Frontlite's PA system and FOH technician Sondre Sandhaug had a weekend to get to grips with STM, its rigging software and amplifiers before the event, when the system had to be loaded in, rigged and line checked in one day.
"We had 111x Nexo speakers up in the air, but even though it was the first time with the new system, STM proved to us that it's efficient and easy to rig," says Sandhaug. "It really is an excellent system, and went up in
tn.jpg "DPA in Amsterdam Arena")
Huub Lelieveld, senior sound supervisor for United Outside Broadcast and Studios, says, "UEFA was adamant that the broadcast quality had to be top class as this was a huge 35 camera production that was going out to broadcasters all over the world. We wanted to make sure the audio quality would be as high as possible and that we captured the ambience of the stadium in phase coherent surround so that it sounded huge in surround, but also still sounded great in
Arian Duijvestijn, senior vice president of Philips Intellectual Property & Standards said, "We are thrilled that the LED programme has grown by 50% in the last year. We are delighted that more and more businesses, from start-ups to larger companies sign up to the LED luminaire and retrofit bulb licensing program and recognize that working with us helps to speed up product development, lower costs and advance the industry. We warmly welcome our 300th licensee and are confident the program will continue to attract a wide variety of companies in the comin
Award-winning lighting designer, Aaron Swetland faced the singular challenge of having to adapt his already massive rig for television with an additional 88 Sharpys, 20 Syncrolite fixtures, 34 3500 washes, 20 MAC Auras and 24 Bandit 5x5s. Giant artwork scrims were added above stage right and left with 30ft trusses above them, while a 60ft lighting truss was placed centre downstage from the usual downstage truss for television lighting.
For his inaugural stadium show, Swetland focused on filling the space while being mindful of the challenges
Built in the heart of Edinburgh's West End and surrounded by some of Scotland's most prestigious financial institutions, space for this events space was at a premium. Added to this challenge, the design team were required to make the new space fully integrated with the EICC's existing facilities. This required a much greater level of coordination and communication with the rest of the design team than usual, but this suited Theatre Projects' collaborative style perfectly.
What makes The Lennox Suite different is its fully automated moving floor. Theatre Projects designed an innovative engineer
Following huge success in the USA, the Lennon Bus concept has now been rolled out to Europe where it will provide kids and students across the continent with hands-on digital media production experience. Built on a rugged Mercedes-Benz 12m long chassis, the bus also features a roof top terrace and 'pop outs' that offer expansion into exterior space when stationary.
Like the North American Lennon Bus, the European counterpart has two digital recording studios plus an acoustic isolation room. Genelec joins a raft of other sponsors including Apple,
Behind the scenes, production supervisor Dan Leroux has at his disposal an arsenal of creative tools to bring to life the myriad of performances. So when he was looking to bring in a new lighting instrument that would take his rig to the next level, he could have his choice of any automated luminaire he wanted. What he chose was the high-powered and full featured Philips Vari-Lite VL3015LT Spot luminaire supplied by PRG.
"I first saw the VL3015LT Spot via an online demo and once I saw it in person, there was no ot
With an architectural reverberation time of 1.7 seconds, the hall suits orchestral performance well, but is less accommodating of other musical genres. Now with Constellation, Svetlanov Hall can provide the proper acoustics for pop and jazz performances including Al Di Meola and The Duke Ellington Orchestra, as well as its magnificent 5,500-pipe organ, the largest in Russia.
The dramatic improvement to Svetlanov Hall's acoustics was immediately lauded by conductors, musicians, and audience alike.
"Con
Over 200 fixtures have been delivered to the Vanemuine Teater in Tartu, Estonia's lively second city and the country's cultural and intellectual hub.
The deal - part of a much wider programme in which Robe luminaires have been supplied to all eight of Estonia's state supported theatres as part of a major national lighting upgrade - involves a mix of LEDWash 1200, 600 and 300s, MMX Spots, DLX Spots and ROBIN 600 and 300E Spot and Washes.
Vanemuine, Estonia's oldest theatre founded in 1870 by an amateur acting and singing organisation and named after the Estonian god of music and poetry, has three separate venues - The Big House, the Small House and the Harbour Teater (Sadamateater).
For many years, it has built a reputation for being at th
The theatre is set to achieve a BREEAM 'excellent' rating for environmental sustainability and is a key player in the regeneration of Llanelli. Y Ffwrnes is expected to attract some 70,000 visitors and provide new full and part time employment for 35 people.
GDS UK dealer Northern Light were commissioned to install a complete sound and lighting package for Y Ffwrnes. The consultants specified that the contractors installed the GDS Stage Manager's Console and CueSystem cue lights. The need to meet the exacting standards of environmental sustaina
"We used 36 COLORado 4 IP luminaires to light up the outward face of each of the columns that wrap the building," said Stace Napper with Ironman Sound Industries.
"The columns are about 40ft tall, plus our mounting position was an additional 15ft below them for a total throw of over 55ft. The mounting position was a small ledge, only about 2ft deep; but thanks to the slim profile of the COLORado 4 IP we were able to mount each light to the buildings existing lighting hardware, which also ensure
The festival featured around 60 major lighting installations all located in and around the downtown area of the city after dark, spread across 18 days in June. It attracted approximately half a million people who came to enjoy and experience some of the wonders and thought-provoking and imaginative properties of light as a live art form.
