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14 March 2016

A recent addition to an already exciting programme, Low-Frequency Control Workshop, will be held on 16 July in the Schulich School of Music's Music Multimedia Room (MMR), and co-hosted by Flex Acoustics. Using Flex Acoustics Inflatable Membrane Low-Frequency Absorbers, Niels Werner Adelman-Larsen of Flex Acoustics will demonstrate the effectiveness of passive acoustic absorption at low frequencies using a number of seven-meter-long inflatable tubes, some installed along the walls, but some "...installed where wall and ceiling meet since we get an enormous LF pressure build up th

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14 March 2016

The Rock and Roll Hall of Fame and Museum's mission is to engage, teach and inspire through the power of rock and roll. It gives voice to the stories of the people, artefacts and events that shaped rock and roll and made its impact felt around the world. The 30th Annual Rock and Roll Hall of Fame Induction Ceremony was held in Cleveland's Public Hall; the Induction Eve VIP party at the Rock Hall was scheduled the night before the ceremony, which honoured Ringo Starr, Bill Withers, Lou Reed, Stevie Ray Vaughan and other iconic artists.<

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14 March 2016

For the backdrop lighting of this stunning event, lighting designer Toni Amoros used 10 W-DMX WhiteBox F-1 G4 Transceivers to send signal to 45 Searchlight Xenon 4Kw placed on one side of the river with the console placed 350m away on the other side. On the fixture side of the river, the signal was then distributed over 1 km to all of the searchlights. Valook supervised and supplied all W-DMX equipment.

Francisco Yanez Valdivia, trainer & product manager for Valook explains, "This project would have been impossible wit

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14 March 2016

The busy design and rental facility supplies lighting to all sectors - from corporate and industrial to music festivals, concert tours, TV and theatre productions - and this year Performance celebrates its landmark 30th anniversary.

Performance Lighting's president Russ Armentrout emphasizes the fact that this is the first - but certainly won't be the last - Robe purchase.

CEO and company founder Douglas Peterson decided to invest big in BMFL after doing a light-metered shootout at his shop against well known 'competitor' products.

"In my opinion, the BMFL overwhelmed the others, and its feature set was so rich that I knew it could replace any light on any rider request, as well as be an awesome tool for my own LDs.

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14 March 2016

Dirk Hoffmann studied business management in Germany, the US and Canada and after working for Booz Allen & Hamilton and Fox Mobile (formerly Jamba) his last post was as managing director of ImmobilienScout24 in Berlin.

Peter Zühlsdorff, chairman of the supervisory board, comments, "Dirk Hoffmann is a highly competent business manager. I am confident that we have secured the services of a management team member who together with Dr. Christian Göke as CEO will continue to build on the successes of Messe Berlin."

Dirk Hoffmann adds, "I look forward to the many challenges and operational responsibilities that

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14 March 2016

"A part of The Killers' look is the use of truss spots on either side of the stage, instead of having fixtures downstage," said project manager Matt King. "For the rest of the bands, we needed to provide some downstage wash light. Dizzy Gosnell loaded a downstage truss with VL 3500 Washes to handle this task. Another addition that Diz made was to add fixtures above and below the video screens in the wings. This helped make the stage bigger and integrate the audience into the show."

Equipment for the main stage included VL 2500 Spots, Bandit 5x5s, Clay Paky Sharpys, GR

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14 March 2016

While a new global survey has revealed that the transition to IP broadcast infrastructure will take up to 10 years to complete for the majority of broadcasters, local film and media producers and distributors are already considering what the move to media over IP will mean for their infrastructures.

Steve Alves, managing director at Concilium Technologies, says: "All the major innovations in this space right now are IP-based. But for many stakeholders, there is a major investment in analogue infrastructure to consider too. At Mediatech Africa 2015, we will showcase solutions to enable a hybrid environment that allow you to start moving to IP, and control and manage

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14 March 2016

The Colour Pendant houses 36 long-life 3W RGBW LEDs for fully blended colour transformations or projections of variable shades of white light. The RGBW LED is capable of emitting a wide palette of colours from saturates to more subtle pastels. Its uniform flat-field output, 3,100 lumens of power and 41° beam angle make for a highly effective wash luminaire whether flooding a stage or studio in hues of colour or functionally washing a house of worship or other venue in shades of white light. Full range dimming with selectable dimming curves, strobe and colour macro effects enhance its dynamic cap

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14 March 2016

It's been developed specifically for the fast moving world of live events and as a more convenient and environmentally friendly alternative to the 150 page printed rental catalogue which is renowned for its wealth of useful information including technical specifications and data for over 500 products, together with all the latest CPL hire rates.

The CPL App is designed to allow technicians, account handlers and production managers quick access to all the information they need wherever they happen to be - whether it's in the middle of a greenfield festival site, up a mountain or even in a regular venue or in their offices.

