"It's amazing how the temperature on the stage has been lowered, especially in the choir loft, which sits in the back of the stage," said Brad Lyons, systems advisor for dB Audio & Video, which installed the LED system. "Recently when I was at the church, I had one choir member come up to me and ask if we installed a new air conditioning system! That's how dramatically different it feels on the stage, not only for the choir members, but for the p
The experienced jury for the ABTT Awards, comprising of working practitioners and industry peers, judged nominations meeting the entry criteria that had been previously submitted or which were brought to their attention on the day.
Commenting on the event, ABTT CEO Robin Townley said, "The Awards ceremony held in the Londesborough Room was a great event to round off the first day of the ABTT Theatre Show.
"Held at Alexandra Palace for the first time, the ABTT Theatre Show was very pleased to host the presentation of both the ABTT Theatre Awards and the SMA National Stage Management Awards.
"A great atmosphere in the Lon
Enter Solaris LED Mozart, the compact and versatile pixel-mapping RGBW fixture. Already a "fan" of the Solaris LED Flare and Flare Jr., Dominguez recognized Mozart's versatility and potential for foot lighting, uplighting, eye candy, and many other uses. The Voice now features up to 120 Mozarts in an ongoing succession of unique, creative iterations, week after week.
"Without question Mozart will be in our arsenal going forward," explains Dominguez. "First, the light quality is spectacular; a frosty angelic
"We've dealt with Philips Vari-Lite and Philips Strand Lighting several times in the past so when we were approached about the sponsorship program, we jumped at the opportunity to participate," said Brackley Frayer, chair and executive director of the UNLV Department of Theatre and the Nevada Conservatory Theatre. "This sponsorship truly means a lot to us, but it's not only about the gear, it's also about the suppor
Lighting designer Toni Amoros worked alongside choreographer Hansel Cereza to specify 24 of the award-winning Clay Paky luminaire from leading Chilean event production house Producciones Icardi. The company purchased its Mythos stock from distributor Iluminacion Profesional Valook S.A., with one of Valook's senior technical specialists Francisco Yañez covering the ceremony.
"Toni chose the Mythos on account of it being a fantastically multi-purpose fixture," explains Yanez. "He used them to wash the entire field of the
The first day honoured the local hockey team - SKA St Petersburg - who won the Gagarin Hockey cup in the Kontinental Hockey League (KHL).
Then overnight, the stage was transformed to host St. Petersburg City Day on the Sunday, celebrating the city's 312th anniversary with a classical concert.
These two events were the culmination of a whole week of celebrations.
The fixtures were hung in a series of trusses in the large roof / stage structure and included Robe MMX WashBeams, LEDWash 600s plus ColorSpot and ColorWash 2500E ATs.
Robe fixtures were chosen for their power and brightness, as well
In June 2014, seeking a system that could improve sound in the circular, reverberant space, a tender was issued. Australian L-Acoustics distributor Hills and systems integrator Con-Sol worked with L-Acoustics to propose a solution that would not only address the challenging acoustics, but also fit within the restriction guidelines of the main rigging points. The L-Acoustics solution was selected after a comprehensive evaluation process that included a full system demonstration with independent system measurements and listening tests.
"The tender was very specific about the type of system that was required and also imposed very strict restrictions on the rigging of the main speaker arrays, with th
Midway through the design phase, local A/V integration firm Christian Sound Installation (CSI) picked the project up when another firm folded, taking the best elements of the existing work and tweaking it for increased integration, impact, and functionality. Based on past success and a proven record of reliability, CSI specified Ashly Audio network-ready processors and amplifiers, which, together with an Ashly WR-5 remote control, gives the church reliability, great sound quality, and the ability to conduct full, audio-engineered services or smaller, auto-mixed events, such as weddings or funerals.
Inputs to the system include a large c
Event Services is responsible for providing production support in Baker University Center (a student centre with state-of-the-art conference and event spaces), Templeton Blackburn Alumni Memorial Auditorium (a 2000-seat concert hall), The Convocation Center (a 13,000-seat arena) as well as offsite locations.
ArKaos MediaMaster Pro has been used in support of the many university and community events that take place on and off-campus since it was first introduced by Jeremy Schaffer, associate director of operations and production for event services.
"We use Arkaos MediaMaster Pro for many different events from corporate and social functions to our University Commencement Ceremonies," says Schaffer. "Primarily we utilise M
Alongside students training in music, dance and drama, Guilford Young teach the theatre technicians of tomorrow all the skills they'll need to work in professional venues; lighting, sound and mechanical skills. Fitted with a fly tower, students learn how to fly sets and equipment using a mixture of manually operated counterweights and motor-driven systems. With lighting, sound and scenic elements flown above the heads of those on stage, safety
Adlib first 'met' 5SOS at the 2014 Summertime Ball event at Wembley Stadium in London where they were co-ordinating all things audio. The band's FOH engineer John Delf, asked Adlib's Ben Booker to mix monitors for the band's headline shows at London's Islington Academy and then Birmingham Academy 2. This was back in October 2013. At this point Ben saw the potential of the band and jumped on board full time.
Ben and John Delf were extremely happy when Adlib was chosen for this, 5SOS's first major headlining European production tour.
John Delf specified the L-Acoustics K1 system after hearing it used at the 2014 Summertime Ball. The seven week arena tour traversed through Europe and the UK, culminating in three sold-out shows at Wemble
Involved with promoters Future Noise Ltd from the beginning has been Creation Live's Tom Whittle, who in addition to working with Martin Audio's Cheshire-based partners (and event production company) VME is also the festival's operations manager.
