"We needed a viable replacement for our Martin MAC 2000 profiles," said Sean McKernan, CCP's general manager. "Reducing our lamp overheads was very important to us, and having an LED source saves us considerable money over a year. We did the sums, and over a fixture's working life of 50,000 hours, lamp costs are around $18,000 per unit."
The SolaSpot's 400
The custom stage is the creation of design and technology integration company Stereobot, a building components firm that does many of the displays for Coachella and other events. Live event production company Pacific Coast Entertainment collaborated with Stereobot on the lighting design for the stage and art piece.
The one-of-a-kind structure with sweeping cantilevered spans envelops the stage and reaches to a height of 36ft. The open structure creates a three-dimensional experience that allows for visibility from all sides and is something that can be admired even when not in actio
Designed by consultant Tom Lorenzen of dBA Acoustics in Louisville, the audio system provides clear announcements and high-fidelity music to fans in four separate seating areas and to players and officials on the field.
Lorenzen said the university's goals were excellent audio with even coverage throughout the various seating areas and on the field. To meet these goals, he used a combination of designs. Fourteen Community W Series WX- 1594 loudspeakers, distributed along the underside of the canopy, provide sound for the stadium's 2,300-seat covered grandstan
Not wanting to create a show any less than impressive for the multi-million-selling singer-songwriter - who also ranks 44th on Rolling Stone's 100 greatest guitarists of all time, lighting designer Mark Henderson incorporated 22 Chauvet Professional Nexus Aw 7x7 panels within the lighting show to stunning theatrical effect.
Henderson - an award-winning theatre lighting director - has worked on countless theatrical productions in London's West End, New York and Las Vegas. When he was asked to LD Kate Bush's 22-date sell-out comeback residency at London's Hammersmith Apollo, a new opportunity was presented to him to apply his theat
When Core's ColourPoint first hit the market in 2013, it made a big impact because at only 4 Kgs, it was a quarter of the weight and considerably more cost effective than its competitors - all attributes offered without any compromise on the quality or light output..
The first ColourPoint fixtures were sold through UK distributor White Light to busy south London based event production company, Presentation Rentals - now known as PR Live. The most recent sale - including the actual 4000th fixture itself - was to AV and lighting consultants DCLX.
The ColourPo
After a collaborative process with the production team, Ungerleider turned to Solotech to provide him with the innovative lighting technology to best accentuate the R40 Live tour which included VL4000 BeamWash, VL4000 Spot, VL3500 Wash FX and VL3500 Spot luminaires from Philips Vari-Lite.
"Our designs always begin with a full production team collaboration and brainstorming session," began Ungerleider. "For this particular tour, an evolution concept was conceived about going back in time and deconstructing Rush from their earliest beginnings to present day. With our concept in mind we then turned to Sol
"What wowed us in the demo was the colour rendition on the Hawaiian shirt," says associate master electrician Anthony Gutierrez. "The lime green frequency is in the middle of the human spectrum and fills in colour gaps you didn't even know were there."
Jessica Wodinsky has been the master electrician at Royce Hall for 30 years and can chronicle the evolving technology - "When I came here in 198
STM was used as main PA for both the Main and the Second Stage at the massive Fruit Vibrations 2015. This two-day EDM festival featured over 30 headline acts, including Steve Aoki, Aly & Fila, Ummet Ozcan, BT, James Zabiela, The Chainsmokers, Brennan Heart, and Tony Junior.
Held in the Muzeon Art Park, in the centre of Moscow, this Globalclubbing event is the largest EDM festival in Russia, and draws thousands of fans from all across the country and the CIS states.
For the main stage, JamTech supplied a 11-a-side STM design, using nine STM M46 plus nine STM B112 with two STM M28 down-fill cabinets in each array 24x STM S118 subbass were used, together with extra RS18 subs. Another 12x M46 Main cabinets were used for out-fill.
Over on the B Stage, Jam
The three-month performance run included five cutting edge opera productions staged in the tensile structure erected by the Royal Borough of Kensington & Chelsea (RBKC) in its picturesque park, with the historical ruin of Holland House as an atmospheric backdrop.
HSL has been involved as a technical production supplier for the event for the last 12 years, in which time the lighting requirements and expectations have changed radically. What was once primarily a generic rig onstage now features nearly 90 moving lights with another 200 light sources supplied by HSL to light the surrounding and
"AC/DC has always demanded bold, bright, spectacular - yet uncomplicated - lighting and I think this time we gave it to them in spades," explains Woodroffe. "We were looking for powerful, bright lights that would work particularly well with no colour. We also wanted some more delicate effects, some tight beams and some hard edge source points. We chose a variety of fixtures including the new Vari-Lite VL4000 BeamWash and the VL3500 washes, which in combination gave us most of what we needed, in var
The concert was performed by the Grazer Philharmonic Orchestra, one of Austria's best-known classical orchestras, plus 300 singers from the Choir of Opera Graz, Studio Choir of University of music and Performing Arts Graz and four smaller choirs.
"The concert at the Grazer Stadthalle was sold out," says Rental Pro Austria's Mario Held who, along with Andreas Putz, was also one of the two engineers working on this complex production. "We used a DiGiCo SD8 with a MADI Rack and Waves SoundGrid Server One to make sure that this world-class orche
Unusual Rigging is confirmed as the conference's Platinum sponsor for the third consecutive year, while Outback Rigging makes a welcome return as Gold sponsor.
