UK/USA - They may have their own distinctive flying saucer, but sometimes for Jeff Lynne’s ELO, taking the boat is the smarter option. “The thing was, we were down to the wire,” says production manager Richard ‘Wez’ Wearing. “We simply had no time from the band finishing prior commitments here in the UK to going onto ELO in the States. The only way to get any proper production rehearsals for the US tour was to set up everything in Neg Earth’s LH2 production facility here in the UK, then put it in a sea container and ship it straight to the US‎.”
Not an insignificant call? “There are pros and cons on the financial side - yes, it was a cost, but there was no time to do anything else. When we got there, we had just one set up day then straight into the first show.”
Fortunately, since the triumphant return of Jeff Lynne and ELO, which began in the UK

UK - Specialist illumination company LED Creative is working with lighting director Stuart Pring on the latest series of hit comedy show Roast Battle.
Filmed before a live audience on a custom installed set at the Electric Brixton Theatre, London, Roast Battle features some of the UK’s finest comic performers pitted against each other in a no holds barred verbal assault.
Helping create LD Stuart’s look for the show, LED Creative has supplied a selection of their Alpha Soft Wands, including a consignment of built-to-order 500mm units, all controlled using the company’s in-house designed BIT 8-Way Controllers.
Complementing the installation, which incorporates a range of equipment from Version2 Lights, the Soft Wands provide highly controllable, linear LED accents across the semi-industrial, ‘grunge’ set design, a fitting backdrop to the rut

USA - As the second-oldest professional symphony in the United States, the Grammy Award-winning St. Louis Symphony Orchestra is proud of its longevity and tradition. For the past half century, the SLSO has performed in Powell Hall, a world-class acoustic concert hall that seats over 2,600. Its acoustics are excellent for the orchestra itself but far less than excellent for amplified sound.
Until recently, spoken word for lectures and presentations was difficult to understand and sometimes came with feedback. Reinforcement for both instruments and vocalists during amplified concerts was also challenged with gain-before-feedback issues that were only partially remedied by destructive equalization. After extensive research, the SLSO found that Danley Sound Labs’ point-source technologies deliver excellent intelligibility and gain-before-feedback.
“When I first heard t

Germany - Twenty years ago the former central railway station in the spa town of Baden-Baden was repurposed as the ticket office and foyer for a new venue, Festival Hall Baden-Baden, the country’s largest venue for opera, ballet and live classical music.
Thanks to its state-of-the-art acoustics, Festival Hall Baden-Baden is renowned for its excellent sound. It also stages presentations, jazz, rock and other amplified events. For these, a new Yamaha CL5 digital mixing console is helping to keep the venue’s commitment to the highest quality audio on the right track.
Since Festival Hall Baden-Baden opened in 1998, the former station’s neo-Renaissance style ticket hall and waiting rooms have formed a historic entry for visitors into the modern, 2500-capacity auditorium, which was built in the space where the track and platforms used to be.
The auditorium was de

UK - At the recent 30th birthday celebrations for HSL at the company’s Blackburn HQ, Lucid Technologies delivered the gifts of innovation and visual impact for HSL MD, Simon Stuart and his hard-working team who, across the span of 30 years in the lighting industry, have provided the very same gift to others.
Lucid’s contribution sparked two main areas of the event. Delineating the event’s expo space with picture-frame gallery videowalls to highlight the companies supporting the event, the team also created an immersive and interactive demonstration of the latest in video technology, for attendees on the tour of HSL’s impressive 165,000sq.ft premises.
On opposing walls of the expo space, the vibrant backdrop was created on two 60m LED video walls. Content was supplied to the 60m x 2m LED displays from a Disguise GX2 media server running animated backdrops, which

New Zealand - Specifying an Audient ASP4816 console to be at the heart of Studio A completed the studio upgrades at Waikato Institute of Technology (Wintec) this July. Bringing analogue back to the School of Media Arts’ studio after a 13-year hiatus was a decision championed by music technician, Brad Morgan.
Brad explains that the original studio centred around an analogue console. “Its age and maintenance downtime was becoming an issue and in 2003/2004 the decision was made to go to Pro Tools HD with a Control|24. The workflow was simple and the ease of an ‘in-the-box’ solution was convenient for staff and students.
“Fast forward 13 years and the decision to create a hybrid system taking in the best of both analogue and digital workflows was something that was welcomed with open arms. External gates/dynamics and effects racks that had been in storage for man

