Unusual Services Ltd are main contractors for the massive Golden Jubilee weekend celebrations that are happening in The Mall, Green Park, St. James’s Park, Trafalgar Square, Hyde Park and at the Queen Victoria Memorial.

The company is supplying all technical infrastructure, co-ordination, site and production management for this mind-boggling task, working closely with show producer Major Sir Michael Parker and the Golden Jubilee Weekend Trust. Unusual has employed over 250 sub-contractors and mounted a major logistical exercise to ensure the event - being broadcast live worldwide - is a well-oiled operation. To this end, the company has been interfacing with various authorities including Westminster City Council Special Events, the Metropolitan Police, Royal Parks, the GLA, the WRVS, London Underground, London Ambulance, St. John Ambulance and the British Red Cross.

The event i

In response to customer demand, Artistic Licence has released the Truss-Ear! This is a truss mount adapter, compatible with a range of Artistic Licence products, including Rack-Split RDM, Net-Link I/P, Net-Link O/P and the soon to be released Power-Hub 4. The Truss-Ear is simply retrofitted to the product by removal of the end plates and provides two thumb screws for added security in addition to dual safety chain mounts. Attachment points for cable ties are also provided, allowing the product cables to be secured.

(Ruth Rossington)

As ESS’ London office remains focused on the Golden Jubilee celebrations and the Commonwealth Games, and the UK’s commercial summer outdoor events season, the rest of the world has other fish to fry. In the USA, ESS is servicing events far removed from Her Majesty’s festivities and the spectacle of the Commonwealth Games.

ESS’ US team has just completed a Memorial Day Concert, honouring US soldiers, at Auditorium Shores in Austin, Texas. Grammy Award winners Asleep At The Wheel and Travis Trite headlined the day, performing on an ESS Orbit 15m stage. A second ESS stage hosted five bands billed to provide a backdrop to a traditional Texan barbecue ‘cook-off competition’. In true Texan style, 30 accomplished contestants arrived with their barbecues toed onto the site by trucks and prepared their fayre over 24 hours throughout the course of the event. &

Westlife are currently in the middle of a sell-out European arena tour and it’s Star Rigging who have played an integral part in the spectacular show that has the band members flying high over their fans every night. A first for Westlife, the in-the-round production is visiting Europe’s largest arenas. The opening number of the show begins with five 3m-diameter globes rising from the stage and moving out over the audience; each of these then opens to reveal a member of the band inside. The globes track to the five points of a star before the group members fly back to the stage, securely fixed in harnesses provided by Star Rigging.

For the last number of the show, all five members of the band took to the air in flying harnesses. Star Rigging had put the members of Westlife through basic training before the tour began to ensure they were safe and confident in being hoisted 30

Edwin Shirley Staging (ESS) has once again returned to the horse racing circuit, this time at Epsom in Surrey, with the broadcast infrastructure specialist ACS to cover the 2002 Derby season at the famous course.

ESS is providing a similar tower configuration to the one used successfully at this year’s Aintree Grand National to allow the host broadcaster to be able to follow the races by flying a television camera across a suspended line held under tension by ESS’ ballasted towers. John Wilson, ESS’ senior project manager tasked with delivering the trackside solution, has been travelling between Epsom and Finsbury Square in the centre of London during the set-up period, whilst also overseeing an ESS building installation in the City for Bloomberg, the blue chip financial information business. Both installations were completed as ESS were putting the finishing touches

Respected scenic and exhibition designers George P Johnson contacted Total Structures Inc to fabricate the main canopy for the Infiniti stand at the North American International Automobile Show in Detroit.

Since time was of the essence, the designers at Total Structures set to work on the proposed form, adapting tried and tested designs and using well known fabrication techniques to create a visually pleasing structure. The canopy tapers down from the rear hinge to a point, with the top chords curved to enhance the elegant form. The truss skeleton is covered with fabric with spaces for lighting fixtures to spotlight the new models with spectacular effect. The canopy is built at ground level and then lifted on chain hoists to trim height. The rear of the canopy is attached to a grid structure above the dividing wall through a hinge, allowing it to be rotated to the required angle.

