USA - The Seattle Opera House, home to two of the most prestigious and world-renowned performing arts organizations - Pacific North West Ballet and Seattle Opera - is currently undergoing complete renovation works worth $125million. The dramatic refurbishment commenced in January last year and the newly named Marion Oliver McCaw Hall is due for reopening in June this year.

According to the Opera House’s artistic directors Kent Stowell and Francia Russell, the passage of time and millions of visitors have taken their toll on a building that has received no major repairs to either its mechanical, technical or performance spaces since the late 1920s. The new 2,890-seat auditorium has been redesigned to be an aesthetically stunning and state-of-the-art performance hall worthy of housing Seattle’s world-class performances for years to come.

JR Clancy, specialists in the

Germany - ProLight&Sound 2003: As ever, Litestructures was doing some interesting things with aluminium. This time, it was tubing welded into geometric patterns and incorporating reflective dichroic panels to form eye-catching displays aimed at the interior design and retail display markets. The display was shown in conjunction with the company's German arm, Litestructures Deutschland, headed up by Ralf Kortmann.

Germany - ProLight&Sound 2003: Prolyte presented their all-new brochure, 'Technical Edition 2003'. Completely re-styled and re-written, it contains nearly 200 pages of product and technical information, including all technical data on the existing truss systems, as well as information on the new products, like the Stage DEX Staging system and rigging gear accessories. All products are presented with updated drawings, loading tables and technical data.

Germany - ProLight&Sound 2003: Having recently taken over the manufacturing and sales of special Lodestar motors from sister company Pfaff Stage Technology, PCM was highlighting its changing role, which will see it concentrate on larger project work, while supplying all customized and non-standard Lodestars from the UK. A selection of standard CM Lodestar and Prostar hoists were on display, including the standard rigging range, the BGV C1/VBG 70 hoists with special safety features and the FX Star range with variable speed, which is now available for theatrical use.

The BGV C1 Lodestars have double the normal hoist safety factor, with a 10:1 chain safety factor; double brakes - each capable of stopping the full load; 4-position limit switches including emergency switches; 24V control; under/overload electronic protection and a slack chain detection device.

The FX Star has all t

UK - The Harkness Hall Group has sold its theatrical products division, Hall Stage, to its current business management team. All employees working in the division will transfer to the new company, Hall Stage Limited. The separated businesses will continue to work closely together and will share the same premises in the immediate future.

Harkness Hall, which manufactures screens for a wide range of applications including cinema, AV, theme parks, attractions and special events, will now focus on its core screen manufacturing and distribution activities. Andrew Robinson, MD of Harkness Hall told L&SI: "The divestment of the theatre products division follows an opportune approach from its management. It will enable Harkness Hall to focus on developing our worldwide screen business based on our operations in Europe, USA and Asia.

"Our current range of screen surfaces and

The Netherlands - ESS project manager Rob Smalldon and his team were presented with a unique challenge when they were asked to build a marque for telecommunications giant Orange, aboard a Dutch canal barge.

The unusual request came from Park Avenue Productions, who were organizing a launch event for the Orange brand in The Netherlands. Fortunately, ESS had developed technology for the ‘Orange Experience’ in Bucharest the previous year, and was able to reapply some of the equipment used then. "We modified the original system with new 200sq.m front and back sheets and designed a brand new base unit of steel beams," said Smalldon. "The base unit interacted between the barge and the other components ensuring stability of the tall, sail-like marque (which measured 15 x 15 x 3m), even in adverse wind conditions." The entire structure was built in Amste

USA / Asia - Columbus McKinnon, the leading manufacturer of hoist and chain products in North America, has appointed Don Dimitroff has been appointed to the newly-created position of entertainment sales manager in North America. In his new position, Dimitroff will be responsible for sales and support of the complete line of entertainment hoists, rigging products, and accessories. Additionally, he will conduct CM Motor Schools, hands-on seminars designed to familiarize workers with the proper techniques for inspecting, troubleshooting and repairing CM Hoists.

Dimitroff joined Columbus McKinnon as a customer service representative in 1996 and since then has held numerous titles within the organization. Most recently, he was a customer service supervisor while simultaneously handling a variety of duties on the entertainment side of the business.

