>Star of the ETC stand, and the first product launch of the PLASA Show (the press conference took place before the doors had even opened), was the Source Four Revolution, the new moving head version of the renowned profile. Using the same optics as the Source Four Zoom, but with increased light output, Revolution has been designed to operate extremely quietly for the theatre market. The base unit offers 570º pan, 270º tilt, beam-edge change, zoom, internal media frame and on-board dimming. An in-built colour scroller is provided, plus a new lamp base which features a quick-exchange incandescent light source. Two bays are provided for optional modules which give additional functions, including an 18-leaf iris, colour wheel, rotating gobo and shutter modules.

>From the Sennheiser stand came two new audio systems from D.A.S. Audio. Inevitably, the CA28 and CA215 combo is a line array. Highly compact, the system is based on DAS's own 2 x 8" drivers with a DAS1.5" compression driver on a 6° by 90° SERPIS plane wave generator for the highs. The accompanying2 x 15" Sub integrates onto the D.A.S. flying hardware. Delivery from a four-box coupled system, 80Hz-20kHz is claimed at 143dB peak SPL, while the sub delivers 147dB down to 37Hz. The new D.A.S. Dynamic Series is a three-way system comprising DS-115/Sub-18F passive, or add an 'A' suffix for the active models. Stand-alone or pole mounted, these are light, easy to use and would suit small installs or touring applications.

Also on the same stand was a new digital EQ unit from Rane, the DEQ60 and 60L ('L' denoting long-scale faders). Designed for live tours, this regular looking

>Formed as a result of a buy-out of the Penn lighting and trussing business from Penn Fabrication, Metalworx is the European manufacturer of the original Penn trussing. The company featured coloured Par cans on the stand in addition to triangular, box and circular truss. The company also offers a complete custom manufacturing service.

>Jack Exell, general mnager of Cerebrum Lighting was well pleased with the show, adding that the stand had been kept busy by high quality visitors. For the first time Cerebrum was showing the full Xenonspot range of Xenon followspots, in collaboration with Japanese manufacturer San-ei Electric Co. The range is available in 1, 2, 3, and 4kW models.

>Audio-Technica was giving a European launch to the AEW4000 and 5000 Artist Elite wireless microphone systems and T1000 body pack transmitter; AE5400 and 3300 condenser mics; AE4100 and 6100 dynamic mics and a prototype DA860 wireless distribution amplifier. Also new was a number of microphones in the Engineered Sound series.

A-T was also showing the latest from Sabine, which it distributes in the UK. Centre stage was Sabine's SWM7000 Series 2.4GHz true mobility wireless microphone systems, incorporating the patent-pending 'Smart Spectrum' technology which allows up to 70 simultaneous wireless systems to operate with maximum fidelity. The receivers have built-in Targeted Input Processing, including the FBX feedback exterminator, a compressor/limiter, an adaptive de-esser and parametric filters. New on-board DSP allows the selection of a number of dynamic or condenser mic elements. Up

>Prototypes of Chameleon Audio's Atlas digital amplifiers heralded a potential series of 14 models! Ranging from a 700W mono unit for bass drivers to a five-channel 2 x 700 and 3 x 350W model for 5.1 surround sound, it's not certain whether all 14 will make it into production. However, the potential for Atlas seems very big, with a 1U stereo version for the MI market also being considered.

>Barry Abrams, the product development manager for lighting effects company Chauvet, commented that the company always aims to find a little niche and create something innovative to fill it. This year it was showing the first samples of the new LED Colortube, a cutting-edge, eco-friendly tube equipped with 144 high intensity LEDs. The system is intended to go into production in January 2004.

>There were five main products from concert lighting's best-known desk manufacturer, Avolites. Diamond 4 Elite features 96+14 playbacks and eight DMX universes in a remarkably small format console that still gives easy hands-on access, not least clear short-cuts in configuration, which is arguably easier than a touch-screen type operation. The D4 Vision has even more playbacks (156) and a greater number of hands-on channel controls, making it more suited to large dimmer shows. Both desks have Visualizer on-board.

