Messe Frankfurt adds ProLight+Sound Shanghai to a portfolio of two existing trade fairs for the pro-audio and lighting sector, including ProLight+Sound in Frankfurt, Germany, and Musikmesse/ProLight+Sound in St Petersburg, Russia. ProLight+Sound Shanghai will be held in conjunction with Music China, a new international exhibition for musical instruments, which debuts this
We took time out with Matthew Griffiths, managing director of show-owners the Professional Lighting and Sound Association (PLASA) and Nicola Rowland, acting show director for organizer Clarion Events, to hear about the plans and their implementation. Matthew Griffiths expands on the background to the decision: "The PLASA show is the leading entertainment, communication and presentation technology show in the world. To maintain this position, the Association realises that the show needs to be a pioneer in adapting to industry change. It also needs to ensure that the visitor experience is kept vibrant, fresh and business-focused.
"After ongoing discussions and regular feedb
This year’s Showman’s Show continued to widen its appeal as 3,829 visitors from all walks of event management and show organizing visited Newbury Showground to view the products and services that will shape next year’s events. Over 300 companies exhibited to create the largest outdoor event exhibition ever seen in Europe. The organizers altered the site layout to accommodate the show’s growth and made improvements to the site that meant that visitors were oblivious to the fact that exhibitors had built their stands in torrential rain through the previous two days.
The very nature of the Showman’s Show enables outdoor event practitioners t
A total of 274 exhibitors took part in this ground-breaking event, covering a gross exhibition space of 15,000sq.m. Feedback from both exhibitors and buyers was excellent overall, and many commented on how the dynamism of the market and the Chinese peoples’ appetite for music could be clearly felt within the
The event has been completely redesigned and rejuvenated, by organizer, Inside Communications, whose business manager, Clair Whitecross, explains: "We are very excited about the new developments, which so far have been received very well . . . We can promise January 2003 will see a spectacular event."
For 2003 The Event Show has moved to the professional, easily accessible National Hall, Olympia, in the heart of London, where over 250 companies including AV and lighting contractors, marquee and temporary structure suppliers and productio
The display is very complex, and will be fired with a pyro digital system. It runs just under 15 minutes and is set to the James Bond theme tune. It will beg
As well as introducing visitors to a whole series of products drawn from the current Electro-Voice range, such as the Eliminator Double, the Eliminator kW, the EVID speaker and the new Co-11 and Re510 condenser microphones, the team, led by Gregory Ronin, had laid on a rock band, ‘The Vinyl Steam Locomotive’, whose powerful sound quickly established them as one of the biggest draws at the show. The band - all dedicated EV users - were showcasing the EV Eliminator Double and Eliminator kW enclosures, as well as the new Fri-2082 monitors. This allowed music dealers as we
LIW 2002 featured five individual shows covering all of the out-of-home leisure industry: Body & Soul - a health, fitness and beauty event; FamilyLand - the family fun event for parks and attractions; Food For Leisure - ded
The revered publication Architects Journal headlined a feature ‘Swiss Expo shames Dome failings’. Intended to occur approximately every 40 years, Swiss Expo is a project in the public domain and yet staged without Lottery funding. Which begs the question - is free money a curse or a kindness?
Look at what else has been in these pages of late: The Imperial War Museum North in Manchester, the Pageant of the Horse, the Commonwealth Games and the Jubilee concerts at Buckingham Palace - all without Lottery money and all successfully realized. These examples have, of course, all received finance from the commercial sector, but without the political interference
QSC Audio began by reinventing itself. OK, the new logo is "a relatively small change in terms of effort," but, said CEO Barry Andrews, "it’s an important one symbolically and technically. It signifies the transformation of our company from an amplifier specialist to an integrated systems supplier."
‘Integrated systems’ in this case means QSC products in signal processing, network audio transport, control systems, loudspeakers and - not least - amplifiers.
The 2002 premiere conference attracted 150-plus attendees from Las Vegas to Los Angeles, Nashville to New York and even London to Moscow. EventPro Forum 2003 will feature industry speakers, professional development panels and the Production Pow-Wow, a series of round-table discussions. Special events, including a golf tournament, welcome reception, wrap party and backstage tour of Las Vegas venues will provide attendees with the opportunity to have fun while networking and expanding their professional contacts, say the org
For the main tented area, LSFX used four stacks of Mackie Fussion, two each side of the stage configured in four Fussion 3000 mid/high boxes, four 1800 subs and four 1800A subs, all driven by Mackie M1400 amps. For the stage monitoring, Mackie C300 speakers and a Mackie SR40:8 mixer were spec’d. Around the rest of the site were 14 Mackie SRM 450s, whilst for the FOH mix, LSFX used the Crest VCA 32:4 FOH console.
Running alongside all of this, Upstream Recording had a live recording unit in action, for a forthcoming CD. The unit utilised a Mackie D8B digital mixer, a Mackie HDR 24/96 hard disc recorder and a pair of M
The move has been spurred by exhibitor demand, according to organizers IIR Exhibitions. With the rapid development in digital technologies, and the advent of converged communications, entire entertainment showcases are able to be controlled using centralised interfaces. "We are seeing the industry moving to a converged environment where everything from sound and lighting to audiovisual offerings are being integrated into a singular infrastructure," said Iain McLean, project manager PALME, IIR Exhibitions.
