Europe - Ayrton has introduced Cobra, its first phosphor laser source, IP65-rated luminaire, based on the concept of Dreamspot 18K which it first presented at Prolight+Sound 2016.
Several years of development have gone into designing and finalising this luminaire, which offers a next generation speckle-free laser source, designed for rendering a D65 white point that allows perfect colour reproduction.
Cobra pushes all the limits when it comes to beam definition, with native contrast never before achieved by a digital light source, an incredible beam angle of 0.6°, and an extreme range of focus, XT-Focus, which permits the beam shape to be adjusted according to the operating distance.
Cobra is the only luminaire on the market capable of illuminating an object several kilometres away, with an output of 386,000 lux at 20m and an unprecedented 38x zoom ratio and a

Europe - Hans Zimmer hit the road this spring on a much-anticipated tour. Delayed due to the pandemic, his 19-piece band and an orchestra delighted fans all over Europe.
The lighting design was delivered by John Featherstone from lighting and visual design studio Lightswitch. John and his team pushed for an all Robe moving light rig for the tour which started production rehearsals in Berlin with 250 Robe fixtures onboard ahead of the first European leg, with lighting equipment supplied by German rental specialist, Satis & Fy.
Featherstone explained how the design process originally started back in 2019 / 2020 with Hans curating his creative ‘dream team’ which included renowned Broadway set and scenic designer Derek McLane, video designer Peter Nigrini, choreographer Barry Lather, and of course, himself. “Hans is a master at putting collaborators together,”

USA - Scorpions recently released the19th studio album of their, over 50-year, band career. After several weeks at the Zappos Theatre at Planet Hollywood, Las Vegas, they started the Rock Believer world tour in early May beginning with a special concert at Madison Square Garden, New York.
Austrian Manfred Nikitser has been accompanying the internationally successful band as lighting designer since 2016. In addition to the lighting design, Manfred also created the complete show design (stage set and video) for both the Sin City Nights residency in Las Vegas and for the subsequent tour.
Manfred selected the remote follow-spot system from Dutch manufacturer Follow-Me: Follow-Me 3D SIX. The centre piece of this redesigned show is a pyramid-shaped drum riser in front of a semi-circular stage set made of custom-made metal grilles, which houses numerous spotlights and blinde

UK - During last week’s PLASA Focus Leeds, Entec UVC SafeClean presented its research on creating COVID-free environments and busted some of the myths surrounding pathogen eradication.
Entec UVC SafeClean specialises in environmental germicidal disinfection, effective against COVID-19 variants as well as all other viruses. During the seminar at the Bury Theatre, Entec Group chairman Nick Pendleton presented scientific research on creating COVID-safe environments. He opened up by asking the audience several questions relating to their own personal COVID experience, and some 80% stated they expected COVID disruptions to continue, and almost as many said they had been involved in an event affected by COVID. “I was very surprised to receive such a strong view that the risk and problem had not gone away,” reflects Pendleton.
Aided by a portable Goldensea UVAIR 216 ul

USA - Butch Allen and André Petrus lit Nigerian superstar Burna Boy’s two-hour One Night In Space show at Madison Square Garden on 28 April.
The massive lighting design for the sold-out concert turned the venue into a giant lightbox that stirred the imagination with outer space images. Yet for all its multi-faceted flourishes, the design process followed a basic formula.
“Burna Boy’s music provided the road map, and we followed it,” said Allen, noting that the end result was a design based on “visual harmony” between the image, atmosphere and the artist’s performance.
Lighting the way on that road map and contributing to that atmosphere were Madison Square Garden’s house lights and an impressive rig provided by 4Wall Entertainment that featured 68 COLORado PXL Bar 16 fixtures from Chauvet Professional.
The motorised RGBW COLORado uni

Germany - In 2018, Cameo celebrated its debut in the NicLen rental park with the Zenit Series. Since then, the dry hire provider has been adding Cameo products to its line-up year after year. Now, in addition to the Zenit W600 and W300 outdoor wash lights and the Opus Series moving heads, the dry hire range also includes the F Series Fresnel fixtures.
With investments in OTOS H5 beam spot wash moving heads, NicLen has also recently added Cameo’s new IP65 hybrid highlight to its inventory – the first supplier worldwide to do so. In addition to the OTOS H5, NicLen has completed its portfolio of Cameo F Series products with the F1 Fresnel spotlights and the F2 FC, and it also offers the new Zenit W600 SMD, an even brighter version of the successful Zenit outdoor wash lights.
With the OTOS H5, Cameo is directly addressing the needs of professional lighting designers a

