Sound

Details

14 March 2016

The show local acts Zoe, Kinky, and Jaguares, along with international artists Thievery Corporation, The Mars Volta, and Junkie XL. Renowned Latin American bands Calle 13 (Puerto Rico) and Fabulosos Cadillacs (Argentina) also appeared, with Fabulosos Cadillacs headlining the event.

Zero-Fest required two stages to accommodate its long line-up of performers. The festival's Red Stage featured an EV X-Line system with two main hangs of 10 Xvls and two Xvlt per side, with low-end support via 12 ground-stacked Xsubs. The system was powered by P3000 amps and processed through a NetMax N8000 with FIR filters.

The Black Stage also featured

Details

14 March 2016

Dundee-based Apex Acoustics was the first hire company in Scotland to invest in a DiGiCo console, having purchased a D1 a little over a year ago. Apex was also the first to invest in the SD8.

Apex owner, Paul Smith comments: "When we bought the D1, we immediately sent it out on tour with Kasabian and it's been working ever since. I'm investing in the SD8 for all the same reasons that I invested in the D1."

(Jim Evans)

Details

14 March 2016

Scott Robbins, Harman Professional vice-president of sales, to whom Raimondi reports, comments, "Bill Raimondi is a proven sales professional with extensive background in consumer and professional audio distribution. In this new roll Bill will be directly supporting our 'One Harman' initiative by aligning our business practices in a way that promotes growth, profitability and improved customer service for US dealers and distributors."

(Jim Evans)

Details

14 March 2016

The entire club's footprint is about 1500sq.m and includes a café, a clubroom for smaller concerts for up to 100 people, and the main concert hall with 300 seats and standing room for 500. Hamburg based Adamson European Tour Support Jochen Sommer executed the sound design using Shooter v.2.7.0. The new P.A. in the main venue consists of L and R flown arrays of two Spektrix (5 degree) with a two-box Adamson SpekTrix W (15 degree) under-hang.

Two SpekTrix double 18" Subs per side are placed on the floor. The previous system was made up entirely of GAE Panorama speakers and some still remain as near fills and as a delay line for a balcony, as wel

Details

14 March 2016

"We've always seen the need for a PA system to deliver to the crowds up on Princes Street," said Cameron Crosby of Edinburgh-based Warehouse Sound Services Ltd, the company contracted to fulfil all audio requirements for the night.

"From the gardens the orchestra faces uphill and across the street, rather than down

Details

14 March 2016

With Sound Too trading further down the building, the new management team quickly realised that the inherited hybrid sound system was something of a mismatch.

One of the club's experienced DJ's, Southend-based Andy Smith, told marketing and promotions manager Arron Curtis that the seaside town was awash with high-octane KV2 systems, installed by local integrators, Essex Sound & Light - and soon ESL's MD, Mike Glover, was up in Leicester Square measuring up.

The first stage of a phased upgrade has seen him install a KV2 ES system in the main sixth floor clubbing area and the

Details

14 March 2016

As with the existing four-channel PLM 10000Q, the PLM 14000 integrates Dante networked audio distribution, Dolby Lake drive processing, and load verification with real-time performance monitoring into a single 2U hardware unit plus unified software controller. The PLM Series is now the exclusive hardware platform for new Dolby Lake processing, and the addition of the PLM 14000 enables even more complete and extensive s

Details

14 March 2016

Situated right in the heart of the city, The Loft plays host to a wide international audience and regularly welcomes players from local Bundesliga football club, Werder Bremen.

The venue is owned by Canadian Steve McMinn, who had earlier developed the 450-capacity Paddy's Pit - an Irish Bar situated underneath.

"But Paddy's became so busy that we needed a new place upstairs, with a different concept," says general manager Phil Seling. Thus the Loft was born, specialising in a friendly atmosphere, relaxed lounge music and waitress service.

Opening from 4pm-2am daily, the owners realised that such a long duty cycle would require sound reinforcement components that were not only reliable, but also ver

Details

14 March 2016

The rectangular, multipurpose hall at the Daesung High School in Seoul needed a versatile system that could cater for the diverse range of school activities - ranging from its use as a gymnasium/basketball court, to hosting entrance and graduation ceremonies.