UK - The Hackney Empire recently made for a stunning location for three days of demonstrations of 3D sound by Astro Spatial Audio, hosted by 2B Heard.
The event marked the first full UK demonstrations of Astro Spatial Audio’s immersive audio solution. A guest list of industry VIPs responded, with more than 50 industry influencers gathering to experience two full demos designed to illustrate Astro Spatial Audio’s scalability.
For the first demonstration, the stage of the Hackney Empire was ringed with 16 pole-mounted K-array Kayman KY102 line array columns configured for wide coverage plus eight overhead Domino KF210 enclosures and four Thunder-KMT218 double 18-inch subwoofers.
Guests were invited to stroll freely around the stage as they experienced perfectly phase-free, seamless 3D audio courtesy of a single 3RU Astro Spatial Audio SARA II Rendering Engine,

UK - Situated on The Green in the gentrified North London suburb of Winchmore Hill, Buckle and Vaughan is a spacious bar / dining space that is all about atmosphere.
Owned by Neil Friar, it was atmosphere that was sadly lacking when the venue opened four years ago, largely because the sound system was insufficient for the venue’s needs. Several years later and Penguin Media Solutions have been brought in to upgrade the sound with a potent Martin Audio CDD6 ultra-compact solution, using Coaxial Differential Dispersion technology.
CDD series has provided the solution for many Penguin installations since its launch, and according to director of operations and project manager for this job, Dylan Thompson, “It’s difficult to justify installing anything other than CDD. It’s an attractive box, produces a great sound and has a useful dispersion. On top of that, it’s

France - The annual Yamaha Commercial Audio System Designer’s Conference (SDC) takes place in a different European country each year. This September, over 300 audio industry professionals from 36 countries joined the families and fun at Disneyland Paris.
Co-hosted by Yamaha Music Europe France and Nexo, this year’s SDC was subtitled Experiencing High Quality Sound In Relation To The Five Senses and featured around 70 sessions, which mixed experiential, immersive demonstrations with lectures and discussions. The programme was organised by Yamaha Music Europe’s Ron Bakker.
“My goal was to provide new ideas and insights into new audio technologies and applications, as a basis for discussions – not only about the technologies and their scientific backgrounds, but also about what we do with them now, and what we plan to do with them in the future,” he sa

USA - Victor Zeiser of Squeek Lights is using Elation Professional’s new DARTZ 360 LED moving head along with Elation Protron 3K Color LED strobes to support the diverse sounds of hardcore rock band Beartooth on their current North American tour. The headlining tour, in support of the band’s new studio album Disease, kicked in Grand Rapids, Michigan, and plays a packed schedule of dates, concluding in Columbus, Ohio, next month.
Zeiser, who first met the hardcore rockers when they were an opening act for one of his other clients, Silverstein, and had put together a small timecoded show for the Ohio-based group’s last headliner tour, was well familiar with the band. So when Beartooth frontman Caleb Shomo and company came looking for a designer for their fall Disease tour, Zeiser jumped at the opportunity. “The band wanted to get more serious about their

Norway - Covering an area of 150 acres of wild Nordic terrain, Kristiansand Dyrepark and amusement park is one of Norway`s favourite visitor attractions and its favourite show is Kaptein Sabeltann (Captain Sabertooth). This year, the zoo decided to up the specification for audio on the show and has invested in a DiGiCo SD9 and S21, which have helped to address its complex signal distribution, an issue that its engineers say was easily solved with the DiGiCo system.
Kaptein Sabeltannis one of Norway’s most popular children’s characters and has been captivating audiences through stage, film, television, cartoons and books. The show has been performed at Kristianzand Zoo since it was first written in the early 1990s and, in 1994, won a Formoe a Spellemann prize, the Norwegian equivalent of the Grammy Awards, for Captain Sabertooth and the Treasure in Luna Bay.

UK - Nuffield Southampton Theatres (NST) is one of the UK’s leading professional theatre companies. Their success, both nationally and internationally, has enabled the company to open a second venue in the new, £28m Studio 144 development in the centre of Southampton.
Whilst the core of NST’s work remains traditional theatre, the new venue, NST City, aims to bring wider cultural to Southampton by offering more in the way of music, cinema and even circus as well as classic theatre. When it came to equipping the new venue, theatre consultants, Arup, specified a wide range of EM Acoustics’ ubiquitous EMS Series loudspeakers across the three performance spaces.
NST’s head of sound, Jon Roache, wasn’t involved in the specification process, but was pleased with the choice of EM Acoustics. “I’d been using and dealing with EM for a fair while in a previous job,

