"We knew when we started that the products LumenRadio manufacture would be well received by our customers, who expect nothing but high quality technology solutions. We are very proud to receive this award, but we are only getting started," says Fred Mikeska, VP of U.S. sales & marketing at A.C. Lighting Inc.
Marcus Bengtsson, international sales manager at LumenRadio, adds, "Since day one, A.C. Lighting has impressed us with its knowled
It isn't every day that such an iconic piece of American TV culture changes sponsors, so it wasn't surprising that the rechristened programme, which is now sponsored by global banking giant Citi, debuted with a bang. From the high-powered superstar on stage, the charismatic Selena Gomez, to the dazzling lighting array made with Nexus 4x4 LED panels and Next NXT-1 moving fixtures from Chauvet Professional, everything about the inaugural concert conveyed the excitement of the moment.
Dressed in a stylish black cutout jumpsuit, Gomez captivated the audience (both live and TV) with a blend of old and new hits, along with some supple choreography, all set against a glittering background of richly coloured l
The Festival has become a must-see event in this region in just a few years. The recent editions have fully achieved the organizers' goal of attracting hundreds and thousands of young partying visitors to this summer event, which offers alternative music, fun and a space for reflection on some social issues such as the co-existence of different language groups, migrations and anti-fascism.
Norbert Hofer is the owner of Alpha Concept, the company that dealt with all the technical production aspects of the event.
"Hosting bands like Limp Bizkit was a big challenge for us," says Hofer
Making a large scale, complex multimedia installation of this scale is very difficult: The high humidity and in some cases direct water spray requires highly protected equipment, which applies for the video technology, lighting equipment, lasers as well as speaker systems.
HB-Laser not only implemented the technical equipment, but was also responsible for the complete multimedia control and wiring of the whole installation. Five main control boxes were insta
In conjunction with La Contrada - Teatro Stabile di Trieste, Wizard Productions srl acquired the exclusive performing rights of the original version for Italy from the author of the film herself, Eleanor Bergstein. The American author supported the Italian team during the casting, as she always does to make sure her show has the same characteristics as the original in every part of th
Before the show, audience members are given a small wooden 'heart' - each with one performer's name engraved on it - to hold during the performance. And each musician is outfitted with a heart rate monitor that delivers live data to Cobalt. "Our system uses custom Java software to grab the heart rate data over Wi-Fi and send it out as a series of master level commands to ETCnomad using UDP [User Datagram Protocol] strings," explains lighting designer Ziggy Jacobs-Wyburn. "The cues throughout the sho
AV rental and production company Fluge Audiovisuales supplied the Cuepix Panels for the Spanish leg of the tour, which kicked off in May and played large arenas and outdoor venues in every major city through October.
"The Cuepix Panels were an important element in the lighting design for this tour," stated Chus Fernandez, who created the lighting design for the show and also served as tour op. "We used them to reinforce different lighting scenes w
Perry's stage, named after Perry Farrell, Jane's Addiction lead singer who started the Lolla phenomena in 1991, is now synonymous with the best of dance beats and sounds and this year headliners included Fatboy Slim.
Colour Sound's crew of seven was led by Kester McClure. On site, they all worked very closely with Festival Republic production managers Spike Beecham and Kevin Sutherland, and in fact it was their third gig this summer working with this same production team who are "Fantastic, really on the ball all the time and ensure that any technical support - plant, riggers, extra generators, etc. - i
The recent US leg of the current Waterfall tour campaign saw him using 26 x Robe BMFL Spots and 10 x Pointes as the primary moving lights on a rig supplied by VER together with other moving lights.
The BMFLs were deployed on three overhead trusses - five upstage, seven on the mid-truss and six on the front truss, with another eight on the floor behind & wrapping around the band - all adding to a dramatic and intense show that has delighted audiences across the US.
The Pointes were also positioned on the floor, sitting on flight cases in a straight line upstage.
Marc has worked for MMJ since 2006 and has a great rapport with t
The event kicks off with a networking lunch followed by an address by Richard Parry, who has been involved in export promotion for over 20 years in a variety of roles. Parry will inform attendees about UKTI and outline what they are doing currently to help UK businesses. This will be followed by Matt Lloyd of GDS and Chris Murphy of Velta talking about their experiences using UKTI services and the benefits exporting has brought to them.
There will be plenty of time to ask questions, share knowledge and, hopef
Once again, the city became a new and temporary community of international artists, local people, arts professionals and visitors, all united by a mutual interest in art and a hunger for a transformative collective experience.
Audiences braved the elements to see 29 extraordinary art installations spread across Durham's city centre, including a whale in the River Wear, a ghostly fog beneath the Cathedral, and 250 locals storming the 50m-high arches of Durham Viaduct, in Asalto Durham, a projected artwork by Spanish artist Daniel Canogar.
On Saturday, Lumiere's organis
The magnificent building - originally built 1812-14 as the Bethlem Hospital - was lit in red for Remembrance Day as it provided a charismatic venue for a high profile charity fundraising event staged by the City Veterans Network (CVN) to raise money for three different military service related charities.
Subfrantic provided full technical production - sound, lighting, video and staging - for the gala dinner event.