The old system had deteriorated badly and Sama ProSound, QSC Audio's Korean distributors, were brought in to respecify the system.

Sama ProSound felt not only that the ILA's compact footprint and attractive external design complemented the interior design of the main hall, but that its vertical array attributes would allow an optimum dispersion pattern from the tightly spaced speaker arrangement. Furthermore, by excluding some of t

Details

14 March 2016

The theatre includes a large hall for 360 visitors and a smaller studio stage with 120 seats. As music and sound effects are now part of a contemporary play, a flexible, multifunctional sound system is essential. Besides drama, the theatre also presents live concerts and the theatre's premises can be rented; the sound system had to be highly adequate for all these applications.

The new sound system with Alcons loudspeakers fulfils all these requirement profiles. Additionally it was possible to fit the components into the tight budget, which was available for the new sound system. This now includes a DiGiCo D1 mixin

Details

14 March 2016

This year, the technical side of the production was the responsibility of rental company MultiTechnic, ably supported by technicians and engineers from the local theatre, the Rådhusteateret, the centrepiece of whose sound reinforcement concept was an extensive Cobra system from Dynacord.

Hans Erikstad of the Rådhusteateret comments: "The Cobra delivered a transparent, clear and warm sound - but with the requisite capacity to project. It made it possible for us to provide homogeneous coverage throughout the entire square. What also pleased us no end was the unproblematic handling of the system.&qu

Details

14 March 2016

The Mini Windjammer range was first launched in 1985 to provide wind-noise protection for video camcorder and other compact microphones, and was widened at IBC 2008 with the appearance of three all-in-one windshields designed for different handheld digital recorders, of the kind now widely used by journalists, podcasters and broadcasters everywhere.

To the models for the Nagra AresM, Olympus LS10 and Sony PCMD50 launched at IBC, Rycote has now added Mini Windjammers for Edirol's R-09HR, Marantz's PMD620, Tascam's DR-1 and Zoom's H2 and H4.

"No, we're not diversifying into shock wigs," says Rycote's sales & marketing manager Gabby Davies. "Hand-held compact digital recorders are now in suc

Details

14 March 2016

Using Bose Modeler software, Apple's designers created an acoustical model of the church, and were able to predict the performance of the proposed design. As an added comfort to the church, those involved also had the opportunity to 'listen' to the system before it was permanently installed, using the Bose Auditioner playback system.

The agreed solution comprises two stacked pairs of Bose Panaray MA12 line arrays for the nave, plus one pair of MA12s to cover the balcony seating. Bose FreeSpace 3 creates in-fill where it is needed, and Bose Model 32SE loudspeakers complete the system in the foyer.

With amplification from Cloud CXA4 and CXA

Details

14 March 2016

Bonagura, a third year student studying BA (Hons) in Sound Technology at the Liverpool Institute of Performing Arts (LIPA), was helped on her musical journey by her Sennheiser Scholarship, which began at LIPA over ten years ago and has since supported many students' entries into the highly competitive world of the music industry.

"We're delighted to hear how well Alyssa is progressing at LIPA and in the industry," said Sennheiser UK general manager Phil Massey. "It's important for us that the next generation of performers and audio professionals learn their trade using Sennheiser equipment. That's why we've been committed to the Scholarship programme for over ten years. Artists like Alyssa prove that our inve

Details

14 March 2016

"When the band comes on stage they know what they are going to get. iLive not only gives them the same great results every night but it saves them from lengthy sound checks at each venue because of the system's memory recall," says Allen. "I also worked out that I save a third of a ton by carrying iLive and a pair of Cat 5 cables rather than a copper multicore, heavy analogue desk and racks, so it makes load in really simple and there's more room on the tour bus."

Allen has been The Stranglers' monitor engineer for three years and also runs a PA company called Fearless Audio in the south

Details

14 March 2016

Anthony Banks, operations manager for Gearhouse Rigging was head rigger for the tour, which played a mix of indoor and outdoor venues.