He recalls that the potential of the site had been clear from his first visit back in September 2009. But it was only this year that the four-day festival could banish its noise pollution issues by adopting the magic control technology of Martin Audio's MLA Compact sound system. This not only contained the off-site perimeter sound, but at the same time boosted the SPL at the main F
Featuring multi-screen video and 3D sound from 145 loudspeakers, the cutting-edge, multipurpose facility launched this semester to bring creative artists, educators and audiences together. Dante media networking plays a key role in the university's goal of complete immersion across various research, experimental and live performance projects taking place in The Cube - while reducing overall costs and labour in the process.
The Cube's unusual dimensions (50' w x 40'l x 32' h) and high loudspeaker count ignited discussions early in the project about how to effectively mov
It is the first theatre in the country to invest in Robe's BMFL range which will be delivered by Swedish distributor, Bellalite.
The Stadsteater is located in a large metal-clad modernist building designed by architect Peter Celsing at Sergel Square in the heart of Stockholm's vibrant commercial and political centre. It also contains the Kulturhuset and a plethora of activities including libraries, theatres, debates, art exhibitions, film, dance and music - all attracting more than 3m visitors a year.
The Stadsteater has seven performance spaces including a 700 seat Main stage, a 320 seat Medium stage and a 200 seat Small stage plus four other performance spaces
The crew of 25 was chiefed by Andy Melleney, and in addition to these key areas of the site, the company also supplied the touring lighting rig for Friday night's Other Stage headliners Rudimental (LD Jonny Gaskell) and kitted out over 20 major bars around the site with practical and effects lighting.
Colour Sound's Hayden Cruickshank commented, "Being involved in some of the edgier more off-beat and imaginative elements of the festival is always exciting. The event continues to be loved and appreciated worldwide for offering the most diverse and interesting performance experiences for so many people ... and we are very proud to be part of it."
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"We've built a long-term relationship with Chauvet because we share the same values regarding build quality and providing value-for-money.The durability of Chauvet products makes them an obvious choice for installations such as this one," said OneBigStar director Simon Taylor.
Guaranteeing full colour changing capabilities and e
The 3,400-seat arena, which opened in 2013, had a basic audio system for announcements. However, the arena quickly outgrew the system's capabilities and often rented equipment to supplement its sound level and music quality for rodeos and other events with high levels of crowd excitement.
In 2014, Kansas Star turned to McClelland Sound of Wichita, KS to upgrade the arena's audio system. McClelland's Paul Colella designed a distributed loudspeaker system with eight clusters of Community Solutions Series SLS960 main loudspeakers and ILF218 subwoofers. The system covers the arena seating and floor and allows selected loudspeakers to be muted for smaller events that use half of the aren
Part of the re-development programme included within GBE's scope of works is the installation of the new PA/VA system, disabled refuge and WC alarms throughout the grandstand and new royal and private boxes.
The Jockey Club's objective is to have a PA/VA system that provides state-of-the-art evacuation messages throughout the venue and sound reinforcement for the comprehensive AV system. The technically demanding specification involved GBE performing extensive acoustic surveying and sampling to provide an accurate
The high school itself focuses on sports talent development, and in an effort to improve the classroom element of their learning programme, it constructed a new wing with many large 'picture' windows to help students enjoy natural light throughout the day.
But while this creates a great, open environment for learning, with video presentations becoming increasingly part of the curriculum, students and teachers were experiencing washed out images in the new classrooms. The challenge was to find a screen
Award-winning production sound mixer Ben Osmo chose DPA's d:screet 4063 miniature microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Osmo, who has won numerous awards for his work, says the choice of DPA microphones was an easy one to make as he had used them many times in the past and always
Thriller Tour - Thriller Live will embark on a UK tour in October, as the West End production of the show undergoes a creative overhaul. The London run of the Michael Jackson producti
Forming part of the lighting design by Lukas Goldberg and Michael Holstein for these venues were six powerful Beam 5000 moving discharge lights from PR Lighting - the brightest moving beam effects in the company's portfolio.
These were supplied by Holstein's company, eigenARTevents.com. He was aware that the fixtures contain a Philips MSR Gold 1500W Fast-Fit Bulb, with sufficient power to satisfy all the requirements of both the stadiums and the designers.
Jens Ottenhus from Focon Showtechnic, the Chinese lighting manufacturer's German distributors, notes, "PR Lighting is starting to get specified on more and more of the biggest events in Germany. One reason for this is the high quality that their fixtures offer."
(Jim Evans)
"I realized at the demo that Leopard not only provided a remarkable listening experience but a new definition of live sound reinforcement," says Denis Gaillard of Prilly-based Megasound. "Regardless of output level, the instruments in the music remain in perfect balance. The power, transparency, and phase coherence create a deep sense of space, even at the limits of the primary coverage area." Adding to its Meyer Sound inventory of 70 lou
Lumières - The Play of Brilliants exhibition, organized by Light Collective, was Primary's second installation following a period at the PSAS Gallery in Perth last summer. For the Paris exhibition, Talbot re-scaled the piece to be around 10% smaller than its first incarnation and chose to use PLprofile4 luminaires instead of the PLprofile1 units he originally specified.
"Due to having a smaller space to work with I felt Primary was a bit too large at its original size," explains the Australian designer. "It also meant the luminaires I used had to be positioned closer to the piece, which is why I turned to the PLprofile4 this time aro
tn.jpg "Over 125 bands and 20 comedians took to the stages at The Bonnaroo Music and Arts Festival")
tn.jpg "Valentin Jacquaz with the recently purchased STM groundstack.")