(Ru

A new star is rising just 15 miles north of Albuquerque at the Santa Ana Star Hotel Casino. The hotel’s facilities have been expanded and now include a major new Events Centre, which is equipped with a new lighting grid fabricated and supplied by Total Structures, Inc.

Billy Tubb of APAC, an Albuquerque theatrical consultant, teamed up with Eric Kennedy, a local freelance lighting designer, to design a modern lighting rig which would incorporate both static and modern moving light fixtures for the events centre. The upstage and downstage trusses were specified as conventional pre rig truss, whereas the grid over centre stage area comprises Intelligent Pre-Rig Truss (IPRT) with straight legs radiating from a central circular hub, to form the Zia, the state symbol of New Mexico.

The circular IPRT provides the support for a small projection screen for gobo images and the whole g

PCM’s projects division has successfully completed the mechanical and electrical installation of four 500 Kg electric Pilewind winches at the Gaiety Theatre in Ayr, Scotland. Originally specified by the experienced Gaiety theatre technical staff, PCM’s ability to comply with it’s motto of ‘Lift, Turn, Move and Fly’ again excelled, as a technical specification that complied with current British Standards was produced.

South Ayrshire Council provided the project management. The Pilewind winches enables the Gaiety’s busy technical staff to raise, lower and position four of the stage lighting bars quickly, efficiently and safety. Before the Pilewind winches were installed, the Gaiety crew was reliant on old hand winches, and hauling ropes to position each lighting bar. This took considerable time and physical effort. PCM’s Pilewind winches, operati

Star Hire Event Services supplied its Vertech 25 metre stage to ClearChannel for Ozzfest at Donington during May and was the first UK staging company to install a safety net fall arrest system.

Twenty artists appeared across two stages, whilst 48,000 heavy metal devotees partied hard as Castle Donington was reclaimed by the new generation of rock fans. As well as protecting the bands, the 25-metre Vertech stage protected the PA and monitor system (supplied by Audio Rent), the huge lighting rig (supplied by Light & Sound Design) and gave the production team plenty of room to prepare equipment to ensure the tight schedule of 10 bands was kept on time throughout the day. The main stage area was then extended with Vertech PA towers, which flanked the stage and housed 28 tons of Clair Brothers’ PA. Outside of these were the screen supports housing Screenco’s LED screens, and cre

The Bootylicious world tour of Destiny's Child has just finished its European leg. The high energy show is a dynamic mix of live footage, cut with some playback into a psychedelic rampage of colour, action and excitement. The lighting for the shows was supplied by LSD, XL Video supplied cameras, LED screens and a digital PPU for the tour (with live video directed by Mick Anger), the PA came from Clair Brothers and Star Rigging managed the rigging elements.

(Lee Baldock)

Edwin Shirley Staging (ESS), the international staging and structures specialist headquartered in London, has successfully achieved the ISO 9001:2000 Quality Assurance (QA) standard. This award caps over 12 months of work within the business to overhaul its procedures and systems and bring them into line with the internationally-recognised organisational standard.

The company embarked on the process after discussing with clients what key properties would provide assurances to them regarding working with businesses in the future. It became apparent from this research that a growing number of clients from the private and public sectors, based in the UK as well as the other international markets served by ESS, that the ISO QA standard provides an acceptable objective measure of how a business deploys its services. As with all ISO-accredited businesses, ESS will undergo regular audits by a

Prolyte distributor Aerial Rigging Inc recently delivered the first Prolyte ST-roofsystem in its maximum configuration of 77’ 55"x 51’ 2"x 48’ 2" to Pro Stage West for its Las Vegas office. Pro Stage immediately put the system into use - the first set-up was at Sam Boyd Stadium at UNLV in Las Vegas in conjunction with Xtreme 107.5. The concert featured a total of 15 acts, including Cypress Hill and Alice in Chains.

Aerial Rigging also supplied Pro Stage of America earlier this year an MPT-roofsystem of 47' 4" x 42' x 30' 5" (12 x 10). Blake Ferry, president of Pro Stage West and Pro Stage of America commented: "We have been working with Prolyte truss for some years now. We have become very spoiled because the truss using conical connectors goes together so quickly, which has saved me a lot of time and money on the set up of a production.

