Robe - LEADERBOARD - Feb 2025
Doughty - Banner - from 8 April 2025

Projects

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Ukraine - Internationally renowned lighting designer and director of photography Jerry Appelt specified the new Claypaky Scenius Unico as the main stage workhorse fixture for his richly composed lighting design for this year’s Eurovision Song Contest, hosted at the International Exhibition Centre, Kyiv, Ukraine.
This year, 42 countries participated in the global TV phenomenon, each supported by a striking stage and light show embracing video, special effects and a procession of scenic props and costumes, all of which combined to make the lighting of this world famous event an ever more challenging proposition.
Taking up that challenge for the third time, Appelt’s lighting solution was born from a creative collaboration with scenic designer Florian Wieder. This was centred around a fresh take on the Proscenium arch, which curved majestically from upstage, and was fu

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UK - A top of the range light and sound system is now delivering all the right notes at The Borderline in Soho, a 300 capacity intimate basement live music venue transformed by new owners DHP Family.
The venue has been remodelled to create a flowing space that provides the best possible experience for both performer and audience. As well as creating improved sight lines, more than £100,000 has been invested in a high spec audio and light system.
With excellent audio established as a hallmark for all DHP Family venues, top of the list was the installation of an L-Acoustics PA system to deliver a signature hi-fi quality sound throughout the venue.
DHP Family technical manager Dave McVea said: “The audio system we inherited was an eclectic mix of gear that had clearly been amassed over a period of time. While it did the job, there was no real design to the sys
Doughty - Banner - from 8 April 2025

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UK - Lighting designer Paul Pyant returned to London’s Royal Academy of Dramatic Art (RADA) to light a production of the Steven Sondheim classic, A Little Night Music directed by Edward Kemp and staged at RADA’s Jerwood Vanbrugh Theatre in central London.
Robe enjoys a close ongoing working relationship with RADA, making their latest technologies available for students to use across the three main venues. Paul’s design for this production utilised Robe’s DL7S LED profiles and the new Spiider LED wash beam moving lights, together with other moving and conventional fixtures.
Paul’s acclaimed career started at RADA – he is a 1973 alumnus of the Academy’s technical training course – and features extensive work across the genres of theatre, opera, ballet and dance. It’s earned him recognition for lighting a diversity of shows from large-scale West E

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UK - April saw the premiere of the next instalment of The Guardians of the Galaxy, held at the Eventim Apollo at Hammersmith. The global success of the first film from the Marvel franchise guaranteed the sequel and film premieres of this magnitude require more than just a red carpet to announce their arrival.
Impact Production Services (IPS) are well known exponents at delivering the goods at this sort of event. In addition to lighting the press areas and a media wall, IPS supplied the lighting inside the theatre where the main event took place. This was a mainly Clay Paky affair, designed by James Barnfather from the end client, Limited Edition Event Design and featuring Sharpys, Sharpy Washes and the newly upgraded Mythos2 fixtures.
Programmer and operator for the show was Luke Edwards who explains the choices, “Sharpy Washes have always been a favourite of

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USA - There are no straight lines in Time, the new Orange County club designed by Davis Ink, Ltd. That’s one reason why the dance floor is visible from anywhere in the venue. The lighting design by Steve Lieberman’s SJ Lighting features a “digital chandelier” made of Chauvet DJ MotionOrb fixtures along with some power packed spot and wash lighting from Chauvet Professional Rogues.
“The space inside this venue is almost amoeba-like,” said Lieberman. “It’s a single flowing and very immersive unit. Davis Ink completely ripped the former retail store apart down to the bone to create the new structure. We identified focal points throughout the space and used those locations to create our dimensioning and distribution of fixtures. Since the space is so different we spent a lot of time evaluating how each space would transition into the next.”
Among the foca

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UK - Brighton Dome, built in 1803 for the Prince Regent, features an 1800 capacity concert hall that stages a varied programme of top class international entertainment, including contemporary and classical music, theatre, dance, visual arts and comedy.
In recent years, the Dome's technical team had earmarked a new house lighting scheme as a priority. Its existing dimmers were obsolete and channels were failing, energy consumption was high and maintenance very difficult. Integrator Stage Electrics was awarded the works to supply, install and commission an entire new house lighting and following a site visit, made an immediate suggestion that a GDS solution would be best.
Integrator Stage Electrics were to design an energy efficient house light system, with an increase in lux level, that retained the aesthetic of the auditorium without compromise. Maintaining a warm tun

