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14 March 2016

Dierson, who worked alongside ARE Productions show producer Antony Randall and creative director Ted Lovett, and designer/programmer Davy Sherwin, created a multi-layered design, which carved up the stage with constantly moving, bold, sweeping looks that swung from the intimate to the epic. To achieve this diverse and exciting concept, the show designers turned to the cutting-edge SL Nitro 510C, which adds RGB & W LED capabilities to the original SL Nitro 510 luminaire, delivering intense bursts of coloured and white light and dynamic effects.

Inspired by the artwork of Tempah's latest album Demonstration, Dierson says, &quo

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14 March 2016

"Like a lot of engineers, I've been developing a rental side to what I do," says Duncan. "I had a few Senneheiser mics and various bits of outboard, and over time you think, 'actually, if I had this bit of kit it would be really useful'. A couple of years ago I was on a particular tour and I thought just that, so I bought a DiGiCo SD8 24 because it was what I needed and I knew there was enough work out there for it."

Since then, Duncan has added to his inventory with an SD11, which he used on the European leg of Rebecca Ferguson's tour. He is now deploying his SD8 with Sophie Ellis Bextor.

"Buy

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14 March 2016

Following the success of Fiddler on the Roof, sound designer Richard Brooker, along with his associate sound designer Ross Portway, chose a system based around the KV2 Audio EX 12 active two way theatre box the main front of house multi level solution.

In all a total of 38 KV2 Audio EX active boxes, including fills and subwoofers were deployed on the project and supplied through Orbital Sound, as their first UK KV2 Audio purchase.

The show featured a 12-piece live band which according to Ross Portway, "from the very first rehearsals sounded amazing through the KV2 system"

The success of this debut tour means that the next stop is a 10-week slot in the We

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14 March 2016

For this nine-hour event (running from afternoon to midnight), packed with a strong lineup of DJs and live acts, production manager and show designer Christian Byriel from CeeBRIGHTER had some specific venue challenges to overcome. "Though being challenged with large window façades, an unusual location and an outdoor venue from daylight to dusk, I feel I achieved my vision and maintained the aesthetic look required by the customer," he says. It became apparent to him that the G-Spot was to play a large role in his achiev

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14 March 2016

Asked about the company's criteria for choosing a new speaker system as part of an equipment upgrade, manager of audio services John Caswell said, "We've been using another system for about 11 years and wanted to take it up several notches to offer our customers a high end solution that could stay on the cutting-edge of technology for years to come.

"We demoed many of the top lines before talking to some of our freelancers who'd used the Martin Audio MLA System and had a lot of good things to say about it. Tom Alford spoke with Mario Educate, CEO and founder of On Stage Audio, who strongly recommended that we listen to the system before making a final decision.

"Tha

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14 March 2016

They presented a three-sided open booth - measuring the same size (270 sq.m) and occupying in the same location as last year. PR Lighting's trademark purple logo was easily visible as the main colour as visitors arrived at the exhibition hall and sat proudly above a special products display platform containing a large '30' - denoting the company's landmark birthday - making it both elegant and hospitable.

Although visitor levels were down by almost 16% from last year - a symptom of the world economic recession - competition in the lighting and sound sector has intensified, with more and more Chinese manufacturers fighting for market share by creating more innovative and cost effective products.

Now one of the C

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14 March 2016

The series, which just finished its second season, shoots in and around Nashville with many of the musical performances staged in a purpose-built studio in town. Sometimes the musical sequences are shot on location; the recent two-part season finale featured performances at Fort Campbell, the US Army base on the Kentucky-Tennessee border, and at Nashville's LP Field.

"The storyline included performing for the troops at Fort Campbell and involved a mobile stage on the tarmac with Apache helicopters flying over the stage," says lighting director Steve Fallon, who works with DP Michael Lohmann on the lighting design for these segments. "Then we had the star of the show in the gra

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14 March 2016

The new M-Series professional monitoring headphones are at the centre of Audio-Technica's activity at ABTT2014 - the well-balanced, natural sound of the M40x and M50x models is suited to live sound situations, with excellent acoustic seals ensuring isolation from ambient noise.

The Allen & Heath offering at ABTT will focus on the company's flexible GLD-112 and Qu-24 digital mixers with their flexible feature sets and wide-ranging recording options. The ease of use and compact nature of the GLD and Qu ranges makes the mixers perfect for theatre applications.

(Jim Evans)

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14 March 2016

The session will be taking an overview of the challenges faced in the world of high resolution digital displays, tackling both its problems and the solutions, including a presentation of Par4Keet, the flagship player of the AViary Video Tools range. We will also discuss our FlexRes codec, the new approach to media encoding focusing on non-standard aspect ratios and unconventional pixel counts.

"4K+ demands attention and at the Green Hippo's manufacturers training, we aim to deliver you the best in digital display solutions," says the company.

As the AV world continues

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14 March 2016

As to be expected, Starlight, which is operated by the not-for-profit Starlight Theatre Association, has been through a few sound systems in its time, with the last one holding out for the past 14 seasons. But none of them have ever been able to deliver the critical combination of the intelligibility needed for theatrical dialog with the full-range frequency response necessa

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14 March 2016

To commemorate its recent relocation from Redding, California, where it was based for 18 years, to Sacramento, the Jesus Culture band recorded Unstoppable Love, a live album and DVD, at Sacramento's prestigious Memorial Auditorium. With the help of Martin Professional lighting console and fixtures, lighting designer Robby Kurtz was able to both successfully represent the Jesus Culture movement and showcase the importance of its relocation. California-based rental house DPS Inc., provided the lighting production equipment.

