent Swan Theatre were re-opened in late 2010 following extensive re-modelling, accompanied by a substantial and ongoing investment in new production technologies. Just prior to the re-build, the nearby Courtyard Theatre was created as a temporary home for the RSC's productions. It is also the prototype for the new one-room theatre format proposed for the RST and Swan to create a more traditional Shakespearean performance area, characterised by a deep thrust stage surrounded by audience on three sides.

A recent purchase for the Courtyard's audio infrastructure has been a 48x48 TiMax2 SoundHub matrix with MADI o

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14 March 2016

LKAB (Luossavaara-Kiirunavaara Aktiebolag) is the world's technical leader in supplying iron ore pellets, acquired from underground mining, to the global steel industry. Its rich magnetite mines are located in the north of Sweden above the Arctic Circle. A new research centre in Koskullskulle includes a visitor centre that welcomes guests to the nearby Malmberget mine. LKAB's iron ore mining operations are among the most productive in the world and feature automated processes that result in the "greenest" production of iron.

Electrosonic's Stockholm office was tasked by LKAB consultant WSP with designing and engineering the audio-visual facilities at the visitor centre, inclu

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14 March 2016

More than 15,000 people turned up at the Autódromo La Guácima, where technical production company LuzArt provided a dynamic infrastructure. This included 18 of PR Lighting's super bright XR300 Beam, equipped with 300W Platinum 15R lamp and convex lens, and 36 compact XLED 336 LED moving heads. These were mounted on the backdrop truss, and on the ground, where they were used as floor FX.

LuzArt has been working with the Chinese manufacturer's products for the past three months and the company's owner, Francis Villalobos, confirmed that they were able to put up a compelling argument to the artist's production team for using the PR Lighting fixtures. "Although they weren't specified on the ri

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14 March 2016

Although SGM fixtures were also used throughout the EuroVillage, it was in the main action of the contest itself that these FX worked their magic, adding genuine dynamic for lighting designer, Fredrik Jonsson. Along with ESC's experienced technical director, Ola Melzig (working on his 11th Eurovision), he had first seen the impact of these LED solutions on the SGM stand at the PLASA Show in London and later at LDI 2012 in Las Vegas.

According to Melzig, "We fell head over heels in love with them and knew this was something we had to have."

Jonsson first evaluated the X-5 strobes during an X-Factor broadcast he had been involved with back in November 2012. "We rigged a few of them next to other strobes I had in

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14 March 2016

"We are very pleased to add ADB's considerable lighting experience to the White Light Distribution network," said Peter Threadgold, sales director at White Light. "We have seen ADB's commitment to quality and innovation over the years. This matches perfectly with our desire to deliver the best lighting solutions for our customers."

White Light will offer sales and support for ADB's extensive range of high perf

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14 March 2016

Kaukis will continue to grow the Mackie and Ampeg brands as well as working on the Beyerdynamic and Gallien Krueger brands with POLARaudio national sales manager (retail division), Clive Burns.

Following his appointment Kaukis commented: "I am delighted to be joining such a fast growing, proactive company and working with such a strong brand portfolio. I will be working closely with the POLARaudio team focusing on going out around the country, meeting people face-to-face to en

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14 March 2016

Ambersphere Solutions is the exclusive UK distributor for German lighting control manufacturer MA Lighting and Italian moving light manufacturer Clay Paky. "Robert Juliat offer a desirable range of theatrical lanterns and followspots which perfectly complement the existing Ambersphere product range," says Ambersphere managing director Glyn O'Donoghue. "Our Total-Support distribution model is ideally suited to Robert Juliat's exceptional product range."

Robert Juliat sales director Claus Spreyer comments, "Our products are based on optic

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14 March 2016

Speaking to The Independent, the BBC's head of music television Mark Cooper said the rock legends were "nervous about how much they should share". The Stones, he told the paper, were "stepping out of their comfort zone". He added: "At this point, I'm quite optimistic we'll get a sufficient amount of music." The BBC statement said: "We're confident that we'll be able to deliver fantastic coverage of this year's amazing Glastonbury line-up." The Rolling Sto

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14 March 2016

The band are rapidly commanding respect and building a fan base with their original sounds, and are hotly-tipped for great things since their An Awesome Wave debut album won the 2012 Mercury Music Prize.

Siyan was asked on board by production manager Mark Ward from Proper Productions, with whom they have enjoyed a long and successful working relationship.

Siyan's director Nick Valdez commented, "It's been hugely exciting for us! The band is critically acclaimed, and it's great to be working with someone of Vince's calibre and see him develop a really stylish show."

The rig supplied by Siyan was entirely floor based - and as per Foster's design, completely asymmetrical - forming the core of th

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14 March 2016

A sea of kinetic sculptures were hung throughout the entire arena roof, resembling interior design lamps which would raise, lower and change colour for the different performances. The sculptures were hung from custom winches designed by Tait Technologies with the majority hung over the audience and 14 placed directly over the main stage.

Two W-DMX BlackBox F-1 MKII units controlled 70 W-DMX Micro OEM Transceivers (with support of RDM), utilising three channels for an RGB LED located inside the fixtures and two channels for their speed and position. Although independently controllable, the sculptures as a whole were designed in unity, creating wave effects or lowering at the same time to give an intimate feel to the arena. Control came via gra

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14 March 2016

The eclectic four-piece who've been together since 1993 starting out as Pezz and later changing their name for legal reasons, consists of Ben Kowalewicz (lead vocals), Ian D'Sa (lead guitar), Jon Gallant (bass) and Aaron Solowoniuk (drums).

The main PA comprised 14 Martin Audio MLA cabinets and one MLD (down-fill) flown on each side of the stage with 12 W8LC per side for left and right side PA, 12 MLX subs floor-stacked and eight W8LM cabinets along the downstage edge for in-fill/out-fill. Martin Audio MA 4.2 amplifiers were used to power the side and in-fill/out-fill systems.

Crew for the show include

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14 March 2016

Bluman Associates provided the technical production for the video for the whole tour and designed all the content in-house, following the creation of the company's design department earlier in 2013.

A 40ft by 20ft backdrop was the canvas for the projection. This also cleverly hid the video wall set up that co-headliner and fellow rock legends Journey were using for their set, making the quick turn-around between acts possible through a simple reveal.

Bluman Associates utilised three Barco 40K