Sound

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14 March 2016

Comprising an iLive-T112 surface with iDR-48 MixRack at both FOH and monitor position networked via MADI, the system managed a range of percussion instruments including 20 church bells, 20 cowbells from Sardinia and Lucanian, an Italian sound sculpture, iron and steel drums, disc brakes, shock absorbers, trusses, pans, bells mounted on bicycle wheels, 12 congas, a batà, digeridoo, marimba, five pairs of bongos, and over 30 drums.

Francesco Apolloni, FOH engineer and technical manager, explains, "The technical equipment for Campana & Sonus is quite complex as there are nearly 60 sound sources to manage. Musicians are constantly changing posi

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14 March 2016

Phil McDaniel of rental company ESS suggested Sword try out the new Cadac desk. "The great thing about Cadac products is that they sound amazing; they're known for really great sound quality. 10cc were pioneers of studio production in the 70s and their work still has to stand up in concert halls now; everything has to be heard with this band," says Sword. "I never get feedback with this desk; it just sounds so musical. It gives me the best clarity with the least effort, allowing me to mix,

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14 March 2016

"We have partnered with Winston-Salem, North Carolina-based Special Event Services (SES) for the K1 enclosures," says president Jason Alt, noting that Delicate has taken the same approach for tours in the past based on the broad acceptance of L-Acoustics' K1 system. In fact, Alt's success with K1 prompted him to order a K2 system for his own company.

Now, as Foo Fighters head out to play the remainder of

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14 March 2016

GiantMirror is an innovative product that provides an easy to use, excellent quality, and versatile alternative to glass mirrors. The oversized lightweight mirrors with virtually invisible joints offer near perfect clarity and reflection. Use transparent GiantMirror to create hologram special effects and make objects appear and disappear.

Raf Peeters, project manager at ShowTex stated, "ShowTex believes our industry exists by the grace of a lot of hard working and passionate entertainment technology professionals. Without them our business would not be the same, s

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14 March 2016

A regular stream of suitors kept Yamaha technicians Andy Cooper and Wayne Powell busy showing people over Rivage PM10 throughout the event. But, demonstrating how Yamaha has built a new range of consoles to suit every production type, size and budget, the new TF series was also the subject of much hands-on attention.

"The first thing that struck us about the PM10 was how clear, uncluttered and solid it felt. It's beautifully designed, more like the interior of a premium car than a mixing console." says Chris Headlam, m

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14 March 2016

"I talked to many sound engineers that I trust about our options, and I decided to go all the way on our biggest stage with Leo," says Aberg. "We have very strict limits on sound outside the festival grounds, with fines for any breaches, so we needed a system that could effectively cover large areas at high levels, but with precise control. The LEO system achieved this goal - I could hear clear, powerful music all the way to the back of the huge crowd."

Main hangs for the Festival Stage were 15 Leo-M

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14 March 2016

Southside, which took place in Tuttlingen in southern Germany, featured over 100 bands but with a distinctly more "alternative pop/rock" flavour. This time, around 60,000 fans turned out over three days to enjoy the music and a mix of sunshine and rain. DirectOut was on hand for the duration of both festivals to ensure seamless audio transmission from the stage to OB van for regional public broadcaster SWR.

DirectOut product manager Christian Müller was on site to assist SWR engineer Björn Lautenschlager throughout the two

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14 March 2016

"This has been a great collaborative process with creative and technical dialogue between professional designers, students and projection mapping experts. We are seeing the work in a completely new way," remarked Make/Believe curator Kate Burnett.

The Special PQ Jury Award, judged by a team of top international directors and designers, recognises "the richness and diversity of an exhibition that shows high quality work from across the spectrum of contemporary performance design - in a variety of venues, and embracing space, light, media an

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14 March 2016

A classical reworking of The Who's 1970s album, Townshend's production featured the Royal Philharmonic Orchestra, the London Oriana Choir, and guest singers Billy Idol, Phil Daniels and Alfie Boe.

"The brief was to emulate the Quadrophenia studio album, and provide clean, open sound, so I knew I had to choose iLive because it fits the bill exactly - it has a very open, clean sound, great audio processing, is super flexible, networkable, and is customisable so I can make it work for me, rather than the other way round. With an 80-strong orchestra, 90-strong choir and various guest celebrity singers, there was a lot going on, so iLive is just what I needed,"

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14 March 2016

Organisers comment: "At last year's event more than 900 exhibitors welcomed over 42,000 visitors to their booths. In 2016, we are moving to the east of the Frankfurt Exhibition Centre in order to accommodate our increase in size. Prolight+Sound is the perfect industry forum for face-to face discussions and for developing your business networks. Benefit, too, from the synergies of the parallel Musikmesse and meet the right target groups for you."

Within the framework of

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14 March 2016

To fully explore and understand the changes necessary the decision of the PLASA Governing Body and the PLASA Executive Management has been to take a hiatus from producing new events in 2016.

Christopher Toulmin, PLASA's Director of the Events Division comments: "Despite considerable financial investment from PLASA and a great deal of hard work from the various members of the events team in the U

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14 March 2016

President Larry Meyer emphasized the importance of building strong relationships with integrators and consultants through regular on-site business meetings, product demos and sales and applications support. He commented, "Community is a great company and we are very pleased to represent their products to our integrators and consultants. Community is a great fit with our company and I'm excited about growing their brand and sales in Florida."

Steve Young, Community's director, North American sales, added, "Meyer Marketing's reputation for great service and strong support along with their complementary, integrator focused line card will help us achieve Community's

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14 March 2016

Opened in 2014, The Jane has two areas. Downstairs is a high-end restaurant for 75 people, while upstairs is a 38-seater bar area where guests can share food, enjoy cocktails and listen to local and international DJs. Later in the evening diners can move upstairs to enjoy a pre-clubbing vibe and The Jane also hosts special events where big-name DJs play to the whole venue.