CM has also announced that Stuart

UK - Hall Stage has introduced the Hold-On clip range. Made from a GRP/Polymer mix, these are an ideal solution for temporary rigging of screens or masking drapes, offering an alternative to eyelets. Perfect for replacing ripped or torn fittings and ties, the new clips will be a useful addition to any rigging toolkit.

They come in two sizes - the mini and the maxi (which can hold a load of 100kg) and are available in black and white in bags of 10s or 20s. Charles Haines, Halls’ managing director, said: "After years of making what felt like thousands of cyc stretchers and drape clamps out of 3 x 1 and sash cord in my days as a stage carpenter, I always thought there had to be a better way. There never seemed to be any left after a get-out and we had a ‘scraps box’ in the workshop - just for making replacements. Well, now we’ve got a better way - easy,

UK - Director Bob Carlton’s production of A Midsummer Night’s Dream completed its highly successful four-week run at the Queen’s Theatre in Hornchurch earlier this week. As the creator of the Olivier Award-winning show Return to the Forbidden Planet (based on The Tempest), Bob Carlton is no stranger to hit Shakespeare-inspired musicals, but this Queen's Theatre production has been hailed as a fresh new interpretation. The production featured a large cast from the theatre's resident company of actor-musicians which included the string quartet Bebeto as the fairies.

Stage Technologies provided the production with a single-axis performer flying system, using a BigTow winch for counter weight assist and a Juggler control console. In a play where nymphs, fairies, royalty and common folk all clash on stage in their frantic search for love, the pr

USA - p-wave, the new decorative version of the award-winning ‘new wave’ truss series from Total Structures, has appeared on stage with Luther Vandross at Radio City Music Hall in New York. p-wave was chosen by lighting designer Warwick Price for their striking effects under various lighting conditions, as the edges of the plexi webs capture the light and the truss glows to form part of the light show itself. Large acrylic panels were set between the vertical array of trusses and water passed over the etched surfaces to reflect the light, with stunning results. The show also featured a number of aluminum ‘hexi-pods’ which were fabricated by Total Structures some time ago for Light & Sound Design. These house lighting fixtures and are supported from the main grid above the stage.

(Lee Baldock)

UK - Stage engineering and automation specialists Stage Technologies has received The Queen’s Award for Enterprise in the International Trade category. Originally introduced in 1996, The Queens Award for Enterprise is one of the most sought after accolades a UK business can achieve. Thousands of applicants from some of the most successful businesses in every industry apply for the award, but only a few achieve a high enough standard to warrant such an honour.

Mark Ager and John Hastie founded Stage Technologies in 1994 to develop and supply theatres and entertainment venues internationally with computer-controlled systems to move scenery and fly performers. In the nine years since its inception, it has gone from strength to strength, and now has an impressive list of clients based around the globe. Most recently, the company has supplied automation systems for the new Wal

UK - Litestructures is the company behind the Original Astralite truss - for many years the benchmark against which other systems were measured. Ruth Rossington talks with MD Adrian Brooks about past, present and future.

Adrian Brooks is one of the industry nice guys - at least in my book - something I put down to the fact that his feet remain firmly on the ground, despite the obvious success of the Litestructures operation.

Although he’d probably be the last to admit it, he is now sitting at the head of an impressive empire which offers the design, installation, sales and hire of a complete range of trussing, display and staging systems. Operating from a central HQ in Wakefield, with satellite offices in Nottingham and London, and an overseas distribution centre in Emsdetten, Germany, the company employs over 80 people across its four operations (including three install

UK - The recently downsized S Club are out on the road again, as part of a major UK arena tour. Working with production director Chris Vaughan of CV Productions, LSD/Fourth Phase is providing the lighting (Pete Barnes is again LD), Britannia Row the sound (including an EAW line array speaker system and flown subs) and XL Video the video equipment. The sets were designed by Hattie Spice and the set construction was a collaboration between Brilliant Stages, Total Fabrications and Hangman Backdrops, whilst the spectacular inflatable for the cave scene was built by Air Artists.