According to McLean, the move has been well received by the industry, both regionally and internationally, with key Gulf pl
As a result of HK Audio’s performance at Music Live 2002, HK has been confirmed once again as the sound reinforcement marque of choice for Music Live 2003. Additionally, another music show has been introduced to the annual show rota, this time it&rsqu
The event, which is being organized by the ISCE, will take at Brooklands College in Weybridge. There is a special entrance rate for PLASA Members of £25. Further details are available from Cathy Mackenzie on +44 151 639 5211.
(Ruth Rossington)
Autograph has been involved with Les Misérables since chairman Andrew Bruce designed the original London production in 1985. To address the scale of the tour, the company supplied an extensive Meyer Sound M3D Line Array Loudspeaker System in a sound design realised by Autograph's Nick Lidster, who also mixed the shows. Lidster was a member of the original sound team on the London p
Contracted by production company Nine Yards, Screenco’s vast 156-module, 25mm screen, all supplied from the company’s UK stock, measured 21.13m wide by 7.32m high, making it the biggest indoor LED high-brightness display ever seen in Europe. It thus provided an exciting solution for Hamish Hamilton’s Done & Dusted, who were responsible for the television production and design.
With all the risers set behind the screen, a large 8.1m x 4.88m door, positioned in the centre, raised and lowered on varispeed dual-brake motor hoists
Exhibits covered not only lighting products for stage and TV markets, but also new software and hardware were presented addressing their broad applications in markets such as retail, architecture, video projection, advertisement and promotion, design and presentation. The seminar programme included a broad range of topics from the latest on control protocols, education systems for theatre technology, opera productions and lighting design for theatres to a model of the lighting designer for the 21st century.
The next WLF will be held at the same venue from June 24 to 26, 2004.
(Lee Baldock)
28 people attended the School, presented by PCM’s tutor-in-chief Tony Dickson. They came from all areas of the professional entertainment industry from across the country. The two-day Motor School covered many topics. A king pin of the PCM course is the complete stripping down and re-assembling of a Lodestar motor, enabling students to learn about the role and significance of the machine’s electrical and mechanical components, and how they inter-relate. Working in pairs, st
The Network Q Rally started on the 14 November and was timed to coincide with the switching on of Cardiff’s Christmas Lights. The main high street in Cardiff was closed to traffic from 10am, and there then followed a race against time to ensure all of the production was in place by 5pm. Stage Electrics provided main stage lighting on a Star Hire Mk1 Stage, as well as lighting to other areas.
The biggest focus of the Rally for spectators was the Super Special Stage, hosted in a purpose- built arena in Cardiff’s Docks. Stage Electrics powered the majority of all site services, as well as all spectator and emergency lighting. A total of 24 generators supplied through Power Electrics of Bristo
With PLASA providing a much needed fillip to the business, the question everyone wanted answering about LDI was whether it could pick up the baton and continue where PLASA left off. Well the jury’s marginally out on that one - certainly, the first day got off to a blistering start, but there were definitely times when things felt quiet on the show floor. That said, all the exhibitors I spoke to reported good levels of business and that’s the only yardstick a trade show should be measured by.
Much of the product on display had already made its presence felt at PLASA, but there were some real innovations and some noticeable trends. The undiminished homage to all things LED continues, to the point where Ellen Lampert-Greaux, part o
After a welcome drink in the Palladium’s Cinderella Bar, delegates were welcomed to the theatre by L&SI editor Ruth Rossington, before being given a fascinating potted history of the site and the venue by theatre manager Nick Bromley. Following this, the delegates were split into groups to begin the behind the scenes tour, which took in the automation control position, the lighting control room, the lighting rig, FOH sound desk, the under-stage engineering and the radio racks, plus a chance to view the amazing car itself, built by Howard Eaton Lighting Ltd. At each point, deleg
More than 150 set, costume and lighting designers, plus a distinguished band of theatre architects, are showing some of their best work produced over the last three years. Organizers Peter Ruthven Hall and Kate Burnett have prepared an excellent catalogue of the show (available from SBTD at £18), replete with sumptuous colour illustrations, but the very 2D nature of the book explains why you should, if at all possible, see the real 3D thing: the catalogue has a careful sketch from Nancy Surman of her costumes fo
Three of the world’s most successful music stars headlined the event, which was held to create awareness of HIV/Aids, as well as encourage tolerance of those affected by the disease. Alicia Keys, Usher and P. Diddy were joined by homegrown stars Mandoza, Zola, 101, Danny K, Bianca Le Grange and DJ Ready D.
Gearhouse South Africa was contracted to provide lighting, sound, structures, audio-visual, rigging and power. The SABC (South African Broadcast Corporation) filmed the show on behalf of MTV, for its MTV Presents Levi’s Jeans Staying Alive Concert In Association With YouthAids 90-minute