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World - Seven hundred and ninety-five (795) Robe Spikies are on the road with Bruno Mars 24K Magic world tour – setting a record for the largest number to date of a single type of Robe fixture on one touring show!
The Spikies are the main lighting feature of an action-packed show and are used constantly for hi-impact looks, an array of fluid effects, mesmeric chases, animated chunks of colour and magically twinkling and sparkling ‘soft’ surfaces which can totally transform the appearance of the performance space in this exciting hi-energy show.
The dynamic, colourful and highly visual production design was originated by Leroy Bennett of Seven Design Works, who collaborated closely with a top creative team including lighting designer Cory FitzGerald and lighting director on-the-road Whitney Hoversten.
24K Magic is also currently one of the most talked abou

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UK - Since its inception, Pinewood MBS Lighting has remained committed to investment in LED and low energy lighting. By sourcing products from leading manufacturers and creating innovative illumination solutions via MBSi’s in-house product development team, PMBS has steadily grown to become one of the world’s largest energy efficient entertainment lighting resources.
Supported and governed by the BAFTA albert Consortium, albert is the UK’s leading environmental sustainability initiative for the visual-arts. The project aims to educate and provide industry colleagues with the necessary expertise and opportunities to reduce the environmental impact of the production process and to create chances for audiences to effectively engage with the climate agenda.
Having recently delivered low energy and LED solutions to crews on major productions, including The Nutcrack

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Australia - The Western Australian Academy of Performing Arts is on-par with NIDA in the east as the wellspring of the next generation of Australian talent across the entire spectrum of the live arts. With its original technical fit-out dating to the early 1980s, the entire lighting rig was due for an upgrade. Lighting coordinator Jon Davey had presided over a project that has seen the auditorium go 100% LED, with 24 Elation Sixpar 300s making up the majority of the stock.
With a mass of LED pars on the market, what was it about the Elation Sixpar 300s that stood out from the other fixtures Jon auditioned? “We developed a specification based on what was important to us – noiseless, flicker-free operation, and colour rendering giving us a high level of visual acuity. Went through a shoot-out process that covered a range of products, and the Elation units were the right c

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USA - As a boy in Broadalbin, New York, Keith Truax loved listening to the CD of Jekyll & Hyde the Musical. While being swept up by Frank Wildhorn's bold, unabashedly passionate score, he often found himself dreaming of one day being involved in a production of this theatrical take on Robert Louis Stevenson’s classic tale of good and evil.
Dreams do indeed come true when you grow up to become a talented lighting designer. Truax has been earning widespread praise for his current work lighting Jekyll & Hyde The Musical at Long Island’s popular John W Engeman Theatre. Fittingly, his dramatic contrast of colours is endowing the stage with a transformative dream-like quality that underscores the musical’s good-evil dichotomy. Helping him achieve this powerful effect is a collection of Ovation, Maverick and Rogue fixtures from Chauvet Professional.

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Trinidad - Inspired by the record-breaking batsman Brian Lara, many young cricketers in Trinidad and Tobago dream of playing their national sport at international level. This dream has been brought a step closer to reality for many by the Urban Development Corporation of Trinidad and Tobago Limited (UDeCOTT) with the completion of the Brian Lara Cricket Academy, a state-of-the-art competition venue and training facility for the development of world-class cricketers.
Just north of the city of San Fernando, the Brian Lara Cricket Academy is the first state-of-the-art cricket training facility to be constructed by the Government of Trinidad and Tobago. The Academy includes a 15,000 seating capacity stadium, club seating, lounges and executive boxes as well as exhibition space. The Academy also incorporates 12 outdoor practice pitches, official and team locker rooms and a gymnas

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UK - Northamptonshire-based PA Rental company Sound4Hire has recently added Linea Research 44M20 networked DSP amplifiers into hire stock.
Formed in 1995 Sound4Hire has become one of the UK’s most trusted professional audio suppliers. Providing solutions for events of all sizes, from a speech to 20 people to the largest music festivals, celebrity polo matches or prestigious firework extravaganzas at historic castles, Sound4Hire specialise in delivering only the best solutions for their partners and audiences alike.
“Following several months of research into advancing the sound quality and phase correction of our loudspeaker systems, as well as the ability to explore Beam Steering, we set our criteria and started to see what was available to us – with no limits,” explains Sound4Hire’s Brett Masters.
“During extensive listening tests of both separate D