Edwin Shirley Staging (ESS), the international staging and structures specialist, has just completed another project for an event that is synonymous with the quintessential English summer season, the 2002 Henley Festival in Oxfordshire. The Festival, which took place in mid-July, hosted a diverse array of artists over a five-day period at one of England’s best known event sites, which is also home to the famous international regatta. ESS, having already this year been present at Epsom, Ascot and Wimbledon, and with Goodwood still to come, see 2002 as a successful year for the company in terms of servicing these classic calendar fixtures.

ESS delivered a 20m Orbit stage, called the floating stage as it was positioned in the Thames facing back to the riverbank, as well as producing a 14m wide, four-bay clear-panelled Superstructure building christened the ‘Transparium’

Doing their bit to support the England football team, LGH Rigging Services erected a huge flag on the front of the Football Association headquarters in Soho Square, London. Responding within 12 hours of being notified of the job, LGH Rigging Services used a team of abseilers to secure the flag to the façade of the building prior to England’s quarter-final match against Brazil. LGH say they were hoping for a longer hire period - not for the revenue, more for England’s chances in the competition!

LGH Rigging services manager, Bob Dean, commented: "We were very pleased with the progress of the job. We reacted very quickly to the FA’s request and were very happy with the result. It’s a shame that we didn’t feel the same about the result of the England match!"

The erection of the flag was featured on the National Television News, as was the tearful

Star Hire (Event Services) Ltd supplied mobile StarStages to the organisers of the UK’s largest gay festival, Mardi Gras, for the two main stages at the Hackney Marshes event. The main G.A.Y. stage was a mobile SS 15-12 StarStage that housed the PA and lighting, with a line-up including Atomic Kitten, Westlife, A1, Human League and Belinda Carlisle. These were variously introduced by a range of celebrities including Graham Norton, a host of Big Brother stars, Ken Livingston, Mo Mowlam and Trisha. Meanwhile, the more intimate ‘Popstarz’ Indie stage was a mobile SS 10 08 StarStage that featured acts including Suede, the Cooper Temple Clause and Haven.

Graham Drew headed up the Star Hire crew who had to cope with the summer’s inclement weather and the soft ground of Hackney Marshes that meant production schedules were stretched. "The whole production team work

Martin Heap has joined Vertigo Rigging as projects director, based at the company’s new headquarters in Deptford, London. After working as a freelance production manager, Heap joined Andrew Lloyd Webber’s Really Useful Group in 1992, as technical manager, overseeing new productions and ventures in the UK and Europe.

In 1997 he became RUG’s director of production, managing all aspects of the company’s producing arm. Martin’s role at Vertigo will include overseeing the project management department, supervision of the larger contracts and aiding in the day-to-day management and running of Vertigo, an extremely busy hire and service company.

(Ruth Rossington)

Ibex plan a busy PLASA show this year with the launch of three new products - two new motion control units and Ibex’s first ever audio product.

The two new hoist controllers build on the success of the Programmable Hoist Controller launched at PLASA two years ago. The Programmable Hoist Controller Plus adds even more features for the most demanding applications, including an Ethernet port allowing linking of controllers and remote PC control. The HC8 complements the range, providing control of eight Lodestar or Verlinde style hoists, together with the new safety features now required for hoist control systems in the entertainment industry.

Ibex’s new audio product - Sonix MP3 - is a professional audio sound store, with a versatile range of triggering options. Audio files, using the high quality MP3 format, are played from inexpensive, high capacity CompactFlash memory ca

The latest innovative roof system designed by Tomcat USA was installed at Disney’s California Adventure park in early July for Disney’s Rockin’ the Bay summer music series. Tomcat and Kleege Industries worked together to engineer the custom 43ft x 46ft (13.1m x 14m) roof system with cantilevered PA wings in less than a month.

"What makes this system so unique is that it is surrounded by water on three sides and a portion of the towers are actually underwater," comments Tomcat design manager, Keith Bohn. The two upstage towers go through the stage and rest in 15ft (4.6m) of water. Custom bases were designed to accommodate the uneven floor at the bottom of the lagoon. The underwater towers consist of steel with multiple coats of two-part epoxy paint. All chords are capped and kept air-tight to help resist corrosion. All four towers interact with the stage for

Leading technical design consultancy LDPS has opened an office in New Zealand, to service clients in Australasia, the Pacific Rim and the Far East. The move follows four years of LDPS operation in Ireland and the UK, which will continue to be directed from the Cork office. LDPS’s Grant Collie told us: "I’ve had incredibly positive feedback on the New Zealand office and on the business we will be doing in these territories. I’m already working on several projects."