Twelve of the 24 ColourPoints were deployed to illuminate the six large Doric columns which are the central feature of the building's portico entrance on Lambeth Road, explains Subfrantic's Marcus Weatherley who designed lighting for the event.
The other 12 were used t
Everlast Productions provides creative and technical solutions for live event experiences worldwide. The company, which has a complement of Clay Paky Sharpy fixtures, decided to invest in Stormys after seeing them in action at an A.C.T demo. "The quality of the fixture was very high, and the light was phenomenal. We thought they'd be an exciting addition to our inventory," says lighting designer David McCranie.
The annual Zumba convention, at Orlando's Orange County Convention Centre, is the largest gathering of the global Zumba family. This year's Zumba Fitness-Concert was a 90-minute, non-stop show featuring Zumba creator Beto Perez and a dozen artists, in
Immediately following the attacks, Nathalie's father Patrick told French media that although he knew she had been working at the venue, he had been unable to locate her. It later transpired that Nathalie had died of gunshot wounds. "It seems that my daughter is dead," he later told French media.
Nathalie, who was nick-named 'Natalight', had worked at the venue since November 2011. A Facebook page has been set up f
"Will brings a ton of experience to the Apollo sales team. His leadership, understanding of the dealer relationship and ability to drive the customer to our products will make 2016 a very exciting year." Said Joel Nichols, president of Apollo Design.
Prior to joining Apollo Design Technology, Linnemeier was vice-president of international sales and business development for ABC Industries, Inc. He brings over 25 years of sales experience and an in-depth understanding of how to drive incremental revenue within sales, channel and custo
Guenther used a single projector to project a mélange of imagery onto the back wall of the performance space, which mixed live and pre-recorded content for the show. Guenther filmed images of the dancers in stages of preparation for the performance - close ups of faces, arranging hair, donning point shoes etc - and juxtaposed these with live images of the performers in mid-air and on stage.
The opening number to the show (DSC 0013) included 'shadow' images of the dancers which Guenther was able to synchronise with the live performers, using MediaM
This year was no exception with the addition of Clay Paky A.leda B-EYE and Mythos. The rig included both A.leda B-EYE K20 units flown and the A.leda B-EYE K10 on the floor. The smaller K10 were well suited to the space available but surprised with flexibility and output keeping up with the bigger units above. With so many dance numbers and little programming time proved their worth with flexibility. The ability to provide wash, beam or effects allowed for great variety across the season.
The Clay Paky Mythos was chosen b
Spending Cuts - UK Theatre president Rachel Tackley has warned the industry to expect "pretty hideous" cuts in the government's upcoming spending review. She also voiced fears that, because the effect of cuts are not felt immediately, the general pub
dbn has been involved with the fun-filled event for the last six years and this year Nick Buckley once again designed the lighting and co-ordinated everything on site. The stage moved to a new position on the Princes Street side of Albert Square, right in front of the imposing Victorian Gothic architecture of Manchester Town Hall,
"We had the video wall positioned on top of the foyer steps and showed IMAG, interviews with players, advertising messages, performances by bands and break up patterns," said Darren Lussier of Image Production Services, which created the display. "It was a bright sunny day, but all of these images
A statement reads: "We want to express our affection to all the families of victims. The International Show JTSE 2015 will take place as planned in Paris on 24 and 25 November 2015 in the Dock Pullman. As Organisers of the show we trust our visitors and our exhibitors for the best running of this event. We are all together!"
(LSi Online)
Thirty six Clay Paky Sharpys, 34 Clay Paky Mythos units, one grandMA2 full-size and one grandMA2 light were used (along with other equipment) at the festival, which took place at Unterpremstätten on Schwarzl Lake.
The lighting team consisted of lighting designer Daniel Pusnik, and Manfred Nikitser, who dealt with the technical management and MA programming, supported by Otto Schildknecht. Kenny Lippert was the lighting crew chief.
Manfred Nikitser reports, "For the stages, we first of all - of course - followed the headliners' instructions and requests. They were very cooperative and agreed to the idea of having a single lighting design for
Conjuring the spirit of St Cuthbert's Mist, Fogscape #03238 was made of 1,500 high pressure nozzles along 150m of 'fog line' placed on the steep bank of the River Wear beneath Durham Cathedral. Nozzles, high-pressure lines and pumps were supplied by French brouillard specialists Dutrie.
Northumbrian Water poured 15t of mains water an hour to keep the show flowing. Two hundred light fixtures were installed by Newcastle based Nitelites - 100 on the banks of the river, 50 lighting the lower wall of the cathedral, and 50 on the roofs of the cathedral to light the towers.
In keeping with the elemental nature of the piece, most of the fixtures were PAR 64 heads. The lights were controlled over a wi
Easy to use and budget friendly, Emulation Touch is designed exclusively for use with the Cuety app, the intuitive Emulation Touch programmer software. Available now for iPad from the Apple App Store and available soon for Android tablets from the Android app store, the Cuety user interface enables users to take full advantage of your tablet's mobility and multi-touch display.
Two hardware interface versions are available - Emulation Touch 1 and Emulation Touch 2. The Emulation Touch devices contain the powerful engine that runs a show, calculates fade times and renders dynamic effects. A standard cuelist-based system for control of up to 64 fixtures with 64 playbacks and 48 cues per playback, it includes a powerful
