China - SE Audiotechnik is the exclusive PA partner for the EV EDM Festival in Shanghai’s Happy Valley theme park, where more than 2,000 visitors are expected every day from 10 July to 30 August.
When the party lasts more than 50 days and takes action during the rain season in Shanghai, you have to find a reliable partner with a good plan and real workhorses when it comes to gear. The choice fell on SE Audiotechnik with its compact, yet powerful M-Line. Overall more than 126 Speakers have been utilised on the main stage.
A total of 36 M-F3A PRO full-range speakers and 32 M-F3A PRO FS flysubs have been rigged – an array of 18 M-F3A PRO are supported by 2x8 M-F3A PRO FS on both sides of the stage in order to keep the sound pressure level high enough up to the last row. Besides excellent sound the requirement was to integrate the system discretely into the stage desi

USA - Stepping inside the Palace Theatre in Derry,NH, with its sweeping curves and imposing balcony has long been a special treat for New Englanders. On 15 July, thousands of them got to enjoy this experience again on a virtual level during a livestreamed Citizen of the Year ceremony honouring the theatre’s president, Peter Ramsey.
The 40-minute event didn’t take place at the downtown Manchester theatre itself, but 11 miles away, at Studio Lab, where owner Tim Messina and his team at Events United used 128 Chauvet Professional F2 LED panels to build a massive curved video wall that displayed a dynamic and immersive 3D replica of the iconic building’s interior.
Measuring 52ft wide by 13ft high, the wall provided Messina and his team with a 5,376 by 1,344-pixel canvas on which to create their multi-dimensional panorama. During scenes when the honouree was interview

Belgium - Entertainment design specialist Painting with Light (PWL) created and supplied the lighting and video design plus lighting control including programming and operating for the 2020 Belgian edition of Het Rad (Wheel of Fortune). PWL worked in conjunction with its Genk C-Mine neighbour Deusjevoo, who designed and delivered the set.
The series was recorded in Studio 1 at Videohouse in Vilvoorde and aired on SBS’s VIER channel.
PWL’s creative director Luc Peumans produced the lighting and video design and worked closely with Dries Hermans of Deusjevoo on the set design, the latter involving substantial quantities of inbuilt practical lighting. These custom LED set elements were all painstakingly installed by the PWL team working in close conjunction with Deusjevoo.
Céline Cuypers designed and engineered a special wheel lighting and audio t

UK - Edinburgh International Festival has unveiled My Light Shines On, a series of video works and light installations across Scotland’s capital to mark the beginning of the festival season and celebrate the enduring spirit of the Festival City.
Through a series of digital commissions, the Edinburgh International Festival is partnering with Scottish artists and national arts companies, spanning the worlds of theatre, music and dance, to film original performances in venues including the Edinburgh Festival Theatre, The King’s Theatre, Leith Theatre, The Hub, Usher Hall and The Queen’s Hall. All films premiere on Edinburgh International Festival’s YouTube channel on Saturday 8 August at 9:30pm.
The films include a personal love letter to Scottish theatre from the National Theatre of Scotland, directed by award-winning filmmaker Hope Dickson Leach and co-co

UK - Since any semblance of order in the music industry has been thrown into turmoil by the global Coronavirus pandemic, lockdown has challenged an industry primarily run by freelancers to be resilient and creative - qualities which they have demonstrated in abundance. DiGiGrid has seen demand for its products remain solid, as artists and technical staff strive to keep working.
Dan Page, brand manager at DiGiGrid is as aware as anyone of the serious difficulties faced by the sector, but believes that its natural resourcefulness will help in the struggle to survive the most testing of circumstances:
“Whilst every industry has been affected to a greater or lesser extent by the pandemic, our sector was probably the first to close and will most likely be the last to reopen in a ‘normal’ way. For freelancers particularly, that makes things extremely tough. Lost income

Czech Republic - Colours of Ostrava is usually the largest multi-genre live music and performance festival in the Czech Republic and one of the most popular events on the European festival calendar, offering 22 stages of diverse and vibrant entertainment across four days in mid-July. It is staged in the raw industrial environment of the former Dolní Vitkovice (DOV) steelworks – now reimagined as an important cultural and heritage centre – near Ostrava in the north-east of the country.
This year, like all European festivals, it was cancelled due to the coronavirus pandemic and rescheduled for 2021.
However, with the government allowing gatherings of up to 1000 people after 22 June, it seemed that compact events could become feasible, and so ‘NeFestival’ (NoFestival) was planned as a much smaller event at the same site to bring the spirit and essence of Colours