USA - ADJ has announced the immediate availability of the new Jolt Panel FX and Jolt Bar FX. Both of these flexible fixtures combine intensely bright while strobe LEDs and zone-controlled vibrant colour mixing LEDs. Designed for concert productions, festival stages and rental houses, as well as for permanent installation in large nightclubs and performance venues, these fixtures can be used to generate a wide variety of effects.
The Jolt Bar FX is a professional linear LED lighting fixture featuring a central strip of 112 x 5-Watt cool white SMD LEDs, surrounded on both sides by a total of 672 x 0.3W RGB color mixing SMD LEDs. Both types of LED are grouped into independently controllable zones (16 white and 32 color), which means the unit can also be used to generate strobe chases and colored ‘eye candy’ animated pattern effects.
The Jolt Panel FX is a complementa

Europe - Prolights has updated its Jet family with two wash moving lights, the Jet Wash 7 and the Jet Wash 19. These are compact and fast LED fixtures, with 20W Osram RGBW sources - the smaller fixture, the Wash7, has 7 emitters while the Wash19 has 19 LED emitters. Their wide zoom range goes from a narrow 4º beam to a wide to 56º wash.
The Jet Wash range has many similarities to the Astra family, with fewer features that make it more affordable whilst keeping reliability and performance to a maximum.
Their advanced colour mixing system has precise and advanced control with outstanding white temperatures and saturated tones. The white CCT pre-sets go from 2,800K - 10,000K, and the internal colour system provides +/- green correction, tungsten emulation and a virtual colour wheel with macros.
Just like the Astra range, there is also a linear crossfade channel

UK - Spectators who saw this year’s Allam British Open in Hull witnessed some of the world’s greatest squash players compete for the $165,000 (US) prize.
With squash enthusiasts all around the globe also able to tune in to the event live via SquashTV, as well as via the official Facebook page of the PSA World Tour, organizers were keen to create a riveting production. Toward this end, Firefly AV was brought on board to award the tournament with a sporty visual flair. Helping them in this endeavour were Chauvet Professional Maverick MK2 Spot and MK2 Wash fixtures, along with Rogue R1 Washes and R2X Beams.
The squash facilities at the University of Hull’s Sports Complex provided an appropriate setting for the event in which World No.1 Mohamed ElShorbagy would defend the title he won in 2019. (COVID forced the cancelation of the 2020 competition, which is close to m

APAC - Pixotope has announced partnerships with several key broadcast companies in South Korea, Hong Kong, Taiwan, China, Japan, The Philippines, India, Malaysia, Myanmar, Thailand and Singapore. Following key staff appointments, the deals follow a number of successful virtual production collaborations using Pixotope in the region.
Together with Pixotope, new distributors TechTwist Corporation, Elevate Broadcast, DB Productions, Great Wheel, Starlight, Bright Media, DongHwa, Mitomo, Kadinche, Jadason, Getop and StageFor will facilitate the adoption of Pixotope’s virtual technology in new regions and broadcast sectors.
Dennis Breckenridge, CEO of Elevate Broadcast, notes, “Pixotope has not only technical superiority but a business model enabling the adoption of virtual technologies into many new markets. We feel that the ease of use, open standard support for plugin

UK - Avolites has announced new appointments to strengthen its operations in North and South America.
Returning to Avolites, Francisco Yañez Valdivia has been appointed as territory manager for LATAM. Based in Santiago de Chile, Francisco’s role will focus on driving a new phase for Avolites in the region, following the recent launch of the Diamond 9, along with the company’s continuous development of its software platforms Ai, Titan and Synergy.
Francisco has over 10 years’ experience using Avolites products across different positions, including lighting technician and operator, product manager and sales engineer. Avolites’ presence in South America is already very notable, with a substantial userbase of Avolites products.
Stephen Baird-Smith will assume the role of special projects and territory manager for North America. Having worked at Avolites for

USA - The Bob Burton Centre for the Performing Arts is a 532-seat live performance venue in Fallbrook, California that serves as a joint community/school facility with Fallbrook Union High School. Used for everything from high school productions to local theatre, dance, and music performances, the venue’s aging stage lighting rig was recently upgraded with Elation Professional fixtures as part of an energy reduction grant project
Production and installation company Pyxis Industries of Wildomar, California, worked with the venue on the energy efficient lighting upgrade, which included Netron data distribution, as well as Magmatic brand atmospheric effects.
Chad Costanzo, president at Pyxis Industries, has had a long-term relationship with the venue and explains the project. “The school received an energy savings grant – funding for California schools to pay for e