"Rigging is an essential aspect of almost every event but, as productions increase in scale, size and complexity, so do the consequences of getting it wrong," says Alan Jacobi, managing director at Unusual Rigging. "Unusual Rigging wholeheartedly supports conferences such as this. It's imperative that we, as an industry, keep the debate fresh in order t
Sir Tom was immediately inundated with messages from angry fans, telling him they would be switching off the show in protest. A spokesman for the BBC said, "The final decision on the coaches' line up for series 5 of The Voice was only taken
tn.jpg "Thomas Rhett's upcoming album, Tangled Up, is slated for 25 September release")
Bandit worked with lighting director Andrew Hunt and tour manager Logan Kornegay, supplying 14 Chauvet Legend Beams which span the top of the set, with four downstage on the right and the left, and another six in the middle of upstage to add depth. Additionally, 16 Martin MAC Auras are on the lower part of the set as eight fixtures light the drums and keys, while the other fill the outer parts of the set.
"I love the punch these beam fixtures pack, and they stand out really well, whether they are shooting out over the crowd in an arena, hitting Thomas Rhett on a cat
"The band decided pretty last minute to spice up the show with lighting, so we had a bit of a rush to get things together and get the show cued out," said LD Victor Zeiser of Squeek Lights (New Yor
The show, which is hosted by Dara O Briain and features panellists Hugh Dennis and Andy Parsons, is filmed before a live studio audience shortly before its air date. This ensures that the topics for improvisation are relevant to current news subjects.
The studio incorporates a range of different video elements. The show logo incorporates a world globe, inspired by the show's theme tune, News Of The World, by The Jam. This is recreated using a 6ft diameter Repro H screen, located behind O Briain, which is built into the set and rear-projected via one of XL Video's Panasonic 10k projectors.
Upstage of the main improvisation area, a 16ft x 9f
As First Baptist pushed its offerings into exciting new territory, they inevitably outgrew their decade-old sound reinforcement system, which they pushed to the point of chronic equipment failure. With a media-driven worship service, FBCC needed a reliable upgrade to deliver the gospel within its 1,500-plus seat sanctuary. The church called on McClelland Sound, Kansas, Oklahoma, and western Missouri's family-owned and operated audio/
Seeking the most accurate recording of the master classes, evening concerts and semi-final and final rounds of the event, Canji, who specializes in chamber and orchestral music arranged a combination of DPA Microphones powered by Grace Design's m802 remote-controlled microphone preamplifier to do the job. He employed DPA's d:dicate 4006A Omnidirectional Microphones in stereo and surround setups, respectively. He also selected the company's d:facto Vocal
Presented by multi award winning theatre and opera designer Paule Constable and large-scale arena spectacular lighting designer Durham Marenghi, both sessions were quickly over-subscribed from the moment they were announced and two further sessions were quickly scheduled to absorb the overflow.
Constable, who is also associate director of the National Theatre, London, talked passionately about her preferred collaborative approach to the design process and illustrated this with images of her recent designs for shows including the award winning Warhorse and The Curious Incident of the Dog in the Night-Time.
In contrast, Marenghi focused on t
Based in Recklinghausen, PWE has distributed a range of professional audio and communications products since the 1980s, playing a key role in establishing brands such as Midas and ASL Intercom in the territory. At the helm is industry veteran Peter Wolff, whose early experiences of renting and supplying DASH digital recorders during the 1980s laid a firm foundation for the digital recording technology expertise he has amassed over subsequent decades.
"We're very pleased to be taking on distribution of JoeCo products and look forward to supporting customers involved in a range of projects," says Wolff. "Thanks to their highly reliable operating capabilities, JoeCo BlackBox Recorders and Players have proved t
Control Protocols Working Group
BSR E1.31 - 20xx, Entertainment Technology - Lightweight streaming protocol for transport of DMX512 using ACN
This standard describes a mechanism to transfer DMX512-A packets over a TCP/IP network using a subset of the ACN protocol suite. It covers data format, data protocol, data addressing, and network management It also outlines a synchronization method to help ensure that multiple sinks can process this data concurrently w
The CycFX 4s and LEDBeam 100s were both new purchases for Orlando based lighting vendor, LMG.
A prominent feature of the design are 10 lighting pods - that move into different positions during the show - providing an interesting, fluid and ever changing geometric element to the stage space.
The LEDBeam 1000s are used as wash fixtures due to the excellent zoom. Their individual ring control also opens up a whole range of new effects, together with the smooth dimming and color mixing, explained Brock who positioned them all over the rig. "The output is amazing," he stated.
The upstage truss is made up of five individual sec
Since opening its doors for the first time in 2011, the Chill Skybar has become one of the most popular leisure destinations in Vietnam's largest city. But a persistent issue with noise spillage meant that its audio specification was ultimately deemed to be inadequate - hence the decision to enlist locally-based AV firm DesignLive Technologies to undertake an upgrade.
"The venue was very highly regarded, but there was a problem with the sound quality and noise bleed had resulted in complaints from neighbouring properties,&quo
Lighting designer Carter Fulghum used GLP X4S's to provide front light and colour for the stage. Robe Pointes brought punches of colour, cutting through the VL 3000s, the fixture Fulghum deemed "the workhorse of the rig".
Clay Paky B-EYES were utilized as dressing and backlight. "I really liked working with the B-EYES," said Fulghum of the recently added fixtures. "They have a lot of effects that help you keep each song looking different and new."
With the summer tour taking place in more intimate settings such as
