The stand will feature some of the many marques which AC-ET distributes exclusively in the UK, alongside other leading brands the company is an authorised reseller for.
AC-ET's lighting division will showcase their diverse portfolio of conventional and LED lighting solutions, including the latest offerings from Chroma-Q, Mole-Richardson, Jands, Manfrotto and Avenger, Spotlight, Gekko and ETC.
AC-ET's Video division will demonstrate t
The four projectors were instrumental in creating a sense of realism for this claustrophobic suspense thriller, starring Dougray Scott and Kara Tointon, and co-written by Omid Nooshin and Andrew Love (with Nooshin directing).
The action takes place aboard a Charing Cross to Hastings commuter train, and follows the 90-minute journey - with horrifying consequences.
It was to create a fast moving backdrop that Zack Winfield, who is producing the film with Ado Yoshizaki Cassuto, decided to use projection - rather than resorting to the more sterile and conventional 'green screen' alternative - and approached QED, Christie's rental stag
The Auckland-based firm has added Qu-16 to its hire stock to manage a forthcoming national corporate roadshow that will have a corporate element as well as a performance in each city by the band Moorhouse, a recent X Factor NZ contestant.
The GLD-112 system was purchased to service events in the corporate and entertainment sector. On its first outing the GLD-112 was required to handle 18 channels of corporate inputs and 22 channels of band and DJ inputs. In the coming months, the console will be managing acts such as Reece Mastin, Tiki Taane, and the Dozen, along with a host of high profile corporate events..
"This was an easy purchase
Boasting all the usual features of Hippotizer's award winning software, Rackoon integrates with all other Green Hippo servers seamlessly - "A loveable and helpful little beast delivering a level of functionality to belie its diminutive stature".
And there's a reason this little fella has a twinkle in his eye. With an unrestricted output resolution, full HippoNet compatibility and all the software usability of its bigger relatives you can forgive that cheeky look.
"Bouncing with feature after feature, Rackoon would be considered pesky were he not so useful. Feed him media and he'll rew
Graham Burgess started displayLED from an office in his London home ten years ago this November, following 20 years working with industry leaders such as Sony and Lighthouse Technologies. The basis in those early years was brokering used screen deals between rental companies. He has since grown displayLED into a global screen supplier and manufacturer, with clients including the world's biggest consumer brands and highest profile music stars.
Today displayLED has offices on four continents, customers in five, and is now one of the largest buyers of LED screens in the world. Drawing from both its own award-winning digiLED brand and other international manufacturers, including in China, the company has dev
Australia was celebrating the first entry of the national Australian fleet into Sydney Harbour one hundred years ago and re-telling the story for The Royal Australian Navy's International Fleet Review. Imagination Australia was the Creative team and Producer of the event, who engaged Technical Direction Company (TDC) as their video technology partner.
An evening spectacular involved video projection that was combined with stunning fireworks launched from seven warships. There was lighting from 28 land and ship locations plus live action on board ships culminating in an aerial fly past from the Royal Australian Air Force that was enjoyed b
The acclaimed work - which received massive coverage in the local and national press and an incredible public response - was beamed onto Clifford's Tower. Once the keep at York's famous Castle, the imposing Clifford's Tower sits on top of a tall mound and is one of York's signature pieces of architecture as well as among the most popular attractions in Yorkshire. English Heritage owns the tower, and Ashton was delighted to have the opportunity to apply his spectacular and unique visual magic.
The giant images stretched 75m wide across the base of the mound and were 25m tall, filling the whole space, lifting the landmark out of its surr
An exciting line up of musicians, performers and brands - in whose success the You Tube platform has been instrumental - celebrated the worldwide reach of the medium and its promotional possibilities.
XL's Project Managers Guy Vellacott and Andy Mayneord oversaw the event's video aspects, and original playback content was designed and supplied by US based companies, Obscura and M-Ocean.
Vellacott and Mayneord worked alongside Flourish Creative Director Guy Tremlett who conceived the event's overall production design. The space was div
The American pop/rock band were headlining the 12th annual Honda Civic Tour, alongside support from numerous big name acts including Kelly Clarkson. The 34-date tour visited venues across the US and Canada.
US-based lighting design and media innovators DMD S7UDIOS (DMD) were asked by
Production Designer Demfis Fyssicopulos to provide a solution to feed an ambitious and dynamic show. The event featured LED screens, real-time content, and media files designed and directed by DFDesigns - and the unrivalled power of Avolites Media's Ai servers was the only choice.
"Ai was chosen for its ability to handle the automated and constantly changing set pieces, changing sizes and ability to have multipl
With prototype models shown earlier this year at ISE 2013 and at Prolight + Sound shows, engineers in Panasonic R&D operations have since been finely crafting an impressive solution that vertically redirects light cast from projectors at a distance of just 370mm from the projector to produce a bright, perfectly symmetrical sided image directly above it. This is achieved by a cleverly designed mirror system and brings about new and exciting possibilities, unachievable with front projectors especially for applications in digital signa
Hosted at the Brooklands Museum in Surrey, the day saw a steady stream of industry professionals pass through the doors, keen to learn about some of the 40 Vivitek projector models now available in the UK.