The tour features an integrated show performed by both S Club Juniors and Seniors, with the Juniors’ high-action set kick-starting the evening’s entertainment. The live camera mix is directed by Blue Leach, working with an XL team of five. Leach was also involved in creating most of the Seniors&r

UK - The BBC television centre car park was the setting for an unusual outside broadcast on 14 March 2003. Comedian Jack Dee spent over five hours balancing on top of a 50ft pole to raise money for comic relief. Elstree Light and Power had the responsibility of making sure the live TV stunt went off without a hitch.

ELP were in charge of structural design and all rigging services. Their specialist crew made use of an assortment of rigging hardware, 'A' type trussing and sand ballast to create a solid and safe structure. Head rigger Richard Wythes remarked "Jack is genuinely scared of heights so it was a real ordeal for him.we had to make sure that every health and safety aspect was checked and double checked."

Despite blustery conditions the event was a great success and became one of the most memorable episodes on red nose day. ELP managing director Ronan Willson co

UK - PCM and Slingco - two leading entertainment industry manufacturers - have collaborated on the design and launch of the new Unibar system. Tony Griffiths, from lifting and flying specialists PCM, and Nick Dykins, from tensioned grid specialists Slingco, plan to launch the new Unibar winch system at the forthcoming ABTT trade show in London (18 and 19 June).

The system allows for the quick and easy raising/lowering of suspension or lighting bars for scenery and lighting equipment with a motor-driven unit. It can be installed onto any style of fixing or structure, including universal beams, trussing, channels and barrels. Tony Griffiths sees it as a cost-effective alternative to the more sophisticated power-assisted winch sets: "Unibar fills a gap between these types of products and manual winches or hemp sets. It’s ideal for schools, colleges, sports halls, smaller

UK / Russia - As members of the Professional Lighting and Sound Association (PLASA) will be aware, PLASA has been approached by IIR Exhibitions to work on a project that will see the launch of a trade show in Moscow, Russia in April 2004. In order to assess interest in the project, PLASA and IIR Exhibitions are staging an Open Day on Wednesday 21 May at One Whitehall Place, London SW1.

The Open Day will include presentations from a number of key speakers including representatives from PLASA, the DTI and IIR Exhibitions. The presentations will focus specifically on doing business in Russia, emphasizing changes in the business culture, the types of assistance that can be accessed, the pitfalls to avoid and the opportunities available. The event will be a half-day session starting at 11.00am and concluding at 1.15pm with a buffet lunch to follow.

All interested parties are invit

Europe / N. America - Following on from his highly successful tour of North America in 2002, Peter Gabriel has taken ‘Growing Up’ out on the road again. Featuring hits from his latest album ‘Up’ Gabriel is currently touring Europe and is due to revisit North America in early June. Having provided rental equipment for the ‘Growing Up’ tour first time round, Stage Technologies were delighted to be involved again in automating director/designer Robert Le Page’s spectacular production.

Engineering specialists Stage Technologies are no stranger to enhancing high profile music tours with automation solutions having worked with artists such as Janet Jackson on her ‘All for You’ tour in America and Westlife’s ‘World of our own’ UK tour.

The elaborate centre stage production incorporates a similar design to the 200

Spain - General Motors Europe recently launched their new Opel/Vauxhall Mervia and Signum vehicles at the City of Art and Sciences (CAC) in Valencia. The event was designed by Martin Sutherland and produced by award-winning company Pci:Live. Stage One Creative Services was contracted to build the sets for this prestigious event.

The three-day event format ran for over three weeks, during which invited delegates were treated to a variety of experiences with the new cars being central to the presentation throughout. "Essentially," said Stage One’s Simon Wood, "the first day consisted of three distinct areas where delegates were treated to different aspects of the vehicles and entertained along the way."

The first of these was the Plenary area, where the company’s logo was displayed on the back wall behind a stage area with two lectern positions, a

UK - We've had the jungle, the house and the academy, so it was only a matter of time until a reality TV show was set in a nightclub: Carlton TV's ‘The Club’, broadcast recently on ITV, was set in one of London's funkiest watering holes - Nylon - and starred Samantha Fox, Dean Gaffney and Richard Blackwood. The retro-themed two-floored bar in the City of London proved to be a challenging seven-week lighting and rigging project for Elstree Light & Power. Crew chief Mark Gardener explains: "Basically we had to rig, cable and light a fully functioning nightclub that was open to the public. Nylon regularly packs in over 500 revellers so you can imagine the potential for chaos. Not only was health and safety a huge concern but we had to make sure that hundreds of meters of cable were hidden from camera view."