Link Avolites' Simulator desktop to the new E2DMX and you have a virtual desk panel on-screen with outputs to eight universes of DMX. Add D4 Pilot (it acts as a USB hub) and you have a simple hands-on operating panel for Simulator with recognizable controls from a D4 desk and eight motorized faders. Also on stand were the company's new ART3000 dimmers - based on the familiar A

>A contemporary-looking ice bucket, pre-programmed to change colour, was one of the latest, stylish offerings from Special EFX. The company is the exclusive UK importer of Mood-Light, a range of LED lighting panels and objects. New products in the range include the frame-less, flat fronted Tile, which enables multi-panel displays without seams and the Reflector panel, which acts as a mirror when not illuminated. The panels can be utilized in installations for walls, ceiling and floors.

>Digigram's EtherSound ES8 in/out modules were nominated for a PLASA award this year. As the names suggest, each module allows up to eight analogue inputs into an Ethernet sound network and eight out for playback. The unit offers transmission of 24bit at 48kHz resolution with a claimed latency of just 1-2msecs. Both modules manage GPIOs and use RS232 for bi-directional control and thus simplify the installation of complex systems as the need to run back to a central hub is removed. Also from Digigram, the Audio Manager a very user-friendly control interface, not just for Digigram systems, but also other network set-ups such as Cobranet.

>L-Acoustics showed the latest enhancement to its well-known V-Dosc line array system - the V7 Preset Library, offering a smoother mid/high response and revised processing for the LF section, including optimized low end shelving EQ - resulting in a claimed 2dB increase in overall efficiency and output. The company also points to the greater flexibility offered by the V7 Preset Library, now with increased subwoofer combinations for a wide variety of applictions. Finally, L-Acoustics has introduced new panel, cabling and adapter packages for small to large format FOH applications for its ARCS, dV-Dosc and XT lines, maintaining compatibility with V-Dosc.

>Ivano Burato of recently-formed Paris-based company Ayrton, was having a busy show, reporting that all items on the stand were sold, plus orders taken. Ayrton launched EyeColor, an LED moving head fixture, which has been in production since June. A forerunner in the professional LED moving-head fixture arena, its 18 high-power LEDs have a 10-year life span and offer users an infinite palette of rich saturated colours. Maintenance of the fixture is extremely easy as its has no lamps or colour mixing systems. Its low IR emission and non-existent UV radiation enables it to be used close to the objects it illuminates without any risk of damage.

>Rubber Box had a very busy and productive show this year, which they say was greatly assisted by the new floor plan making it easier for visitors to find them! New products included the Type 420 Box, designed as a baby brother to the Type 550 Box which was launched at last year's show. The 420 fills a size gap in the company's products and would usually be fitted with 63A to 400A incomers and any type or size of sockets. Endless configurations are possible. Rubber Box's Paul bates told L&SI: "We believe the increase in orders during September and continuing into October was a direct result of exhibiting at PLASA and we look forward to next year's show when we hope to be launching two more new products. Watch this space!"

>Swefog showed prototypes of its new Live X-Power series smoke machine. The Live foggers will be available in two versions - the Live 22 with an 1800W capacity and the Live 26 which can produce an impressive fog curtain with its 2600W heater. Further standard features involve timer control, precise fog output control - from a light, hazy effect to dense smoke, short warm-up time, powerful output, DMX 512 control, advanced LED display and overheating protection system.

>The launch of the Heritage 4000 monitor console from Midas underlines this company's continuing commitment to live touring consoles. With all the existing features of the Heritage 3000 (one of the most ubiquitous monitor consoles in the industry), the H4000 adds 40 aux sends, ably addressing the increasing demands from performers using in-ear monitoring systems. Midas has added eight stereo mixes to the original 24; the first 24 can be configured as pairs of audio sub-groups, as stereo mixes for IE systems, or as two mono sends: the extra eight pairs are dedicated stereo mixes.

