Mean Fiddler buys Borderline
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(Lee Baldock)
(Lee Baldock)
One of the most exciting areas of the development is the new 300-seat auditorium, which has recently been completed and is now in use. Designed by MJS Architects with Arup Venue Consultancy and the Robin Haddow Partnership, the client's brief involved finding a way to optimize the room design, keeping me
The ILMC says that the safety guide will provide a tool for concert and festival organizers to assess and manage risks, and will be useful to everyone from the new event organizer to the most established promoters. Scheduled to be ready by late autumn of 2004, it will primarily be accessible via a specially designed website, although a limited number of hard copies will be produced. With its Euro
For one night only, on Tuesday 21 October, Carling brought Angus Young, Malcolm Young, Brian Johnson, Phil Rudd and Cliff Williams to London's landmark live venue to thrill a gathering of their most dedicated fans with a live show. The seats were also removed from the venue for the first time in its history, making it the biggest dedicated live music venue in London.
Front-of-house engineer Paul 'Pab' Boothroyd was at the controls of a Midas XL4, while long-time mix partner John Roden mixed monitors. Boothroyd opted for Concert Sound's new EAW KF760 line array system, flown as an impressive 14-a-side rig, "so I could maximize the power and cove
The new equipment is predominantly for Room 2. "The room is essentially a black box, but I wanted to put a bit more focus onto the lasers," explained Parry. "The room contains a massive block of colour and we have used Coemar iCyc 250s as an architectural backdrop." At the same time the club has used six Thomas Pixel Par 87s from Lighting Effects Distribution to highlight the structural arches and create an extra dimension, along with a pair of Coemar iSpot 575s and CF as a
The steeply raked theatre's impressive architecture seats 430 on two tiers, with a dedicated projection room and 6m screen. Sensitive to the English Heritage listing of the building, Surrey-based Harpers AV installed three pairs of QSC's AcousticDesign AD-S82 loudspeakers in strategic locations within the theater and gallery areas.
Harpers AV project manager Steve Baker also specified a pair of QSC ISA 280 amplifiers and a 24-channel Phonic mixer, with the networked system under Crestron control. "QSC produc
In total, nine individuals have been charged as a result of the investigation, including David Gordon, a former company director of Prodesign, and Brophy's wife Margaret Bragg. Of the other six individuals, we understand that three represented a well-known lighting company in its involvement with the Millennium Dome.
The Fraud Squad arrested Brophy, Gordon and Bragg in October 2000, following scrutiny into the awarding of contracts at the Millennium Dome.
(Lee Baldock)
Laservision's objectives included the selection of suitable buildings and key viewing areas. A draft design for each chosen structure was completed, taking account of energy efficiency and light pollution issues. A series of reports was then sent to the Hong Kong Government and Laservision was invited to showcase techniques incorporated into the Harbour Lighting Plan during Chinese New Year of 2003. The demonstration consisted of illumination of the Hong Kong Cultural Centre and the creation of a multi-media show, attracting a public audience of up to 45,000 per night.
The Hong Kong Government engaged Laservision to prepare a launch e
"Although the price tag is very cost-effective for this kind of functionality, it is a lot of money to a regional theatre," says Jason Barnes, head of sound at the Old Vic. "However, it's bought us an immense improvement. Putting a show together is now far less stressful and we can do it a lot quicker."
Jason Barnes' own ideas and research took him in the direction of the SFX software programme, rapidly becoming an industry-standard, and, with the input of Andy Huffer from Marquee Audio, a complete system was designed: the Yamaha DM1000 digital console, with the SFX sound playback software p
An added feature for the technicians in the industry is the incorporation in the Hire section with useful information on some of the equipment, such as weight, lamp, power rating, number of DMX channels etc. There is also a facility for technical manuals to be downloaded.
Linda Moore Stage Electrics sales and marketing manager said: "We believe the site is easier to navigate, we wanted it to be bold and dynamic, providing o
The Hire and Live Events department was recently responsible for the creative design and technical management of seven major events over three weeks. One of these included a 1920s themed event for a 60th birthday celebration. "Centred around the art deco period, this was a great event to work on," commented technical director Mike Naish. "Our team was involved from the very start of the planning stages. We designed the invitations, set, lighting
In each room, the lighting needed to complement the room themeing, and also had to be flexible and eye-catching: "It was great to get onboard with and work alongside the interior design team from the early stages," says Wan. The club's overall design was led by Hunt, who adopted a hands-on role throughout the project.