Italy - Backed by radio inventor Guglielmo Marconi himself, RAI has a long history of being in the forefront of broadcasting.
This summer, RAI wrote another chapter in its history when it broadcast its first TV series from an audio and lighting company’s warehouse. Enrico Fumasoli and the team at Fumasoli Audio & Lights Rental made this possible by converting a section of their facility, which was idle because of the COVID-19 lockdown, into a broadcast studio, complete with advanced cameras and audio gear, as well as a lighting rig anchored by eight Maverick MK2 Spot and 20 Maverick MK2 Wash fixtures from Chauvet Professional.
Patrick Iavarone created the lighting design for the eight-part RAI TV series, which featured the versatile Bonne Soirée, a musical ensemble that covers everything from traditional folk genres to rap. “The aspect I gave to the Bonne Soir

Austria - An Audient Nero has joined songwriters and producers, Felix Brunhuber and Florian ‘Flo’ Fellier in their newly opened Wilderness Studios, nestled in the Austrian Alps. Realising a dream to establish a studio with “the best sound imaginable”, the boys have taken inspiration from the natural beauty, vast forests and vertiginous mountains of their homeland to create a “creative oasis”.
Together they are ‘Wild Culture’ and have clocked up over 80m streams across all the usual platforms (YouTube, Spotify and Soundcloud). As such, they know exactly what they need to put together their own “unique, high quality productions” and reckon now is the time to share their inspiration with the wider world.
Carefully specifying their audio gear to suit the 33sq.m main studio space, their experience as artists has helped them curate the perfect area for v

USA - Virginia’s Southard Audio recently overcame the challenges of lockdown when it deployed its new Martin Audio WPS system for the first time, helping the congregants of Harrisonburg’s Divine Unity Church to move outdoors for a special, socially-distanced service.
The event marked the first time that the company was able to use its WPS system, which recently joined the large format WPL system that Southard Audio has been using for a year.
Founded by Mike Southard in 1980, Southard Audio is known as a leading events specialist in Virginia and beyond. “We do large events throughout the Eastern US and a little bit into the Midwest,” explains managing partner Jason Misterka. The company has also long benefited from a working relationship with Soundworks of Richmond VA – the two became the first WPL owners in the world when they each purchased 24 WPL cabinets,

Belgium - AV specialist Swing has invested in Shure’s Microflex Complete Wireless (MXCW) system, becoming the first AV company in the country to purchase MXCW in what it considers ‘increased demand’ for a system that can offer ‘outstanding audio quality’ as businesses in the region plan to return to work following the easing of Government restrictions post lockdown.
Established in 1990 by CEO Danny De Letter, Swing, is one of the country’s leading AV specialists, with experience across the sales, rental, projects and events sectors.
Forty-eight wireless stations have been purchased by Swing for sales or rental.
De Letter said: “We anticipated the increased demand for a conferencing system with outstanding audio quality. Easy to set up, intuitive to use, with todays added value for remote communication. We are completely convinced because it’s comp

USA - New York City’s El Museo del Barrio’s multipurpose theatre has added a Robert Juliat Topaze followspot to its rejuvenated lighting rig during its extensive renovation.
4Wall was the lighting integrator for El Teatro which was meticulously restored in 2018 and reopened early in 2019. Originally called The Heckscher Children’s Theatrer, El Teatro was built in 1921 and boasts a Landmark-Quality interior with a series of 30ft murals and stained-glass roundels. It was the original home of the Joseph Papp New York Shakespeare Festival. The theatre seats approximately 600 and is a venue for museum-hosted performances and rental events.
The restoration included an upgrade to the theatre’s lighting plot, which included Robert Juliat’s Topaze, an economical yet full-featured followspot with a 1200 W MSD source. The fixture’s long lamp life and low running costs

Germany - Cube Entertainment in Rostock selected Claypaky Mini-B fixtures for the Forest Showcase with psytrance DJ Morten Heuer at the Housersten electronic dance music club tour in northeast Germany. Due to Covid-19, this year’s Houserasten events consisted of videos and livestreams targeted to fans instead of in-person shows at clubs in various German cities.
Cube Entertainment supplied the lighting and sound gear for the nighttime Forest Showcase, designed the set and handled the video production and postproduction. “The design was simple, but a bit futuristic,” says Fabian Schikorr, Cube’s owner and an event technology specialist. “We had the idea of building a little truss cage on the ground and illuminating that. In the middle of the cage there was the DJ stand with his platform, monitoring system and DJ setup.”
Cube chose eight Claypaky Mini-B fixt

