"Being able to centralize all our resources into a single building has enabled us to further develop full service capability to provide a wide range of resources. This includes video, lighting, audio, and staging equipment, together with our ever-increasing range of indoor and outdoor LED screens.&qu
Rigging Seminars is a world leader in rigging training, having been in operation more than 10 years and trained more than 4,000 people. Its instructors are highly respected in the entertainment industry; Jay Glerum is the author of the Stage Rigging Handbook, and Harry Donovan is the author of Arena Rigging and an active member of the new ESTA Rigging Skills Committee, which is writing a certification standard for riggers. More than 20 major entertainment industry organizations have committed to supporting the rigging certification program.<
The majority of LDI exhibitors that PLASA Media spoke to at the show expressed their satisfaction with both the quality of visitors and the level of business being done. Exhibitor Michael Bridgman of British Optical, a manufacturer of high quality optical components for the entertainment industry, commented: "It's been very good for us this year - I would say back to the level of business of three years ago."
The 2003 ETS-LDI showcased a number of innovative new products. This year the show's awards were split into two categories - Product of the Year and Debuting Product/Promising Prototype. Th
(Sarah Rushton-Read)
The lighting and set had to fit into a wide range of venues, from Bridlington Spa Theatre to Manchester Apollo, Shepherd's Bush Empire, etc. Taking the new albums artwork featuring 1950's male bodybuilders as his creative starting point, Byars decided to give the stage an atmospheric retro-cinematic look. This was achieved by defining the space with three trussing arches - a main flown one at the rear, flank
One of the most exciting areas of the development is the new 300-seat auditorium, which has recently been completed and is now in use. Designed by MJS Architects with Arup Venue Consultancy and the Robin Haddow Partnership, the client's brief involved finding a way to optimize the room design, keeping me
Gallowglass used a variety of case studies to illustrate their versatili
The ILMC says that the safety guide will provide a tool for concert and festival organizers to assess and manage risks, and will be useful to everyone from the new event organizer to the most established promoters. Scheduled to be ready by late autumn of 2004, it will primarily be accessible via a specially designed website, although a limited number of hard copies will be produced. With its Euro
"The backdrops are different for every tour," says Chesters. "The audience never sees anything that it's seen before. 'Eddie' is usuall
The answer was in the form of Harlequin Allegro, a loose lay dance floor designed specifically to protect against hard sub floors. The thickest roll out dance floor currently available anywhere, Allegro comprises a vinyl surface reinforced with a tough fibre interply and backed with firm foam cushioning for resilience, providing a nine
Star Rigging has also acquired two more of the compact CM12 12-channel controllers for rigging duties on a recent video shoot for Christina Aguilera. Star's Phil Broad once again chose the CM12 for the convenience of its compact size, adding to pre
Kern took on the role of production manager for the 'Stripped' tour in March when rehearsals began, leading into production rehearsals in June. Taking on the World 'XTina' style began in earnest with 46 shows in the US before her first Arena tour across Europe and the UK, taking in 29 shows, then three nights in Tokyo, before finishing with seven dates in Australia.
In addition to Aguilera there are five musicians, three backing singers and eight dancers on stag
UK - "At first there wasn't going to be any grid, we were asked to rig a system off the king poles." Bryan Grant of audio contractor Britannia Row Productions describing the preliminaries of what is always a big event in the music industry calendar, the MTV Europe Awards (EMA's for short). Unrealistic as that might seem - this is after all Europe's premier music awards show (isn't it?), the initial belief that you could stage a world class event off some tent poles proved a partial blessing.
"The design was very different this year," continued Grant, "they brought in Mark Fisher [creative director was Ray Winkler] and he produced a quite minimalist set design, a big departure from previous years. Plus the show was characterized by multiple performance points, with many presentation areas as well."
The concept predicated a highly distributed syste
Using the well-known Atrium at Melbourne's Crown Casino, Crown's creative services manager, Christian Wagner, worked with John Kerr of Stage One Promotions to design the annual display, while Bytecraft's Special Effects department were charged with overseeing the lightshow, which was programmed by Megafun's Keith Tucker. The centrepiece of this year's display is the giant clock, which is suspended below the Atrium's crystals, and is lowered and raised during the show. The clock face also tells patrons when the next show is due to start, so it had to attract attention
The Dinner - traditionally a top-notch affair - this year featured a performance by the Royal Philharmonic orchestra, introduced by Richard Baker. It was sponsored by Jaguar, who wanted to display two of their top production models above the stage for the occasion. Summit - well experienced in car flying - installed two trussing grids measuring 6m x 3m flown from venue points either side of stage, and then sub-hung four Lodestar hoists to pick up the two custom-built car platforms, which Summit had custom-designed and fabricated to support the 2000kg cars.
In addition to this, Summit flew a 22sq.m Barco D-lite 7 LED screen supplied by SPS, and also installed a large curved truss to mask the o
Simon Caldwell from SES adds: "The growing company will be moving to larger purpose-built premises in Luton, Bedfordshire in the new year and will offer a full range of servi
Earls Court was the first UK venue to hire the system, for a run of concerts in November and December 2003, including Capital Christmas Live, Iron Maiden, Radiohead, Metallica and the Stereophonics. Capital Christmas production and show director, Mark Ward, commented: "I was extremely happy with the stage's performance, the speed and decking quality of the new system made a huge difference in the show build."
The system, manufactured by Birmingham-based Total Fabrications, allows quick, safe and efficient construction, requiring no tools. Arena Deck ha
Only a few weeks earlier, the Kremlin in Moscow took delivery of 35 chain hoists from Chainmaster, also in the 500kg weight division and conforming to the same BGV-C1 standard. The hoists were equipped with electronic position encoders and the Chainmaster control system, consisted of a network of three slave and two master
PLASA has arranged a one-day seminar to examine the new legislation in detail and discuss the compliance issues that may cause the Industry concern in the future. PLASA intends to collate any views and comments from the seminar and respond on behalf of the PLASA membership to Government.
The seminar will be held at the NEC in Birmingham on the 10 of February 2004 starting at 10am. Ron Bonner, PLASA's technical standards manager, will present the Regulations in their entirety and invite discussion,
"This move is all about creating a better service for our multi-national customer base," said Stage One's Mark Johnson. "We've timed it carefully to avoid any disruption to business."The company's new contact details are: Stage One Creative Services Ltd, Hanger 88, Marston Moor Business Park, Tockwith, YO26 7QF; Tel: 01423 358001; Fax: 01423 358016.
(Lee Baldock)
ESS also supplied one of their new, q50 type stages, built to a larger size of 14.4m by 9.6m at the Opera House for the show 'Rugby on the Hou
The band's European tour took in 28 dates before its curtain down in Cardiff, with a total of 18 sell-out gigs in the UK. Having played a range of arenas on the tour, the shift up to a stadium sized show for their 'home crowd' of 52,000 meant a significant increase in the scale of the show for production manager Neil Macdonald. Where possible Macdonald stuck with the main tour suppliers for the finalé show (sound system from Capital Sound, lighting from VLPS London, catering by Eat to the Beat), however to create a visually spectacular setting for the band a specialist large scale stage was required, so he turned to suppliers Pete Hol
Stage Technologies, in conjunction with The Rigging Partnership, provided the scenic wow factor for the show with an automation system to complement the starlet's visual extravaganza. For her grand entrance they used four Big Tow winches to lower her onto the stage on a mechanical girder, as characterized on the Body Language album cover, with a further two monster LED screens tracking up and down stage. With four thousand screaming fans and a number one from the album already under her b