Says CPL's Matthew Boyce, "The book has been a huge hit and is well loved b

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14 March 2016

Delivering EQ, crossover, processing and system protection, the DX0.5 2x6 speaker processor provides complete optimisation for both passive and powered loudspeaker systems.

Each input and output is loaded with a range of digital processing including flexible EQ, crossover, delay and limiting solutions. It delivers everything needed to professionally optimise loudspeaker systems of nearly any size. The DX0.5 utilises high-end 24-bit AKM AD/DA converters with 120dB dynamic range for class-leading sound quality. With 24 memory locations users can recall CDD pre-set files via the front panel, or using the free software application and front

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14 March 2016

One hundred and twenty-eight Ayrton MagicBlade-R LED fixtures and 54 MagicPanel-R units play a vital role in Routledge's design where they form an inherent part of the rig, delineating the outlines of production designer Misty Buckley's creative set design and providing a spectacular and versatile backdrop to the band centre stage.

Creative director, Kim Gavin, devised a show that exhibits a high degree of theatricality with artists performing across a large multi-level main stage that loops right out into the arena. Routledge's brief was to produce a very theatrical look in keeping with the design but overlaid with a huge "pop punch". "The MagicBlades certainly gave me this," he says.

Routledge outlined the ou

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14 March 2016

Chris King is arts and culture coordinator for Gosford City Council. "Laycock Street Community Theatre is very much the hub of the area's performance culture. As such, it hosts a very wide variety of performance genres from musicals, rock concerts, pure drama performances, comedy acts, corporate events, film presentations and various community groups, like dance schools. The goal of any new loudspeaker system was to ensure all styles of performance were suitably covered,

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14 March 2016

The REAC (Roland Ethernet Audio Communication) based system which includes the Roland M-480 digital mixing console, Roland M-48 personal monitoring systems, Roland R-1000, R-44 and R-88 recorders and Roland Digital Snakes was initially specified to handle the PA and the stage monitoring for the recording stage on The Voice. For the television series Rising Star, the Roland system is also used to produce the broadcast sound for all of the music during the shows.

TV2 broadcasts around five music shows each year and the entire Roland system is used for FOH, stage monitoring and broadcast mix for all of them. As the second-

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14 March 2016

"It isn't being used by either FOH engineer or monitor engineer," begins Stevens, mysteriously. "It's being used on stage - and, in fact, on full display to those with particularly fine eyesight in the audience. It helps, in this regard, to have all those lovely multi-coloured lights!"

He explains further, "Our set-up takes a split from Roisin's vocal mic, a split

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14 March 2016

"The Chauvet ÉPIX Strips, paired with software from ArKaos, were especially helpful to me because of their many features and the flexibility they gave me. If I needed a solid, saturated colour or a bunch of m

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14 March 2016

Live and Licking - The Grateful Dead have given what they say will be their last group performance in front of 70,000 fans, some in tears, in Chicago.The four surviving members of the band ended their 50-year run this weekend with thr

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14 March 2016

Jim Colson, production manager at Kennedy Street, states, "Both Frankie Valli & The Four Seasons and Gladys Knight are absolute icons in the music industry. The fact that they are both still in such demand after so many years indicates the impact their music has made and how their already huge fan-bases continue to grow&q

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14 March 2016

The event's AV, lighting and ground support contractor was Planet Service of San Marino, whose audio team consisted in Alessandro Saudelli (audio chief, responsible for the system's design and fine-tuning), Emanuele Vischi (sound engineer and PA man), Francesco Passeri (mic tech and PA man) and Edoardo Michelori (PA man).

Saudelli explains how the team faced the venue's infamous acoustics (the domed ceiling and extremely reverberant environment are many a sound engineer's nightmare), ensuring excellent sonic quality for the 8,000 attendees.

"Our brief was for a central stage, to exploit the venue's entire capacity. This, plus the fact that the rig couldn't be flown, meant we had to opt for a ground support format, with consequ

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14 March 2016

The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band's decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead's original sound engineer, Owsley "Bear" Stanley, first tapped Meyer to create acoustic solutions for the legendary 'Wall of Sound' system in the 1970s.

The Meyer Sound Leo system with its accompanying 1100-LFC low-f

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14 March 2016

Designed to perform with the clarity of a studio monitor in live and installed sound situations, each StudioLive AI enclosure delivers a remarkable 2000W of power. All units are based around PreSonus' 8" Co-Actual driver - which delivers accurate high and mid-frequency reproduction - with woofer configuration and frequency response being among the distinguishing features between models.

A total of five 328AI speakers - with their 3x8" driver design - and a single 18sAI subwoofer were specified for the project by Belgravia-based