Robe has always been interested in creative arts projects, and Brockwell's initial contact with Robe was with Ashley Lewis, key account manager for film, theatre & TV from the UK office. The two have worked on some previous projects together. Ashley put him in touch with
In collaboration with architectural lighting designer Norman Bragg and Theatre Royal's Steve McAndrew; Stage Electrics' worked hand in hand to find the right lighting solutions for this iconic venue. Control of all lighting was via Zero 88 Chilli dimmer racks with a Stick KE1 touch screen control interface and DMX was distributed around the space via Swisson DMX merger and splitter units.
Business development manager Paul Roughton commented, "The scope of the project was to provide discreet lighting
To create Lux Eucharistica, a dynamic audio visual show gracing Cologne Cathedral's recent Eucharistic Congress 2013, the management called on illumination art specialists Friedrich Förster und Sabine Weissinger of Casa Magica in Tuebingen, southern Germany. They, in turn, enlisted ETC Ion control desk expert Matthias Strobel to help programme the spectacular projections and colourful light.
"Controlling the Selador Classic Vivid-R fixtures and projection using Ion was the easy bit," says Strobel. "The more challenging part was taking control of the cathedral's very complex house light system with 1000+ channels via the Artnet protocol. The fact that we could organise it all u
However, it had long found that the quality of its audio fell short of its majestic interior. Recently RaceTech's head of audio engineering, Robin Dibble, returned 20 years after implementing a revolutionary analogue solution, known as the Coventry Reciprocating Delay and devised by his acoustician father, Ken Dibble. This time it was to lead the cathedral into the digital age via BSS Soundweb London signal distribution architecture, which will future-proof it for years to come.
Notes Dibble Jr, "Coventry Cathedral is a vast open space with huge air volume, many hard sonically reflective
tn.jpg "Whitesburg Baptist Church")
Twenty five hundred seats wrap 180 degrees around the sanctuary, including a full balcony. Embracing a wide variety of both traditional and contemporary music, an average service demands versatility from any sound system. Malmede spent most Sundays dealing with unsatisfied parishioners, "There were complaints every week. Our goal is always +/- 3 dB, which was hard enough; but the real problem has always been the frequency. It was clear we needed to fix our sound, but we have never had any particular success in the past."
However, after Spectrum Sound's Ken DeBelius began cons
The first project, a new-build lecture theatre and conference facility at Wolfson College, Oxford, required an audio solution with the ability to cope with a variety of uses from simple conference setups to live bands and performances. After looking at a number of consoles, design engineer Marcus Boyton from Lancelyn Theatre Supplies selected the Roland M-300 after trying it out at a Roland Training Day held at SSE Audio Group.
"We chose the M-300 because it is user friendly, has good utilities and effects and is flexible enou
The MixRack is mounted in the studio's equipment rack so it can easily be patched to the studio tie lines and building's technical network. The iDR-64 is fitted with an M-DANTE module, and connected to a Mac which has Dante Virtual Soundcard and runs Apple Logic for recording. Mic preamp signals are sent pre-processing to the DAW. Additional Dante channels are used via the iLive patchbay inserts to access plug-ins in the DAW. The choice of Dante networking permitted the stage box to be taken to the roof terrace on occasions to record a session upstairs whilst mixing downstairs in isolation but with full control over Cat 5.
"The studio is bu
Headliners recruits over 200 new performers every year to sing and dance their way around the world onboard P&O Cruises ships. Before sailing, each cast rehearses for nine weeks, six days a week, a process which has been markedly improved by the opening of The Academy.
With a floor area of 1258m2 it is one of the largest dance rehearsal facilities in the country, but overcoming the acoustic challenges of the large, hard, flat surfaces was a key requirement for its audio system. Production executive Darren Harvey had been previously impressed by Yamaha's acti
As stated by Dr. Andreas Sennheiser and Daniel Sennheiser, CEOs of Sennheiser electronic, "with the Innovation Campus we will have room to further develop Sennheiser's innovative company culture. Today we are laying the foundation for lots of creative ideas which will form the basis of future success." Construction work should be completed by the end of 2014.
On behalf of all shareholders and accompanied by family members Karin, Daniel, Alannah and Dinah Sennheise
"The school needed a foolproof system that could meet a wide range of needs," said Jock Wallace, Black Light's head of installation manager. "To check that we had chosen the right equipment we did a detailed demonstration for Dundee City Council at our HQ in Edinburgh. By working so closely with the council we made sure that the school got the system they needed, that was fit for purpose and within budget."
At the heart of the school's new audio set-up is the QSC Q-Sys control system. T
"In most aquariums the underwater experience remains apart and behind glass," says Arne Kvorning of exhibit designers Kvorning Design and Kommunikation. "At The Blue Planet, the underwater experience comes out and surrounds the audience, due in large part to the sound and lighting design."
Anders Jørgensenof Kast
In the original lighting project for the space over the stands for refuelling, eight pieces of 250 W halogen discharge lamps were placed in the height 4.7 m. These luminaries were replaced with energy saving LED product - LL High Bay from Leader Light with total output power of 120 W. The advantage of these luminaries is the high energy saving and its ability to dim, that can be used during less exposed night time (e.g. 60 W). The average luminance of the lighting system is supposed to be more than 200 lux.
Part of the reconstruction were also the two shelters which served for the customs controls. Much halogen discharge lighting was replaced with only three pieces of energy saving LED luminaries - LL High Bay with output power of
The success of the projects shows that Black Light has the expertise to be involved in ground-breaking projects involving key decision makers in both government and education.
"The projects have been a great success and the schools are delighted with the equipment we installed," says Black Light's head of company development, Phil Haldane. Haldane explains that one of the key reasons for the project's success was that Black Light met with the end-users early on in the process. "We re-specified certain elements of the project in light of the feed