LDPS NZ will concentrate on the company’s core business as a performance venue technical consultancy. The team specialises in all aspects of design including sound, lighting, multi and mixed media facilities, audio-visual and stage technology. Working in the Southern Hemisphere will also give LDPS the opportunity to expand it's service to sports facilities, in particular the design of public

The long-standing issue regarding the use of 3-pin, 110V, 16 Amp yellow CEE-form control connectors fitted to CM Lodestar chain hoists has finally been resolved. From 1 September 2002, both PCM and Tomcat UK will be supplying all Columbus McKinnon Lodestar hoists with 4-pin, 110V, 16 Amp yellow CEE-form connectors instead of the current 3-pin version. Both companies will be contacting all of their Lodestar customers shortly to discuss this change and its repercussions.

The issue dates back two-and-a-half years, when it became apparent that the continued use of the 3-pin connector for Lodestar hoists would not be possible. Although the connector was extremely well suited to the application in many areas, for safety reasons, it was felt that the use of the earth pin as a conductor should preclude its future use. This resulted in extensive discussions involving the manufacturer of the Lod

Maltbury has three new products for visitors to PLASA 2002: Metrodeck Ultra, Pro-Alloy and Morgan Trussing.

Metrodeck Ultra is based on, and fully compatible with, the ever-popular Metrodeck staging system. The combination of a polished aluminium frame and a specialist ply/foam board means that Metrodeck Ultra not only looks good, but is also light and easy to handle. Pro-Alloy, Maltbury’s latest demountable staging system, has an attractive polished aluminium frame and an anti-slip phenolic-coated plywood top. Each unit combines lightness, durability and strength (a 2 x 1m unit can handle 7.5kN/m²) with modern elegance, making it ideal for use in conferences, venues, arenas and hotels. Manufactured to comply with European standards, Maltbury’s Morgan Trussing tried-and-tested system offers a range of truss styles and sizes to meet a wide range of requirements. The system

Stage Technologies, the pioneering scenic automation experts, are currently transferring two of the UK's most recent hit theatre productions to the southern hemisphere. Both Oliver! and Witches of Eastwick will be touring Australia by the end of this year, using sets transferred from the UK shows and automation equipment rented from the North London- based automation specialist.

Both Australian production companies have chosen similar automation systems, each of which include numerous award-winning Big Tow Winches and the Acrobat control console both ideal for touring applications. Oliver!, which opened in May in Sydney to critical acclaim, will shortly be joined by Witches of Eastwick, which starts previewing in Melbourne in August. The latter uses Stage Technologies' Pathway - a specially developed software application which allows objects (in this case the three witches) to move

RMS will introduce no less then five new versions of its well-known Rental Management Systems software. All new versions share the RMS planning engine and the easy-to-use interface, which assures fully reliable data at extremely high speeds.

The first version is RMS Touring, a software package designed especially for handling rentals of touring-companies. This version is excellent for companies that have large quantities of equipment out for longer periods. Together with the crew- and transport-planner, it gives full control over all touring-rentals.

Next is RMS Conference, designed for renting AV-equipment to conferences, hotels, etc. This version focuses on aspects like keeping track of serial-numbers, short-term rentals (even on an hourly base is possible) and maintenance schedules. RMS Exhibition is a version, which deals with the specific problems of exhibition rentals. Easier p

Doughty Engineering is raising the curtain on a whole host of new products, including, appropriately enough, its new Six Track curtain rail system.

In addition, there is a host of other new products on show, including 63mm Mammoth Clamps, panel clamps and Quick Trigger clamps, new TV Quick receivers, Par can floor plates, Easy Lift wind-up stands and locking elbow assemblies. Then there are new RAT Music Stands, safety bonds and flyrail cleats.

If the additional products from Doughty aren’t what you’re looking for, then your needs may be fulfilled from the company’s new 60-page catalogue, packed with fittings and accessories from the ‘mind over metal’ specialist.

Doughty can be found on Stand D10

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