Details

14 March 2016

The show, which is hosted by Dara O Briain and features panellists Hugh Dennis and Andy Parsons, is filmed before a live studio audience shortly before its air date. This ensures that the topics for improvisation are relevant to current news subjects.

The studio incorporates a range of different video elements. The show logo incorporates a world globe, inspired by the show's theme tune, News Of The World, by The Jam. This is recreated using a 6ft diameter Repro H screen, located behind O Briain, which is built into the set and rear-projected via one of XL Video's Panasonic 10k projectors.

Upstage of the main improvisation area, a 16ft x 9f

Details

14 March 2016

As First Baptist pushed its offerings into exciting new territory, they inevitably outgrew their decade-old sound reinforcement system, which they pushed to the point of chronic equipment failure. With a media-driven worship service, FBCC needed a reliable upgrade to deliver the gospel within its 1,500-plus seat sanctuary. The church called on McClelland Sound, Kansas, Oklahoma, and western Missouri's family-owned and operated audio/

Details

14 March 2016

Seeking the most accurate recording of the master classes, evening concerts and semi-final and final rounds of the event, Canji, who specializes in chamber and orchestral music arranged a combination of DPA Microphones powered by Grace Design's m802 remote-controlled microphone preamplifier to do the job. He employed DPA's d:dicate 4006A Omnidirectional Microphones in stereo and surround setups, respectively. He also selected the company's d:facto Vocal

Details

14 March 2016

Presented by multi award winning theatre and opera designer Paule Constable and large-scale arena spectacular lighting designer Durham Marenghi, both sessions were quickly over-subscribed from the moment they were announced and two further sessions were quickly scheduled to absorb the overflow.

Constable, who is also associate director of the National Theatre, London, talked passionately about her preferred collaborative approach to the design process and illustrated this with images of her recent designs for shows including the award winning Warhorse and The Curious Incident of the Dog in the Night-Time.

In contrast, Marenghi focused on t

Details

14 March 2016

Based in Recklinghausen, PWE has distributed a range of professional audio and communications products since the 1980s, playing a key role in establishing brands such as Midas and ASL Intercom in the territory. At the helm is industry veteran Peter Wolff, whose early experiences of renting and supplying DASH digital recorders during the 1980s laid a firm foundation for the digital recording technology expertise he has amassed over subsequent decades.

"We're very pleased to be taking on distribution of JoeCo products and look forward to supporting customers involved in a range of projects," says Wolff. "Thanks to their highly reliable operating capabilities, JoeCo BlackBox Recorders and Players have proved t

Details

14 March 2016

Control Protocols Working Group

BSR E1.31 - 20xx, Entertainment Technology - Lightweight streaming protocol for transport of DMX512 using ACN

This standard describes a mechanism to transfer DMX512-A packets over a TCP/IP network using a subset of the ACN protocol suite. It covers data format, data protocol, data addressing, and network management It also outlines a synchronization method to help ensure that multiple sinks can process this data concurrently w

Details

14 March 2016

The CycFX 4s and LEDBeam 100s were both new purchases for Orlando based lighting vendor, LMG.

A prominent feature of the design are 10 lighting pods - that move into different positions during the show - providing an interesting, fluid and ever changing geometric element to the stage space.

The LEDBeam 1000s are used as wash fixtures due to the excellent zoom. Their individual ring control also opens up a whole range of new effects, together with the smooth dimming and color mixing, explained Brock who positioned them all over the rig. "The output is amazing," he stated.

The upstage truss is made up of five individual sec

Details

14 March 2016

Since opening its doors for the first time in 2011, the Chill Skybar has become one of the most popular leisure destinations in Vietnam's largest city. But a persistent issue with noise spillage meant that its audio specification was ultimately deemed to be inadequate - hence the decision to enlist locally-based AV firm DesignLive Technologies to undertake an upgrade.

"The venue was very highly regarded, but there was a problem with the sound quality and noise bleed had resulted in complaints from neighbouring properties,&quo

Details

14 March 2016

Lighting designer Carter Fulghum used GLP X4S's to provide front light and colour for the stage. Robe Pointes brought punches of colour, cutting through the VL 3000s, the fixture Fulghum deemed "the workhorse of the rig".

Clay Paky B-EYES were utilized as dressing and backlight. "I really liked working with the B-EYES," said Fulghum of the recently added fixtures. "They have a lot of effects that help you keep each song looking different and new."

With the summer tour taking place in more intimate settings such as

Details

14 March 2016

He will convey the evolving needs of Ashly's customers to the various divisions that maintain Ashly's reputation for building affordable, reliable solutions. Czarnecki is based at Ashly's headquarters in Webster, NY and will visit consultants, integrators and installation sites for training, consultation and assistance.

"Ed has been working on the integration side of A/V for over a decade," said Leslie. "He has worked in every aspect of the industry. He has pulled wire

Details

14 March 2016

"Besides having great sounding consoles, Audient has a great story and legacy," said Cardwell on working with Audient. "Their collective passion for music and engineering gives them a unique understanding of their market, and makes it a true pleasure to champion their products."

