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TMB also showed products that build on existing product lines. The company's DecoPAR range of pinspots and floods now includes PAR 16 and PAR 20 versions. Also, the ColourPix range of large-scale LED video displays now features new high-resolution modules comprised of interlocking panels that are custom-configured for pixel-pitch and size. The ProPower HPS 24- and 48-way Hot Patch Systems allow the use of rackmount dimmers with flexible output options. Also, the ProPower RPD Rack Panel Distribution systems can be custom-configured for each customer or application. The ProTester DMX tool checks
Macon-based Total Systems Audio, Video, and Consulting have supplied vast amounts of technical equipment to the Church; no coincidence as their managing director is also the Church's technical director.
Recently the Church took delivery of a LSC Lighting Systems maXim LP console and are getting ready to purchase a maXim XXLP through LSC's USA dist
Lighting designer Stevie Marr has worked with the band for two years, and uses Adlib as his lighting supplier because, he says: "The service is excellent, they have the right attitude and the crew are always great - it's crew that really make a tour at the end of the day!"
For this stretch of the tour, he wanted all lighting sources to be at a low level, to give an edgy look that reflected the band's increasingly raw and harsh style of playing and their relentless energy. He also wanted them to be seen at all times, and so opted for an 'almost-floor' based rig, with a front truss used solely to provide key lighting positions.
The visually dom
Lighting designer/director Jason Cain (who also handled video operation duties) specified 20 Alpha Spot HPE 1200 luminaries for his lighting rig. "I chose the Alpha Line because of their light weight and bright output," Cain explains. "It was also nice to have two rotating gobo wheels, and the fixed wheel as well. I was able to achieve multi-layering of the gobos to produce different lighting effects."
The Clay Paky Alpha Spots were put into a moving light pre-rig that was built by Xtreme Structures. Any concerns Cain had about the lights' magnetic wheels holding
HSL's production manager Mike Oates comments: "We've been looking at serious high powered search lights for some time now, and both myself and Howard Dean have watched the A&O Lighting brand develop in Europe with interest. When Nick first mentioned he wanted to use them on the tour I was straight on to Marco Niedermeier [MD of A&O] to see if the units where available, which luckily they were! It was a pleasure to work with Nick, Phil and Neil from Electric Fly on this tour - from a suppliers point of view, they makes things very simple."
The influential Glasgow "post rock" band have been on a world tour since the start of
Lighting designer James Campbell was given the task of lighting the new series: "The brief was to recognise and produce the traditional Mastermind look, with a suggestion of different architecture, like the different locations they used in the original series."
The Lighting rig is made up of 20 MAC 500s and one Stage Zoom 1200.
"The central image to the show is the iconic chair, where I use an intense arrangement of moving lights (the MAC 500s). The background is kept black with the multi-dimensional beams in striking shades of blue."
By Campbell's own admis
Gordon Routledge, managing director at Dialight Lumidrives says: "We areentering a period of rapid growth thanks to an increasing number of customersrecognising our wide ranging LED expertise. Simon's role is to help us managethis demand and continue to widen our customer base."
Aldred adds: "Joining Dialight Lumidrives is a fantastic opportunity for me, asthe company is wel