Croatia - The Istrian National Theatre is located in the medieval port city of Pula on the Istrian peninsula in Croatia and is one of the most important cultural institutions in the region, renowned for the quality and innovation of its productions.
It has a 720-seat main auditorium and they produce around 10 new works per year, mainly drama or modern dance, plus one children’s production. The original building dates back to 1871 when the theatre opened. It was reconstructed in 1918 and extensive further restoration and upgrade work was undertaken in 1989 including the installation of a new fly tower, which made it capable of staging far more ambitious productions.
Recently, the theatre has invested in Robe moving lights – following a growing trend for theatres not just to look for more flexible and adaptable options, but also to look at LED and other long-term ene

UK - After a successful year of headline festival slots and TV appearances, Rob Broderick, a.k.a. Abandoman recently embarked upon a sell-out tour to take his comedy hip-hop around the UK. Like his multi-talented client, LD Robbie Butler also went outside the box to create something original. Helping him in this endeavour were 21 Chauvet Professional Rogue R1 FX-B and 21 Maverick MK Pyxis fixtures.
Although lighting for a live music venue tour, Butler followed his client’s wishes and created the kind of “stadium looks” more commonly associated with large rock concerts.
“Rob (Abandoman) is a big fan of Kanye West, so he wanted the show to rival a Kanye concert in terms of production value,” commented Butler. “All this had to be achieved on a modest budget, and the show had to be able to turn around within the space of a half hour, so there were significant

Canada - Lighting designer Robert Sondergaard of Electric Aura Projects and Solotech recently deployed Martin by Harman VDO Sceptron10 LED lighting fixtures to create a dynamic and innovative stage design for Toronto’s Veld Music Festival.
Now in its seventh year, the annual EDM and hip-hop music festival was held in Toronto’s Downsview Park. The line-up featured Marshmello, Martin Garrix, DJ Snake, Benny Benassi, Lil Yachty and more. Each year the festival strives to create an ambitious and eye-catching stage design, and this year they wanted to incorporate the VELD logo as a dynamic centrepiece.
Festival organisers hired production and lighting designer Robert Sondergaard, who collaborated with video and sound provider Solotech to create an ambitious design using Martin VDO Sceptron10 LED Fixtures and custom-fabricated set pieces.
“The big thing they wa

UK - Monitor engineer Gavin Tempany has been out on tour Kylie Minogue. He has chosen a Solid State Logic L500 Plus for the shows, supplied by UK tour and events company Capital Sound Hire.
Kylie's latest world tour follows the release of her new album, Golden. It's a project heavily influenced by the Nashville country scene, which follows through onto the stage via set, costume, and narrative in a typically theatrical set. Kylie is joined on stage by five musicians and two backing singers, and all are supported at monitor world by experienced engineer Gavin Tempany (Dave Gilmour, Hans Zimmer, Will Young, OMD) and a Solid State Logic 500 Plus console.
While Tempany describes the 50 or so instrument and vocal inputs from show as "not too much compared to my usual madness", the aesthetics and design of the show have created a few side challenges. First, the moni

Argentina - Microphones from Audio-Technica are being used to capture both live and broadcast audio at Youth Olympics Games, taking place now in Buenos Aires.
The Youth Olympic Games, held every two years (Winter and Summer games staggered in years opposite the adult games), are an international multi-sport event organised by the International Olympic Committee. Buenos Aires 2018 is the scenario for 32 sports and 36 disciplines.
A wide selection of Audio-Technica microphones are being employed, including BP4071 Line + Gradient (Shotgun) Condenser Microphones, BP4073 Line + Gradient (Shotgun) Condenser Microphones, AT899 Subminiature Omnidirectional Condenser Lavalier Microphones and BP4001 Cardioid Dynamic Microphones (handheld, for interviews).
“We are pleased to be participating in the technical setup at the Buenos Aires Youth Olympic Games,” stated Audio-

UK - The Palace Theatre in Redditch has invested in Prloights LED fixtures, to reduce its running costs further and improve its in-house lighting rig.
The theatre, which first opened in 1913, went through a refurbishment in 2005 as part of a process to make the venue more energy-efficient. To help meet its target of an ‘A’ rating for energy efficiency, it worked with Andy Mahaffey, external sales at A.C. Entertainment Technologies Ltd (AC-ET), to choose the right fixtures.
After looking at a range of options, the majority of the stage lighting has been upgraded to Prolights fixtures, including LUMA700 and DIAMOND7 LED moving lights, StudioCOB FC LED PARs, plus Eclipse Full Colour LED Profiles and Eclipse Tuneable White LED Fresnels.
Theatre manager, Tim Mackrill has been impressed with the new fixtures. He commented: “The Prolights fixtures offer an excelle