This interesting medieval-styled Chamber is also the main dancefloor. The lighting had to be dynamic to cater for a wide range of musical styles. They took a completely customised approach in t
Stage Electrics designed and installed the new facilities' sound and lighting systems, with Hills Electrical plc, main contractor Totty Construction, architects Cruickshank & Seward and acoustic consultants Arup.
The Music Department boasts a 350-seat concert hall (pictured right), while the Drama Department is equipped with a studio theatre. The concert hall has been designed primarily for orchestral performances, with stage space for up to 90-piece orchestras. Four lighting trusses are fitted with Strand Cantata and SL lanterns, while the Concert Hall control roo
In selecting a supplier, the theatre referred to Visual act's flexibility and forward-looking technical features. The system is open and can easily be expanded to control under stage machinery or other elements. The user inteface will be specially adapted to fit the theatre's working routines.
The current computer system, installed in 1985, is still effective even by modern standards. It allows for the simultaneous operation of any num
As part of the University's ongoing refurbishment programme, ShowService GmbH, the German distributor for Australian pro audio manufacturer ARX Systems, has now completed the supply and installation of two new audio systems for the University's ESA B and AS auditoriums.
The 5.1 audio system in the cavernous ESA B auditorium comprises five SPL 12 self-powered loudspeakers providing Left-Centre-Right and stereo surround program and a single SPL 18 self-powered subwoofer for low frequency reinforcement. A single SPL 8H compact self-powered loudspeaker was installed in the lecturer's desk as a listen monitor/foldback monitor.
In the not-so-cavernous AS
With its glass roof and stone walls, the venue presented challenging acoustics, but by carefully positioning four EX 10 speakers and adding the weight of two EX 2.5 double 15" active subs, reflections and subsequent issues of poor intelligibility were
Upstairs, Metropolis replaced all the old TVs with Panasonic TX28 and TX32 widescreen televisions, installing a total of 33, plus one of the new Generation 6 Panasonic TH42 PW6 plasma screens - one of the first in the UK. Two new Sanyo PLC SL15 video projectors were also installed - again some of the first in the country - fitted with protective POAP sm
Mission Pro DML panel loudspeakers were used by Provoice with their proprietary Loop Drive technique secure network. There are four VA racks on the system - a Master and three slave units. These are connected via a secure network loop, which carries three audio paths and a data path. In the unlikely event of a network failure, each of the four racks is capable of working stand alone for emergency pre-recorded messages and liv
The campus is spread over 60 acres of land, and includes a five-hole trainer golf course, set in 17 acres with night play facilities. The school, which has a total of 10 buildings over a covered area of 800,000sq.ft, has two all-season indoor swimming pools that cater to all water sports including water polo, and horse riding is a special attraction. From a technology
The new equipment is predominantly for Room 2. "The room is essentially a black box, but I wanted to put a bit more focus onto the lasers," said Parry. "The room contains a massive block of colour and we've used Coemar iCyc 250s as an architectural backdrop."
The club has also used six Thomas PixelPar 87s from Lighting Effects Distribution to highlight the structural arches, along with a pair of Coemar iSpot 575s and a CF7 as a centrepiece effect. P
Lightfactor supplied all the equipment for the new installation - which was sourced from a variety of British manufactures, including customized Par 64 and AR111 fixtures from James Thomas Engineering, and a custom lighting control panel designed by Mick Hannaford and made by LightProcessor. The result has transformed St Barnabas into a modern, practical and well-lit venue appropriate for a dynamic range of church-based activities.Built in 1915, St Barnabas's spacious 15m high environment has several unique features, including an unusual fresco above the high altar that helps soften the otherwise austere atmosphere. However, the lighting has had very little improvement sin
The system was especially designed by TIS to meet the needs of the new Castle Point store in Bournemouth and follows TIS's success in providing PA systems to many other large retail stores including some 22 other Marks & Spencer stores throughout the UK. It includes 130 ceiling speakers and 13 wall speakers across six zones on several floors. Each zone is indepe
Following a report produced by Mick Andrew, production manager of Mull Theatre, and with the aid of a Community Fund Lottery Grant, work began on the refurbishment, with Edinburgh based lighting equipment specialists, Black Light Ltd, called in to advise on lighting for the hall.
Having seen the proposed re-construction, Black Light's Paul McGreal decided that a mixture of Selecon lights would be 'spot on' for the job. He explains: "We drove the van with the equipment as far as Seil Island, near Oban, from where we could see Easdale Island some 400m aw