USA - It is all fitting that the image of the waif Cosette sweeping Thénardiers' Inn serves as the basis (in slightly cropped fashion) for the emblematic image of Les Misérables. Here, within the grimy walls of this old chop house in Montfermeil, the conflicted forces that at the heart of the musical are crystalized: from the pitiless justice of Javert who seeks to punish the hero Valjean, to the blackmailing mendacity of the Thénardiers, who conspire against him.
From his perspective as a lighting designer, Christopher Robin found Thénardiers' Inn to be one of the most powerful scenes of the play. “I am moved by the look of The Inn,” he said. “It’s a dusty and grungy place that captures the poignancy of this story.”
At a recent production of Les Misérables at the Greensburg Salem School outside Pittsburgh, Robin reflected the remorseless p

USA - Full Flood Inc. has chosen Ayrton MagicBlade FX lighting fixtures for NBC’s new, eight-episode American Song Contest, the domestic answer to the popular and long-running Eurovision Song Contest. Volt Lites supplied the MagicBlade FX units, which are exclusively distributed in North America by ACT Entertainment.
Hosted by Kelly Clarkson and Snoop Dogg, American Song Contest will feature 56 live original song performances by artists from all 50 states, five US territories and the nation's capital. It debuted on 21 March 21 and wrapped with a finale featuring the winning performance on 9 May 9. Episodes are also aired on NBC.com, Peacock and Hulu.
Lighting designer Noah Mitz and lighting director Will Gossett, both from Full Flood, are using 144 Ayrton MagicBlade FX for American Song Contest, which shoots on the Universal Studios lot in Los Angeles.

Europe - Claypaky has launched a new company initiative, CP Green – Spotlight on Sustainability, to approach the topic of environmental sustainability ‘with even greater focus and in a more systematical way’.
To coordinate all the corporate initiatives, integrate them across the whole organisation and secure the execution of the changes, a sustainability team, led by Claypaky executive Andreas Huber has been formed.
“Sustainability became a high priority in Claypaky as we aim pioneering sustainable entertainment products and operations for a safe and better world – driving sustainability is a crucial part of fulfilling our company ambitions and goals,” says Marcus Graser, Claypaky CEO.
“My mission is orchestrating the sustainability and environment activities and foster lasting connections across the company inspiring and engaging colleagues acro

Germany - Robert Juliat brought a number of new product releases to Prolight + Sound, Frankfurt.
Leading the field was the introduction of Sully 4C, a new variation - a colourful classic LED zoom profile and Fresnel spots with four-colour mixing - based on the success of the Sully white LED family launched in 2020.
The Sully 4C Series is an affordable, versatile product range with no compromise on build quality and overall performance. It places a new, factory-calibrated four-colour LED source (Red, Green, Blue, Lime) at the centre of a full package of lighting tools for an adaptable solution that delivers even coverage in every model type. The range includes a removeable lamp compartment (T650SX 4C) as a quick and easy solution to upgrade RJ 600SX tungsten profiles to coloured LED sources; a Profile series (650SX 4C) that offers the same zoom range as the 600SX Seri

Europe - Genesis’ much-rescheduled The Last Domino? tour had in its lighting inventory 64 Ayrton Karif LT ultra-compact 300W LED beam-spot fixtures.
The lighting and production design was co-created by Patrick Woodroffe – also show director - and Roland Greil of Woodroffe Bassett Design, and Jeremy Lloyd from Wonderworks who is responsible for the technical integration. Lighting programmer was Marc Brunkhardt.
Woodroffe and Greil had a number factors to consider for what potentially could be Genesis’s last tour. “The band has a rich history of pushing the limits when it comes to lighting and show design, so we needed to come up with something that maintains their reputation for being at the forefront of show design.”
The team decided to take a theatrical approach, giving every song its own visual identity with a unique look and feel, and simultaneously

Australia - Working with Western Australia’s Botanic Gardens and Parks Authority (BGPA), Plan E Landscape Architects recently enlisted Engineering Technology Consultants (ETC), Light Application and Show Technology to design an architectural lighting display for Kings Park using Martin Professional Exterior LED fixtures.
Kings Park is a 990-acre park in the centre of Perth that features sprawling areas of manicured green space, natural bushland, a botanic garden and multiple memorials. One of the park’s most notable features is Fraser Avenue, a picturesque path lined with lemon-scented gum trees planted in 1938 and equipped with in-ground lighting to highlight the trees.
When the existing fixtures came to the end of their serviceable life, the BGPA hired Plan E Landscape Architects to coordinate a replacement capable of producing a wide range of colours and effects