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USA - Billed as Hoboken’s premiere ultra venue, the Hudson Ultra Bar is a state-of-the-art music, dance, and entertainment facility. VIP booths surround the dance floor, offering a high-energy experience for table guests who wish to be at the centre of the action. This venue defines what DJ music and entertainment is all about.
To ensure the best music reproduction capabilities, the Hudson Ultra Bar deployed loudspeaker equipment specifically designed for this type of environment. That’s why they chose Sound Force Series loudspeakers from Valencia, Spain-based D.A.S. Audio.
Global Audio Systems of NY, NY, a full-service provider of audio, visual, DJ, lighting, staging, and related entertainment services, was contracted to handle the design and implementation of the Hudson Ultra Bar’s sound reinforcement system. Company owner Jason Ojeda, who oversees system consu

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UK - Triple E beat the odds and the clock to provide Illuminate Design with a custom-built, motorised track for the Centre Stage venue at Butlins, Skegness.
AV specialist Illuminate called in Triple E Ltd when an existing tab system failed just before the start of a new Centre Stage show.
To follow the shape of the stage, Triple E Ltd’s design had to incorporate a double S set of curves. Illuminate sent a sketch across late Thursday evening and MD David Edelstein quoted it immediately. On Friday, Triple E drew the design up, assembled the Erail system and the 25m TDRIVE six-curve track was collected just after lunch.
Robin Shephard-Blandy, Owner/Director at Illuminate Design, comments: “The deadline was particularly tight because there had been difficulties with other ideas for the replacement track. Triple E’s solution enabled us to carry out the install

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Iceland - Robe moving lights are making a big impact at the Icelandic National Theatre (Þjóðleikhúsið) in Reykjavík since they became an integral element of the available house lighting rig, a process that started in 2014 and has recently been continued with the addition of DL7S Profiles, LEDBeam 1000s and Actor6s.
The Robe fixtures were specified by Head of lighting Halldór Örn Óskarsson (Halli) and his team of colleagues.
Halli is an award winning LD and also a primary production lighting designer for this high profile venue which has five separate performance spaces and a busy and diverse programme of shows and events. This includes new Icelandic and international works, Icelandic and foreign classics, musicals, dance pieces and children’s productions. The theatre creates around 10 new productions each year and also collaborates with independent theatre

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UK - Petersfield Festival Hall, the versatile multipurpose venue in Hampshire, can now create a truly immersive colour experience as well as white light for its audiences, events, and galas thanks to its new Chroma-Q Inspire lighting system installed by A.C. Special Projects Ltd. (AC-SP).
Because of the wide range of productions held at the Festival Hall, the venue wanted new colour changing LED house lighting that could provide a full range of colours, from deep saturates to smooth pastels, all with smooth, theatrical grade dimming. Similarly, it was important to provide quality white light for day to day use and corporate functions. Ultra-quiet running, low energy consumption and low heat generation were other important considerations.
Having enquired about Chroma-Q’s Inspire fixtures to meet these criteria, John Tucker, the Festival Hall’s technical manager, was

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Australia - The Australian TV industry’s biggest night, the 59th annual Logie Awards, were held at Melbourne’s Crown Palladium on Sunday 23 April 2017, broadcast live on the Nine Network.
Always a great opportunity for the broadcaster to show off its tech capabilities, visuals were spread across three huge screens onstage, a wrap-around screen surrounding the audience, and pixel mapped to onstage fixtures and LED chandeliers. Helming the mission-critical media server and console operation was Lynden Gare, director of Melbourne-based lighting and production company Colourblind, who relied on Green Hippo’s Hippotizer media servers to ensure that the show went exactly to plan.
Green Hippo is no stranger to the world’s biggest televised events, with their media servers used on The Eurovision Song Contest and The Academy Awards. At the heart of Lynden’s set-up for

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South Africa - Peter Rieck of Rieck’s Lighting and joint owner of rental company Event Lighting, was selected by Red Pepper Pictures for the second year running, as lighting designer for Lip Sync Battle Africa. This televised lip sync showdown, filmed at Urban Brew Studios, returned for its second season in April 2017, premiering on MTV Base, a DStv channel.
“It’s a dynamic show and funky looks have to compliment the entertainment, interviews and bantering between contestants,” said Peter, who controls the Robe lighting rig with a MA dot2. While each new episode opens with a generic look Peter holds back, only adding colour and pulse moments to the first song of the night. Then, with guns blazing, he lunges with explosive and vibrant lighting effects as the show heats up to complement the massive prop changes.
The set, an adaptation from the international form