UK - As the temperatures soared to record levels, Adlib’s Glasgow based Scottish operation has enjoyed a busy and proactive summer supplying a full complement of technical services - lighting, sound and video - to a number of high profile events including the Glasgow and Edinburgh Summer Sessions, Rewind Festival’s Scottish date at Scone Palace plus sound and lighting to the 2018 TRNSMT festival on Glasgow Green.
This reflects a healthy schedule of locally based business for the company who opened their Scottish operation in 2016. Adlib has worked carefully and conscientiously to expand this offering technical services and equipment that are new to the region, in the process collaborating with a network of partners, promoters and other Scottish companies.
For Summer Sessions, two completely different sound and lighting systems were supplied.

Cambodia - Situated in the heart of Phnom Penh lies Cambodia’s Nagaworld complex. One of South East Asia’s most awe-inspiring, multi-purpose facilities, housing a world-class casino, a five-star hotel and one of the country’s biggest theatres, Nagaworld caters for all. DiGiCo consoles have found themselves at the centre of this huge operation, with two SD7s now a permanent fixture for the Naba Theatre contained within the complex.
Placed at both FOH and monitor positions and connected via Optocore, the SD7s have quickly become an integral part of the theatre’s set up.
“There are 56 channels of inputs at the stage area that cater for all the shows that the theatre is currently doing,” Nick Chua of Showtec Group, who supplied the consoles, explains. “More inputs can be taken from the SD-Mini Rack, FOH desk and the stage SD7 inputs if needed. Overall, the

USA - Stone Sour may be the opening act on the U.S. leg of Ozzy Osbourne’s No More Tours 2 tour, but the American hard rock band is making an impression with the help of lighting designer Scott Warner and a dynamic wall of colour.
On the road since late August with The Prince of Darkness, Stone Sour has made a serious opening act impact with a “huge wall of overwhelming colour” made up of multifunctional Elation Professional Paladin LED effect lights supplied by Bandit Lites.
“I knew coming into this tour that I didn’t have access to LEDs and with Stone Sour I need to have my colours flash quickly,” said Warner, who also serves as the tour’s lighting director/programmer. “I could’ve done a pod of small moving heads, but with the amount of fixtures the Ozzy tour was giving me, who’d see them? So I took the original pod idea that was used on o

UK - Allen & Heath has unveiled a suite of feature enhancements, designed to make its SQ mixers” the perfect compact monitor consoles”.
SQ firmware V1.3 adds a Listen bus, enabling the engineer to patch PAFL to an IEM system, stereo nearfield monitors or a mono listen wedge, with the option to control the Listen level with the master fader. Engineers can enjoy easy communication between FoH and Monitors, thanks to the addition of an External Input to PAFL.
V1.3 firmware dovetails with the new SLink card, opening up new possibilities for FOH / monitor splits and remote I/O, or combinations of either of these with a ME personal monitoring system. Digital splits are further facilitated by new tie lines, connecting input and output sockets without running through SQ’s processing.
“Space for monitor desks is often super-tight, so we’re seeing a lot of SQ

UK - For nearly 70 years, the Royal Edinburgh Military Tattoo has delighted visitors with a spectacular display of music and fireworks from the esplanade of Edinburgh Castle. Throughout that time, the show has been seen by thousands of people and has never been cancelled due to inclement weather.
In recent years, DPA microphones have a played a key part in delivering the sound for the show. Sound designer Sebastian Frost, who has worked on this event for 23 years, specified a vast selection of d:vote 4099 Instrument Microphones, d:screet 4061 Miniature Microphones and d:fine 4066 Headset Microphones incorporating the new CORE by DPA amplifier technology. In total, more than 110 DPA microphones were deployed across a wide range of musicians and performers, including a Malawian choir.
“My main task is to amplify lots of different elements and not just the musicians,”

UK - An Audient ASP8024 Heritage Edition is now installed at the new recording studio in LIPA Sixth Form College, Liverpool, where sound technician, John Kershaw - a LIPA graduate himself, therefore fully conversant with Audient products - is very pleased at its arrival. “It is our hope that tech students from LIPA Sixth Form will graduate and gain a place at LIPA HE to study on the Sound Tech degree programme. Having already used the ASP8024-HE in college, they should feel right at home with LIPA’s studios housing two original ASP8024s,” he says.
With a variety of courses on offer including Sound Technology and Music, the studio is already enjoying heavy footfall. “We take in around 15 sound technology students every academic year, who will spend most of their time between the recording studio, Mac lab and theatre. All our music students will complete a recording mo

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