Kurtz deployed 32 of Martin's MAC Viper Profile moving head luminaires and 26 Martin Atomic 300

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14 March 2016

In addition to the weekly TV show hosted by Helen Chamberlain and Max Rushden, every year Soccer AM also host a live event with music and special guests. This year it included performances from Soul II Soul and rapper Tinchy Strider.

Long term LD Malcolm Reed designed the show which was supported by Richard Martin Lighting (RML).

Malcolm always sees this show as an opportunity to use the latest products available and this year was no different. The rig included Sharpys, Nexus 4x4s, Jarag-L's and RML's most recent purchase the Clay Pay A.leda B-EYE K20.

The high performance wash ligh

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14 March 2016

Designed for professionals, Astro offers a state-of-the art flat, clean beam. The double condenser optics system delivers outstandingly high resolution for both A/B size steel and film transparency gobos.

LED dimming is fast and accurate with 512 step resolution controlled from a single DMX/RDM or from a local control knob positioned on the rear panel of the unit.

Fabiano Besio commented , "The followspot is a real step forward in this market field and the positive comments from the market reinforce our decision to not make any compromise in quality ."

Available in warm white at 3200K or cool white at 5600K, Astro has been designed for all applications and is particularly attractive where power supply is limited and where running

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14 March 2016

Media and tech designers Blow Factory offered the Sentier the idea of providing some interactive fun and excitement, using Light Emissions creative LED video display system. Blow Factory owner Paula Guastella had worked with Light Emissions previously in London, and knew that the Art system could provide the brightness and pure video speed needed.

Blow Factory's Paula Guastella explains, "We wanted to surprise people entering the lobby. As they walk past this large glass wall with colourful moving images, they spot their own 'body shadow' shown on the screen. They stop, turn around and wave and have a little dance!&quo

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14 March 2016

Lester Cobrin, head of concert touring for White Light, worked closely with tour manager Sacha Bambadji, production manager Peter Edmonds, and lighting designer Seth Jackson to determine the tour's equipment list and support requirements. This was the first time Jackson toured with White Light. "I've known Lester for years but had never worked with White Light before," he said. "When we started discussing the tour with Pete Edmonds, he suggested White Light and we didn't look back. It's been a great experience."

The show's staging was designed with grandeur in mind as several layers of red

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14 March 2016

As in several of his sound installations, Fontana has selected a remotely powered IntelligentDC system from Meyer Sound to accurately reproduce his soundscape and immerse museum visitors. IntelligentDC systems will be featured in live demos at InfoComm 2014 in Las Vegas this month.

Vertical Echoes is housed inside a 55m-high tower known as the AirShard, located at IWM North. To evoke battlefield dynamics, Vertical Echoes juxtaposes the crescendos of battle against a backdrop of softer nature sounds. Featuring recordings of a Sopwith Camel warplane and vintage field gun, the soundscape is reproduced by eight self-powered UPJunior-XP VariO loudspeakers with IntelligentD

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14 March 2016

The lighting design was created by Juanjo Beloqui who specified 30 x Robe Robin Pointes and 30 x Robe Robin LEDBeam 100s - among other moving lights and generic fixtures - but the Robes were a major part of his show. Beloqui has lit the event six times since 2007 and is also the Director of Photography. Each year he ensures that there is a new look and a fresh aesthetic approach.

This year he collaborated closely with set designer Paco Redondo on developing the style and presentation for the event which was broadcast live on privately owned Spanish TV channel Divinity, part of the Mediaset empire.

The Robe Pointes and

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14 March 2016

Speaking for LMC Audio Systems, managing director, Paul Hinkly, says, "This is a chance to work in meaningful partnership with a genuinely premium UK brand, meaning, not only top quality products from first class people but also a common purpose, to transfer the technical and commercial responsibilities and values, so expertly acquired through decades of leadership in the theatre market, to all engineers, PA co's and venues who similarly deserve and demand such respect and support for their investments and businesses."

Louisa Hinkly, marketing & PR manager, adds, "When we learned of Cadac's re-positioning for all liv

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14 March 2016

Under the lights of a massive lighting rig containing over 80 x Robe moving heads, the 10 finalists performed in front a large audience at Tallinn's Nokia Concert Hall.

LumenRadio's Estonian distributor E&T, provided a CRMX system containing one dual universe transmitter and multiple single universe receivers. E&T's General Manager Olev Luhaäär explains, "It is really eye-opening to see how many moving lights that can be controlled with only one transmitter unit. When you plan a show of this size that involves a lot of fixtures, wireless lighting control is absolutely necessary."

Luhaäär continues, "The CRMX system

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14 March 2016

The teams - made up of CIE-Group directors and members of the AV sales and technical support staff - will cycle from St Malo in the North of France to Bordeaux in the South, covering more than 550 miles in the saddle.

This will be the seventh year that CIE-Group staff has taken on a charity cycle challenge, having so far raised in excess of £13,000 for Cancer Research, The British Heart Foundation and local children's charity Derby Kids' Camp.

All three teams - riding under the 'HDBaseTeam' banner - are sponsored by UK AV Signal Distribution brand CYP, with the team name giving