France - Once again BroaMan and Optocore network devices were deployed to maximum effect at this year’s Grand Concert de Paris spectacular.
The event coincides with France’s National Day (on July 14). And having scaled new heights last year with the solutions and I/O capacity provided by the two German partner brands - creating an immersive environment for Radio France, with 152 Optocore preamps and MUX22 IVT / MADI connectivity - this year technology contractors GB4D went even further. Working once again for Radio France, they set up an elaborate optical broadcast network topography on the Champ de Mars in the shadow of the Eiffel Tower, but with the location eerily empty other than for technicians.
“Playing without an audience due to COVID-19 was certainly weird,” stated GB4D owner, Gilles Bouvard. “We felt really alone without the 500,000 spectators!”

Qatar - Atlona has appointed Trident Technology Services as its manufacturer’s representative across the Middle East and Africa, effective immediately. Trident will focus on growing Atlona’s increasing demand and market share with a large community of ICT professionals that now require networked AV over IP solutions for enterprise-level projects.
A long-time Panduit representative, Trident is among the largest sales and marketing representatives for global ICT manufacturers in the MEA region, with four corporate offices and localized sales and support channels in key metropolitan areas. Trident’s team of sales, marketing and technical engineering experts support a broad community of ICT systems integrators, distributors, consultants and end users - many of which find themselves needing IT-friendly systems to serve modern AV environments.
“We have watched the ev

Sweden - Hippotizer media servers from Green Hippo were used recently to drive the visual content for a production of Mozart’s opera, Don Giovanni, staged amid the COVID-19 pandemic to an empty Berwaldhallen concert hall in Stockholm.
Directed by British operatic tenor Andrew Staples, the production was conceived and produced under COVID-19 restrictions, with the necessary social distancing for all crew and performers. Instead of playing to a live audience, the performance was broadcast on the Berwaldhallen Play channel, in partnership with Medici TV.
To look after the creation, management and delivery of the production’s video content, set designer Bengt Gomér contacted Stockholm-based PXLFLD, a specialist in visual design and a long-standing Hippotizer user. Their team, led by Anders Granström, quickly created a visual breakdown of the script and an in-d

Italy - On Saturday 1 August, the first concert of the Musica in Giro was held behind closed doors at the Verdi Theater. The format, created by Luigi D’Amico, was in collaboration with Stefano Zaccaria VP global sales & marketing of K-array, who were the main supporters of the initiative, along with Toyota Material Handling Italy, Simai, and Tab Italia.
Maestro Beatrice Venezi, directed the Orchestra della Toscana, in the execution of her first album My Journey- Puccini's Symphonic Works, published by Warner Music Italia.
At the opening, D’Amico explained that following the difficult period in which the world is living due to the global pandemic caused by the coronavirus, the purpose of Musica in Giro is to give a little contribution to return to some sort of normal, offering people entertainment in compliance with anti-assembly rules. The project - cont

UK - Like a ghost ship at bay, the Pyramid Stage at Glastonbury stood eerily silent when Rob Sangwell and his team from Fineline Lighting visited in early July.
In its isolation, the stage served as a metaphor for the state of the live entertainment industry, believed the Fineline team. This led them to select it as the site of their Light It In Red display.
“We wanted to do something big and we considered many local landmarks, but the pyramid stage was the best choice, because it is such a recognizable structure,” said Sangwell. “Plus, in its current form, with no stage deck or sheeting, it’s very representative of the state of our industry today. The Pyramid Stage is a steel skeleton waiting for the talented crews and companies who usually descend on the site in June to transform it into the spectacular production space we all know and love. We knew that if

Belgium - Fuse has been a significant landmark in Brussels’ electronic music scene for more than a quarter of a century. The 1,200-capacity club, a converted cinema, which regularly plays host to leading artists, labels and promoters, has evolved with the times, and remains one of Belgium’s most successful electronic music institutions.
When the Coronavirus pandemic took hold, Fuse, like every other nightclub found itself in a bleak space. Closed with immediate effect as lockdown was enforced, business was halted overnight, leaving the club to contemplate an uncertain future. Determined to find a way ahead, the Fuse team began to consider its options. Assuming that as the virus was brought under control and lockdown conditions might be eased by degrees, the club’s team began to think creatively about how they might begin to recover some ground.
With indoor venues