USA - Country music singer and songwriter Luke Bryan wanted to make a spectacular impact for his first Las Vegas residency shows at the Resorts World Theatre, so he hired show designer / director Brian Burke and lighting / set designer Tom Sutherland from DX7 Design to work their visual magic on his much-anticipated performances throughout 2022.
As the show design started to evolve, Tom and his team discovered that the house lighting rig at the new 5,500 capacity Resorts World Theatre venue features large quantities of Robe moving lights, all of which were supplied by Solotech, who completed the install and also co-ordinate the venue’s on-going technical services.
Tom lost no time in getting 108 x Robe MegaPointes on the lighting plot for his main effects lights, together with 54 x Tarrantulas – Robe’s largest LED wash beam – and 17 x BMFL WashBeams which are

UK - The new production of Life of Pi in London’s West End was the recent winner of five Olivier Awards, including best lighting design. To bring his design to life, lighting designer Tim Lutkin chose to use three core Martin fixtures; the MAC Encore, MAC Aura XB, and JEM Glaciator Dynamic.
All fixtures were supplied by Sparks Theatrical, with Tim Lutkin’s team including associate LD and programmer Elliot Smith, and production technician Theo Chadha.
“The MAC Encore CLD is the only moving head profile used in the production,” Tim explains. “We’re using two as manual follow-spots, and a further 18 in the rig acting as the workhorses of all the lighting.
“We’re using absolutely all their versatility; as follow spots with a soft edge, for traditional theatre shuttered framing, for beautiful water effects, and big deep colour washes. We even po

USA - LD Steve Lieberman was putting the finishing touches on his design for The Looking Glass stage at Insomniac Productions’ Beyond Wonderland, when things suddenly changed just a few weeks before the festival opened. Instead of being outdoors, as originally planned, the stage was moved inside to the San Bernadino Nos Event Centre’s Orange Pavilion.
“Essentially, it was a full redesign at the 11th hour,” said Lieberman. “Our office really stepped it up in terms of completing the revisions and getting them over to Insomniac and 4Wall to execute. All parties involved performed at the highest levels. The rig looked fantastic when I walked in.”
The thousands of fans who came to The Looking Glass stage to see progressive techno and house artists like Joris Voorn, Len Faki and Nox Vahn would readily agree with that assessment. Lieberman and his team turn

Europe - Follow-Me 3D systems recently toured internationally with Woodroffe Bassett Design and Roland Greil for The Last Domino Genesis tour.
Roland co-designed the lighting together with Patrick Woodrofe (show director The Last Domino tour) who has also been the LD for Genesis and Phil Collins’ solo tours in the past. For Roland this was an important and challenging honour, describing himself as “the new kid on the block” with his first collaboration as co-LD for Genesis with their Last Domino tour.
The WBD team felt it important to use a remote follow-spot system as this would be far more versatile than classic follow-spots. Due to WBD’s previous positive experience with Follow-Me 3D Systems on tours such as Rammstein, it was an easy choice to make: “The system gives the possibility to integrate an unlimited number of manufacturer independent light fixture

UK - As part of a progressive upgrade, the Royal Albert Hall has added 26 x Martin MAC Ultra Performance framing spots to the 18 x MAC Encore Performance CLD they acquired in September 2019 - respectively replacing older generic and discharge moving lights. Both orders were fulfilled by theatre lighting specialists, White Light, with all Martin lighting products sourced from their UK distributors Sound Technology.
According to RAH lighting designer Richard Thomas, this is the third straight swap out to Martin lighting over the past four years, as prior to that a complement of MAC Vipers had also been chosen as replacement wash lights.
“However, we are not driven by brands,” he stated. “We pick the lighting based on what’s best for us. In the case of the MAC Ultras we looked at a number of top brands but this fixture ticked all the boxes.”
Both the MAC E

Canada - Event technical specialist Spotlight Audio Visual Industries (SAVI) supplied full event production for the Toronto premiere of The Matrix Resurrections, staged at the Scotiabank Theatre Cineplex in Toronto, and including over 300 Astera wireless LED lighting fixtures.
The visual design for this fourth Matrix sci-fi action movie launch was created by SAVI’s Avi Yurman and involved projection mapping onto the front of the building with lighting to support this and illuminate the whole cineplex environment, inside and out. The venue was transformed into a vibrant and distinctive Matrix green colour.
Every lighting fixture, apart from some moving lights assisting the façade lighting, was Astera explained Avi, who utilised Astera AX1 PixelTubes, AX3 LightDrops, AX5 TriplePARs, the new AX9 SuperPARs, AX10 SpotMax’s, both versions of the new AX2 pixel b

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