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UK - Based on the book by James Hindman and with original music by Patrick Brady, Pete ‘n’ Keely is the story of a famous musical couple, now estranged, who are persuaded into doing a TV reunion.
The current production of Pete ‘n’ Keely at London’s Tristan Bates Theatre, produced by Wallflower Theatrical, and directed by Matthew Gould, includes a colourful glitzy set. Designed by Emily Bestow, it’s reminiscent of classic 60s American TV variety shows, featuring bright colours and a kitsch style.
Tasked with designing the lighting for the show, BRIT School alumni Mitchell Reeve explains how he became involved: “Matthew Gould and I have worked on a few productions together now. I first met him a year ago when I was asked to light I’m Getting My Act Together and Taking It On The Road. As a lighting designer, it is vital to have a good

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Argentina - For the more than 90,000 fans who attended Lollapalooza Argentina 2017, the two-day festival served up a musical smorgasbord that satisfied their every taste. In addition to traditional Argentinian sounds like the highly danceable folk music of El Plan de la Mariposa, this South American version of Chicago’s famous Lollapalooza festival featured a rich mix of international superstars from EDM and alt rock, to metal and iconic pop rock on its four stages.
Metallica, The Chainsmokers, Rancid and The XX performed on day one, followed by The Stokes, The Weeknd, Martin Garrix and Duran the next day. Although the musical mix may have been a swirl of diverse voices, the festival’s grounds welcomed visitors with a unifying message, helped by a collection of 50 Chauvet Professional WELL Fit fixtures installed by Buenos Aires-based Descableados and supplied by NASH Ing

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Turkey - Turkey’s national horse racing TV channel has invested in a new audio system as part of a digital upgrade based around Allen & Heath’s dLive S Class and GLD mixing systems.
Established in 1950, Turkey Jockey’s Club (TJK) is based in Instanbul, founded and endorsed by the Ministry of Argriculture as the only official horse breeding and racing organisation in the country.
“We really needed to upgrade our current analogue mixing desk to improve total system latency, network audio options and expandable input/output options,” explains Mr. Nizamettin Korkmaz, sound director at TJK.
The dLive system comprises a S7000 Surface with DM48 MixRack fitted with a Dante network card, plus a DX32 expander rack for AES inputs and another one for AES outputs. The Club also has two GLD-80 mixers with AB168 Racks for smaller studios, which are also Dante-enab

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UK - Created as a space to “celebrate artistry and indulge the senses”, Spiritland’s bespoke sound system makes it one of London’s most exciting new venues. Combining café, bar and radio station with an in-depth musical programme seven days a week (already featuring the likes of guest DJs Jarvis Cocker, Andrew Weatherall and La Roux), Spiritland has quickly established itself as a paradise for lovers of music, from the aficionado to the curious.
A recent collaboration between Spiritland and Audio-Technica UK has seen a variety of the company’s brand product portfolio installed in the venue to help deliver the diverse offering of interviews, Q&A sessions, DJ sets, album playbacks and radio output.
The heart of Spiritland is its sound system, featuring a pair of Living Voice loudspeakers, valve amplification from Italian manufacturer Atelier du Triode and

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UAE - Disney and Cameron Mackintosh's Mary Poppins tour continues. With sell out dates across the UK and in Zurich, the perfect nanny has just landed in the United Arab Emirates where the musical will play to a full house until 25 May.
Eighteen sea containers were loaded with set and stage equipment in order to bring the show to Dubai - except for the rigging and a truss frame for new front of house scenery, which has been supplied locally by Unusual Rigging and Engineering LLC.
Chris Boone, production manager on the show, explained: “The Dubai Opera House is a truly massive venue – bigger than anywhere else we’ve ever staged Mary Poppins. Because of this, we decided to have extra proscenium scenery – essentially creating a false proscenium - soI contacted Denis Bramhall at Unusual Rigging and Engineering LLC, who subsequently supplied all the rig

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India - St. John the Baptist, a Portuguese style Christian church situated in the Indian city of Thane, north of Mumbai, can trace its origins back 500 years. Having been declared a heritage site by UNESCO, it recently underwent a massive restoration project spanning 18 months, including a complete sound system upgrade.
The older system had consisted of multiple speakers that were spaced along the wall of the church, and neither provided suitable intelligibility nor venue coverage. With the extension to the church (enabling it to expand the congregation size to around 5,000 for Sunday mass), the parish priest had initially requested a demo from another vendor to provide coverage for the growing number of people.
“We were not very impressed with the sound,” admits Cleo Pereira, from Martin Audio partner Zoodio, who has been specifying the British brand for the past
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