In Cape Town they used an 18m wide by 12m deep TFL roof. The PA Towers were done with Layher scaffolding, while the Durban gig was staged on a 20m wide by 14m deep Stageco roof with integral PA wings. The PA wings were at a height of 25m metres. The Johannesburg shows which concluded the tour took place in the Dome, a 13 212 seated capacity venue which sold out for two nights.

The GHSA lighting department was led by Rob Baker, a regular freelancer for the Cape Town branch, who worked with 4 touring crew

Details

14 March 2016

Robert Ausmus, director of production services, LD Systems reports: "We use our EV rigs for our most important projects and the new FIR filter technology has taken the system performance to a whole new level. We used NetMax N8000 (digital DSP/matrix controller) systems with FIR-Drive for the first time at our biggest annual event - the Houston Rodeo - and were very pleased with the results.

"On this tour we're running all DSP via NetMax, all managed with IRIS-Net control and monitoring software. We've cut down on hardware considerably - removing racks full of DSP from the equati

Details

14 March 2016

Lisa Tapper explains: "It is a very exciting time for us all; we have a clear focus and a driven, knowledgeable team. Certain assets were acquired by Stagecraft Technical Services from Stagecraft Limited, which recently went into voluntary liquidation.

"Stagecraft Technical Services is well placed to offer full technical support services for staging, lighting and sound projects of all sizes, alongside extensive a

Details

14 March 2016

Goleniowski is to lead the Business & Professional brands into a new era of expansion and growth in Europe. Having worked for Harman International and recently Allen & Heath in various executive level roles, Goleniowski brings more than 25 years of professional audio experience to the position.

Goleniowski commented on the appointment: "I have always been a great admirer of Denon and Marantz and their ability to offer some of the finest audio products available, especially in the area of CD, DVD, and solid state storage devices for the professional user".

The Business and Professional Group includes brands such as Denon Professional, Marantz Professional, Denon Professional DJ, Allen & He

Details

14 March 2016

Maroon 5 and George Michael took full advantage of the D5, while Alicia Keys, Queen and Paul Rogers benefitted from Delta's substantial stock of L-Acoustics' cabinets, and the spectacular launch of Atlantis, The Palm made good use of the company's entire inventory.

"It's great to have access to DiGiCo products in the Middle East," says Jim Ebdon. "It means that I can just take my setting with me on a USB key, rather than having to ship large amounts of kit. And on this occasion it was particularly useful, because the other option available would have meant using two desks instead of the just the one D5."

"Delta Dubai has gone through a period of si

Details

14 March 2016

When the venue was restructured, new installations included a sound system by Dynacord Alpha Concept and lighting by DTS and Zero 88. The new lighting system was installed by FG Lighting, with technical supervision by Dario Juka, to a lighting design project by Michele Sgolacchia of DTS.

DTS and Zero 88 products installed at Area Venezia include eight Helios full colour LED projectors inset in a semicircle in the false ceiling above the dancefloor; 35 MR16

Details

14 March 2016

Paul Galley of Event Sound & Light comments: "We had used the RCF Line Array a couple of times and had achieved great results with it, so it made perfect commercial sense to look at adding a line array system to our hire inventory, as we already have a large point source system. The line array allows us the benefit of offering both systems to our clients, but more importantly we have the option to use what is right for the individual job.

"We had been looking at various systems, but after a visit to RCF's HQ in Italy it became clear that the TT+ system could deliver far more than what we expected and also allowed us the scale ability we had been missing. The one major th

Details

14 March 2016

The award was presented to Marc Lopez, marketing manager of Yamaha Commercial Audio Systems by Night Ranger guitarist Jeff Watson and Howard Page, senior director of engineering for leading US rental firm Clair Brothers.

In accepting the award, Lopez paid tribute to Yamaha's dealers and end users worldwide whose continued feedback, suggestions and support have helped to ensure that the PM series digital consoles continue to evolve and offer the most advanced facilities and intuitive user interfaces in the large format console market.

(Jim Evans)

Details

14 March 2016

"It's fitting that we pass the threshold of 20,000 registered users as we continue to add new features and improvements to System Architect," Kreifeldt said. "I believe our commitment to systematically evolve and improve System Architect is a key reason that audio professionals continue to deploy HiQnet systems in an expanding array of applications. The improvements do not stop here, however, and we will cont