ELP fixed over 150 lights including assorted Arri fre

UK - Drapes and rigging specialist Blackout recently worked for London-based production house Pci:Live to help realize the stage set for a national press conference announcing a one-year sponsorship deal between GlaxoSmithKline and the BMW Williams F1 team. Staged at London’s Riverside Studios, it’s the first time Formula One has turned to the nicotine patch to help motor sports kick it’s £225 million a year tobacco habit!

The pharmaceutical giant’s NiQuitin brand will be displayed on the front and sides of their cars as well as on the sleeves of their drivers, Ralf Schumacher and Juan Pablo Montoya. The new livery was on display at the recent San Marino Grand Prix in Imola - and the estimated value of the sponsorship is £9 million a year.

Blackout’s Chris Brain collaborated with PCI’s Richard Jarman to achieve a stunning effect in a tight

USA - The Entertainment Services and Technology Association (ESTA) has announced that the draft American National Standard BSR E1.7, Entertainment Technology - Recommended Practice for the Design and Use of Manual Systems for Flying Performers, is available for public review until 29 July 2003.

The draft standard describes recommended practices for lifting and transporting performers to create the illusion of flying or levitation in theatrical performances. Anyone that has an interest in flying effects with live performers is invited to review it and offer comments. Public review and comment is being sought so that the draft standard may reflect the consensus of informed opinion in the industry.

The standard is a project of the Rigging Working Group, part of the ANSI-accredited standards committee E1, Safety and Compatibility of Entertainment Technical Equipment and Practices.

UK - It's been billed as an opera which has to be seen to be believed, and when you become aware of the plot, you'll understand why. Based on America's most lurid talk show, which brought worldwide television audiences programmes entitled 'Pregnant by a Transexual', 'Here Come the Hookers' and 'I Refuse to Wear Clothes', it is packed with swear words, tap-dancing Ku-Klux Klan members, a gay black Jesus and a God who resembles Elvis - the critics are having a field-day.

Also noteworthy, though attracting less press attention, is the fact that this is the first new opera for both creator/composer Richard Thomas and the National Theatre, chosen by incoming National Theatre director, Nicholas Hytner, to premiere as his first production in the Lyttelton Theatre.

Lighting designer Rick Fisher was first involved with the show when it premiered at Edinburgh last year. The production h

Australia - Have you been fascinated by the antics of the latest bunch of ‘celebrities’ in ‘I’m a Celebrity, get me out of Here’? Did you feel sorry for them as they roughed it a bit on the blow up sofa? Then spare a thought for the riggers from ESS who built the set in the virgin Australian Outback.

Under contract to Lucas and Roberts, and on behalf of Granada Productions, a team of four specialists from ESS in the UK along with six locals set to work in mid-December last year. The build took place in a tropical rainforest near to the town of Murwillumbah just south of the border between Queensland and New South Wales and was finished by 15 January.

The crew were exposed to snakes, leeches, funnel web spiders and a host of other nasty creatures that never feature in Australian travel brochures. "The first thing that happened when we arrived

UK - Star Hire (Event Services) Ltd has announced the transfer of its SteelShield fencing to Eve Trakway. Since inventing the solid metal fencing system in 1991, Star Hire has managed the hire of the system to promoters and event organizers all over the UK. Every festival-goer will be familiar with the green fencing, used for many high profile concerts and events. The handover to Eve Trakway is indicative of Star Hire’s intention to focus on the company’s core activities of supplying staging and specialist structures.

Managing director Maddy Sheals explained to reasons behind the move: "We took the decision to concentrate on staging and structures three years ago and our first move was to sell our sound division. As our core market sector has become increasingly complex and requires ongoing investment to remain at the top, we have now passed on management of the

Latest Issue. . .

Save
Cookies user preferences
We use cookies to ensure you to get the best experience on our website. If you decline the use of cookies, this website may not function as expected.
Accept all
Decline all
Analytics
Tools used to analyze the data to measure the effectiveness of a website and to understand how it works.
Google Analytics
Accept
Decline
Advertisement
If you accept, the ads on the page will be adapted to your preferences.
Google Ad
Accept
Decline