Cardwell will engage both the current sales force and dealer network and provide product training and customer support. Due to the custom installation nature of the audio console business, she will work with customers directly as the first point of contact for recording and mastering studios, broadcast facilities, colleges and universities.

"I enjoy talking

Details

14 March 2016

Paper topics this year include timely subjects ranging from Audio Education and Forensic Audio, to Cinema Sound, Sound Reinforcement, Spatial Audio and more. Tutorial topics are slated to include Interactive Music: Past, Present and Future, Main Microphone Techniques for 2.0 and 5.1, Listening Tests - Understanding the Basic Concepts and other in-depth topics of interest. Additional topics in the Workshop series will include Low Frequency Behaviour in

Details

14 March 2016

HFL:CDM was established in July 2015 as a direct response to customer demand for CDM consultancy for event and festival projects but has already been selected to provide these for major events sectors such as steam rally events and corporate parties.

HFL:CDM's director, Barry Hird, commented, "Following the changes to the CDM regulations in 2015, and the resultant increasing demand for CDM advice and services within the event sector, HFL-CDM was set up not only for general construction and process engineering clients but also for those organising medium and large scale events - a niche field requiring construction, engineering, H&S, exp

Details

14 March 2016

Bloodstock's main 'Ronnie James Dio' stage featured metal heavyweights such as headliners Trivium, Within Temptation and Rob Zombie. LD Ben Coxon controlled using two HSL-supplied flagship Avolites Sapphire Touch consoles, networked together with a TitanNet Processor (TNP). HSL also supplied a dimming solution in the form of two 48-way Avolites ART2000 dimmers for the stage, as well as further Avolites consoles and dimmers across the festival site.

"Due to the busking nature of the festival, Avolites was the perfect choice," says Andy Whittaker of HSL. "The range of Titan consoles, going from the Quartz all the way up to the Sapphire Touch, suited each stage of the fest

Details

14 March 2016

Fifalite's managing director David Pfeiffer has always leant towards a different brand of lighting console but he happened to be visiting Brisbane Show Technology on a different matter, when Adam White showed him a brochure for the new dot2 console.

"I had always admired the MA brand in so much as everywhere I go, the grandMA2 seems to be the console of choice," commented Pfeiffer. "I never thought I would own one as I run a fairly small business and they are quite expensive for me. Plus the type of shows that I do would not warrant having such a fancy console. However, the dot2 brochure got me interested and once I found out the price, I was hooked."

Mu

Details

14 March 2016

Johnny Scholtz from DWR advised the client on a cost effective way to light up the set of their new News Studio. Jakes Mogale from DimBright was then commissioned to carry out the installation.

"While it was a very basic install, which included a power supply, controllers and LED strips the end result looked great," commented Jakes. "It was a wonderful experience as it was my first time in East Africa. Johnny had worked out a solution from South Africa for the client, but when I arrived, we had to alter the set somewhat to accommodate the lights."

The set was made out of Perspex and was showing spots. A simple vinyl print put over the Perspex set allowed the light to disperse evenly.

(Jim Evans)

Details

14 March 2016

As a leading specialist technical solutions agency, TechRig approached SGM's local distributor S.E.T Africa to expand their rental stock with SGM luminaires. "We were looking for cutting-edge LED solutions, and that's why we selected the SGM products," says director of TechRig, Michael Collyer. He adds, "The Q-7 is a nice small multipurpose unit, which can be used as a colour washing set piece to eye candy extravaganza."

SGM's profile matches well with TechRig's vision. This well-established and experienced company seeks to implement the latest technological developments with top quality gear that is constantly updated, and, as Collyer underlines, "SGM applies a different way of thinking to their products makin

Details

14 March 2016

With so much at stake, brands like Ford, Bentley and Jaguar Land Rover understand that an audience-engaging show booth is worthless without camera-ready, visually stunning displays of their new vehicles. That's why they tap design firms like Imagination and lighting suppliers like Static Light Company, which are staffed by experts who understand the challenges of illuminating a car's sleek curves and metallic sheen in an indoor convention hall. To meet those challenges, they rely on Martin Professional's lighting fixtures.

"Our MAC series of premi

Details

14 March 2016

"I've been working with the 8351s for about four months now and I'm delighted with how things are going," comments Danny. "I do my creative work in my writing studio at home which is not kitted out like a conventional studio - this can present some monitoring challenges, especially when comparing mixes that I might have done elsewhere. When setting up the 8351s, the use of AutoCal software proved invaluable in ironing out any room response anomalies and allowing the accurate soundstage of the Genelecs to shine through."

The 8351s were supplied by The Studio Shop, a London-based audio recording equipment specialist. The Highgate-based outlet is run by proprietor, Niki Melville-Rogers, who has worked with Danny b

Details

14 March 2016

"On Electric Tundra we had the challenge to present a national headlining act with limited setup time on a small stage with a video wall, all on a tight budget," began production manager, Katie Gilliland, University at Buffalo Centre for the Arts. "Inside the 6,500 seat arena, equipment cannot be hung from the r