From the joint Midas//Klark Teknik stable comes Elgar, an integrated software suite - essentially a 'shell' into which one or more plug-ins will fit to allow control of any Klark Teknik or Midas devices. Elgar enables remote control via PC simultaneously, from a single application. The first module to run under

>Aimed at the installation market, Cloud Electronics' CX462 audio system controller was launched, featuring six-input stereo and four-input microphone sections. A tamper-proof cover prevents unauthorized interference with the unit's settings, while a range of optional accessories is available.

>With the company's range of UK-built chain hoist controllers continuing to enjoy success and TiMax also enjoying a high profile (currently on the West End production of Chitty Chitty Bang Bang), Out Board's Robin Whittaker confirmed a healthy amount of international interest at the show. "It's been much better than the last two shows," he commented, citing (along with several other exhibitors) that the new layout seemed to be having a positive effect. Whittaker also confirmed that several prestigious projects will be featuring TiMax over the coming months - watch this space.

>Wybron launched the Nexera range of lighting fixtures. This range of profiles and fresnels is equipped with Wybron's new dichroic CMY colour mixing facility. With no fans, the luminaires are very quiet, and will be shipping in December. Wybron also showed the Watchdog III Control System for Remote Device Management (RDM), the new open standard for status monitoring and configuration. The System consists of a gateway, controller software, and unique converter modules (called 'DogBones'). Placing one DogBone into each device's DMX line receiver socket makes non-RDM equipment RDM-compatible.

>One of the smallest USB-to-DMX512 interfaces in the world was the new attraction on the VXCO Lighting Systems stand. The DMXCreator 512Basic contains all its electronics in the plug, and connects directly to the USB port on computers, requiring no external power supply. It is designed to work with the DMXCreator software.

>A new filter for the highly successful Omnidrive speaker system processing unit was introduced by BSS Audio. The Thiele filter, identified by the 366T suffix, eliminates the phase anomalies experienced by those using FIR, making for a louder and clearer system sound. On the same stand, Soundcraft had no new product for the show, but reported excellent sales of the MH3 since its launch earlier this year.

>A testimony to the durability of Rainbow Colour Changers comes in the fact that the same scroller units have been in place on the show Starlight Express for 15 years with very few replacement units. There have been no recent changes to the technology (no need to fix what ain't broke), but Rainbow has introduced a new string service to ensure a custom service to suit the needs of the client.

>No new products this year to add to MDG Fog Generators' impressive range of products, but plenty of projects on the go. Commercial manager Martin Michaud told us they've been extremely busy working on a number of high profile projects from Celine Dion in Las Vegas to LegoLand in Germany and the new Cirque du Soleil show, Zumanity.

>The W8LM is a mini line array with its own dedicated sub from Martin Audio. The WLX is a single 18" hybrid folded horn/reflex cabinet capable of reaching down to 35Hz (up to 150Hz). The main mid/high box contains dual 8" and dual 1" tightly fit to a cabinet just 243mm high. A fully designed flying system accommodates both cabinets, the mids giving a claimed consistent 100° horizontal which, if it's anything like its forebear the W8L, will prove to be the case. An early vote of confidence was revealed by the announcement that the Synco Network has already made a significant commitment to the W8LM system.

>There were two new products from Tomcat: Swing Wing Trussing, winner of a 2003 Eddy award, is an old idea given a new make-over. Still 30" by 30", this trussing is purpose-designed to take a whole variety of modern automated lights 'permanently' mounted within (or at least for the duration of your touring production). Also from Tomcat comes Dek, a re-designed extrusion to improve on the existing stage deck system from sister company Brilliant Stages. The extrusion includes an M10 nut rail to allow the fitting of a host of accessories, not least handrails and steps.

Latest Issue. . .

Save
Cookies user preferences
We use cookies to ensure you to get the best experience on our website. If you decline the use of cookies, this website may not function as expected.
Accept all
Decline all
Analytics
Tools used to analyze the data to measure the effectiveness of a website and to understand how it works.
Google Analytics
Accept
Decline
Advertisement
If you accept, the ads on the page will be adapted to your preferences.
Google Ad
Accept
Decline