The Jane team had a clear idea of the kind of sound they needed, as Bril explains: "We wanted the music to be like a waterfall - with more intensity upstairs, yet diners downstairs s

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14 March 2016

This year, The Bedford worked closely with Shure Distribution to provide a whole range of microphones and DI's that could cover every kind of voice and instrument.

Head engineer, Phil Davidson said, "The beta98a was a stand out for me. Its external preamp design makes the microphone very small, so no matter where it was placed, it was completely unobtrusive for both the musicians and the audience. The inherent design, coupled with the incredible sound quality, made it an invaluable tool, and throughout our four day festival, I used it on a huge range of instruments, including acoustic guitars, drums, accordions and cellos."

When it ca

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14 March 2016

"Smartphone penetration figures in the Middle East exceed the global average making this an ideal market for this solution. For companies, it is an extremely cost effective means of connecting with their audience and also exploits the fact that users are far more comfortable leveraging their own devices as has been proven by the BYOD trend," said Mig Cardamone, director of sales and marketing at S

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14 March 2016

Wisycom have updated their firmware (v3.5) on the popular MCR42S receiver to allow collaboration and seamless use with Sound Devices new 688 mixer/recorder and its SL-6 SuperSlot power and RF distribution accessory. With the addition of the 688 mixer/recorder and SL-6 accessory, the MCR42 can use 2 analog channels or digital AES3 managed and monitored by the SuperSlot to use all its advanced features including the ability to select the most suitable frequencies over a wide spectrum. The MCR42S / Sound Devices 688 partnership brings an array of versatility and possibilities for users including audio mixing, recording and wireless receiver control all fr

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14 March 2016

Posh, the production manager for The Rabbit Hole, explains that "our music is primarily house-based dance, and we have live bands with DJs in between, so the sound system is integral to the success of the venue. Nexo's STM set-up looks as though it's not going to do that much but, when you turn it on, it does an awful lot."

Set up as a quad system, STM modules were groundstacked in the corners of the venue. Each stack comprised

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14 March 2016

Production audio - as well as lighting - is provided by Nashville-based Morris Light and Sound. Working with Chesney's front-of-house engineer Chris Rabold, they have pioneered the use of Nexo's STM Series modular line array to deliver in such large venues.

The 2015 Big Revival Tour marks ML&S and Rabold's second outing with Nexo. Chesney's regularised tour schedule - playing many of the same venues, with the same crew and the same rental provider - has provided near-scientific conditions for judging the development of Nexo's radical modular

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14 March 2016

Recently, A/V integration firm TSI Global Companies, based in St. Charles, Missouri, designed and installed a comprehensive music playback, paging, and sound masking system for the student centre. The new system covers all three floors via 18 zones from a centralized location, but because TSI used Ashly Audio network- and CobraNet-ready multi-channel amplifiers, it required only minimal cabling.

"There were a few spaces, such as the bookstore and a few of the other retail

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14 March 2016

Ben Lightowlers, head of sound at Sydney Theatre Company's Wharf Theatres, had been looking for almost two years for a digital replacement for their aging wireless comms system, but kept coming up against the recurring problems of sound quality and digital signal latency. "There were teething problems in digital wireless technology," he related. "Latency was a problem across many brands, and the audio quality just wasn't there. Latency was particularly troubling; if there's someo

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14 March 2016

Monitor engineer Ed Janiszewski has been mixing for Luke Bryan since 2008. From Bryan's time playing honky-tonks to today's massive stadium and festival gigs, the 2MAX has been a constant for both. "We're huge fans of Sensaphonics," says Ed. "The sound quality of the 2MAX is outstanding, and they are the most comfortable in-ears out there. Luke never wants to go on stage without them, and I feel the same way."

Another key benefit for Bryan is the high isolation of Sensaphonics all-silicone construction. "Luke does part of his set on a

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14 March 2016

Eighty golfers teed up for a bit of friendly competition to raise money for the foundation, which provides a range of support services for cancer patients and their families, and over 90 arrived for dinner, a charity auction, and entertainment hosted by Russ Williams.

The day involved a range of events that included a long putt challenge, a game of heads and tails and the infamous raffle, giving participants plenty of opportunity to showcase their skill, or luck, while raising money for a superb and worthwhile charity.

Three customers - Autograph, Rocom and European Wealth, Sennheiser's benefits providers, sponsored hol

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14 March 2016

Sound reinforcement for the event (featuring a 200-strong choir and a 35-member orchestra), was provided by Dee Jay Service and featured an all-Outline set-up.

The system comprised 40 Butterfly modules (a main system with eight-module left and right main hangs and a pair of delay towers, each with twelve enclosures). A pair of DBS18-2 subwoofers were installed under each of the four arrays and four Doppia systems were used on front-fill and out-fill chores. The monitor set-up featured two DVS 8, positioned alongside the Pope's chair, and a H.A.R.D. 115 for side-fill purposes at each co

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14 March 2016

The building houses two performance venues - a 500-seat theatre and a 150-seat flexible studio space - as well as five cinema screens, gallery space for contemporary art exhibitions, a café bar and a restaurant. Leading technical systems integrators, Stage Electrics, were responsible for supplying full stage engineering, stage lighting and audio systems for the main theatre including a complete theatre sound system from British manufacturer, EM Acoustics.

For HOME's Sound supervisor, Paul Gregory, the choice of EM Acoustics for the main theatre was vir