Costa Rica - Aiding Alvaro Piedra in a production of Cicatriz (Scars) was a newly acquired ChamSys MagicQ MQ80 that he used to create a unifying architecture of shapes and colours that pulled together the intricate facets of this interdisciplinary production, which involved some 40 choreographers, theatrical directors, dancers, actresses, , video designers, costume designers and stage designers.
Taking place at the Universidad Nacional de Costa Rica School of Dance in late 2019, the production won the national Mireya Barboza 2019 award for best designed dance show in February. It captivates audiences by presenting a series of stories built around its central them.
“The movement and choreography are what set the pace for our stories,” said Piedra. By creating textures and moods with colours and patterns, lighting supports these stories.”
This

UK - The musical, The Prince of Egypt produced by Dreamworks Theatricals, Michael McCabe and Neil Laidlaw, opened on 25 February at the Dominion Theatre, London, following 20 sold out previews (see a detailed production report in LSi July 2020).
Video rental specialist, Universal Pixels (UP), has supplied a 162sqm Leyard CLM10 screen for production. Configured as a single 18m x 9m screen, it provides a stunning backdrop to the dynamic scenic design.
Adapted from The Book of Exodus, The Prince of Egypt - written by Philip LaZebnik - was first released as an animated musical film in 1998. Featuring songs from Grammy and Academy Award-winner Stephen Schwartz and a score from Hans Zimmer, it earned critical acclaim as a cinematic m

USA - South Coast Christian Church in San Juan Capistrano, California, delivers an upbeat, contemporary service to an energetic congregation. However, its aging sound reinforcement system was holding the ambitious worship team back and preventing the full translation of the praise band’s talents and hard work.
In coordination with a larger renovation, local AV integration firm Tech Arts designed and installed a new sound reinforcement system for South Coast Christian Church centred on Danley Sound Labs loudspeakers and subwoofers, along with new video and lighting systems.
“Our original sound reinforcement system was decades old and worn out,” said Jeff Wallace, technical director at South Coast Christian Church. “We were running at 25% of capacity!” In conjunction with a larger architectural remodelling, which would remove the soffit that housed the loudspea

USA - Audi Presents: Summer Drive-In Concert, which was held in appreciation of Los Angeles' frontline and essential workers, was the first time the R&B artist Kehlani performed songs from her album It Was Good Until It Wasn't, which she released mid-shutdown on 8 May.
The 100-person crowd watched the show at Calamigos Ranch nestled in the hills of Malibu, California from vehicles that had been provided for the concert.
The show was also an experiment in live music and larger events in the coronavirus era, with masks required and cars spaced six feet apart.
In what may become the new normal, upon arrival at the drive-in guests had their temperatures taken and were asked to fill out a questionnaire. Bags of hand sanitizer and Audi-branded masks were handed out to each attendee, along with a picnic basket of popcorn, pretzels, charcuterie, and beverages,

USA - Celebrations of Pride Month in New York City, the birthplace of the modern LGBTQ+ movement, took on new importance this year as COVID-19 cancelled in-person events, including the 50th anniversary Pride March.
Instead, a number of Manhattan landmarks staged rainbow illuminations as civic expressions of Pride. Among them was the famed Stonewall Inn where 160 Claypaky Mythos 2 fixtures produced a rainbow in the sky seen from miles around.
The snack brand Kind partnered with experiential marketing agency Bankrobber Projects on the light tribute in the West Village at Seventh Avenue and Christopher Street, near the site of the Stonewall Inn riot, which sparked the LGBTQ+ movement five decades ago. MediaGenics produced the event with technical support from WorldStage.
Kind wanted to create a huge rainbow in the sky, similar to the dramatic 9/11 illumination over

Germany - The event industry may be idle due to the Covid-19 pandemic, but that didn’t stop Florian Vitez from Reposit Entertainment teaming up with Gerd Gruss from Crystal Sound, Sahar Gleich from Gleich Gesitzt, and Mitja Gleich from Messe- und Eventtechnik Gleich and putting together the Karlsruhe Trade Fair’s cultural stage.
The four quickly agreed and went straight to planning. Following a call to Michael Brombacher from Megaforce, the main stage was ready in no time, then Lars Wolf, from the company, Hell, brought his lighting design expertise to the project. This small but powerful group was quickly able to bring the idea of the cultural stage to the local cooperation partner, the Karlsruhe Exhibition Centre.
On 12 June, the cultural stage at the Karlsruhe Trade Fair opened with a concert by the Swiss pop singer Beatrice Egli. The programme itself is current

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