Speaking at the event, Brian Grogan, regional sales manager at Vivitek Corporation said, "Vivitek has grown as a company extensively since it was founded five years ago as a subsidiary brand of Delta Electronics. With a range of products that cater not only commercial and office applications, but that now stretch through educational establishments, large venues, home cinemas and out 'on the road' with portable offerings, the Vi
As well as their impressive rental staging credentials, Gearhouse are also the leading technical supplier to the live event industry in the region. They are specialists in all aspects of event staging - design, projection, lighting, audio, screens, rigging, power, sets and structures. Vision, passion and service excellence are key drivers for them. The company's head office is in Johannesburg with branch offices in Cape Town and Durban.
Christie and Gearhouse have a close relationship which spans almost 10 years. Over that time Gearhouse have built up a substantial inventory of Christie products, including Roadster HD10K-M, S+16K and HD18K digital projectors,
Morrison has been successfully involved in the creative live events and communications industry for over 12 years during which time he has been involved in some major events including a position as the corporate hospitality manager where he led the hospitality sales for the FIFA World Cup in 2006.
Based primarily with the team in Guildford, he will build on the foundations he has established from working alongside Saville for the last six years, to develop the company's' solid reputation within the industry and explore new market opportunities and deliver growth across multiple sectors.
Head of events for the south, Adam Pike said, " Rob is a vital stepping stone in pushing forward our brand values and extending
The Ai Media Server is being used to feed multiple surface projections and LED screens around the club, providing an integral part of the BOOOM!'s 'world class clubbing experience'. Production Manager for the BOOOM! project was Dave Singleton from The Shop Ibiza.
"I specifically asked Steve Warren from Avolites Media to get involved as I'd worked with him and the Ai Media Server before," explains Singleton. "I knew it was the only piece of kit that could provide us with the flexibility and sheer power to meet our demanding visual needs. Our single Ai is running an incredible amount of information from under its
No stranger to the show, Creative Technology's (CT) seven-year relationship with Wicked's successful West End tenure at the Apollo Victoria Theatre is continuing with the Show's touring side in providing video projection and a full replay system for the supporting imagery.
Supplying Wicked UK Tour Productions two Panasonic PTDZ133 projectors, both of which are positioned at the front of the Circle and aimed at the stage, CT is also providing main and back up Catalyst Media Servers to output the video to the projectors. CT's project engineer Chris Higgins assisted projection designer Elaine J McCarthy and her productio
Both clubs are radically different in vibe and demographic. Amika attracts a trend setting and sometimes celebrity crowd who like to hang out on one of central London's most opulent and fashionable streets; while the charismatic raw industrial chic of Egg attracts a young crowd who love the music, mixology and magic created by of some the best DJs and performers on the EDM scene.
Both venues approached EMTO's Wes Matthews because they wanted high quality LED technology installed with some flourish, design and purpose rather than just for the sake of it!
When the installation at Amika received the green light, they wanted it in immediately, so Matth
CFaN is led by the high profile internationally known Evangelist Reinhard Bonnke, renowned for his gospel missions throughout Africa. According to his website, Bonnke has personally preached to over 120m people and led 72m in the prayer to salvation.
XL Video UK's project manager Paul 'Macca' McCauley was approached by CFaN's UK/US based technical production manager Paul 'Boyo' Manuel to provide something different and innovative in terms of video reinforcement for the shows and a system design - developed in conjunction with TAIT - that would not only WOW the crowds, bu
Simon Harris, a familiar face in the AV industry has been with Green Hippo for over six years, first joining as part of the sales team in a company of six, he quickly took on the role of head of training.
This December Harris takes on his new role as user experience manager bringing in new responsibilities. Harris is now the 'point of call', managing the interaction between users and the products and with his vast technical knowledge bridging the gap between end-users and development.
Ryan Brown, who joined the company just over a year ago, making his debut at the 2012 PLASA show London, started as a product specialist, also working with support and testing. After quickly establishing himself as a confident and technical individual, matched with his character
Not for the first time, Chaos Visual Productions supplied the production with the video hardware. As lighting designer, Paul 'Arlo' Guthrie remarks, "Video features in almost the entire set so getting the balance between lighting content and IMAG was crucial. Incorporating video successfully is always something of a balancing act. I feel we have brought a modern look to the visuals without distracting from what ha
tn.jpg "The LedGo panels were purchased by R&M Productions through A.C. Entertainment Technologies")
The 42 LedGo EQ HR Silan 6mm lightweight LED Black Face panels (each 488mm x 732mm) are seamless and easy to build and dramatically transform the stage, in horizontal or vertical designs, in high definition.
"We have seen more in the way of LED video coming through our venues with touring productions over the last year, so it's important we remain at the forefront of new technology, ensuring we are offering promoters the most attractive production facilities. We are the only venue in Leeds to now offer a full stage LED screen in house as part of the existing rental package. A video wall can provide the most exciting backdrop as well as video-based elem
Around 350 water systems producing more than 70m-high fountains, more than 130 flame generators producing up to 15m high flames, seven LED screens, eleven full-colour 25 Watt lasers, 20 green laser scanners, plus new light and sound concepts were employed at this year's shows.
Technical implementation of the project was assigned to a team whose collaboration had proven its worth in staging the annual shows for the last few years. Included among the collaborators were the firms of Aquatique Show for the water systems, Leyendecker for the lighting, tarm Showlaser for the laser systems, Entertainment Technology Concepts for the video equipment,
Following an interactive countdown, beautiful Liberty snowflakes were projected across the building in Great Marlborough Street, culminating in a crescendo of colour and light where elements from Liberty's Christmas range burst across the building which was draped with a visual representation of Liberty print. Great Marlborough Street, which was traffic free for the launch, was packed with crowds watching the Tudor building come alive
The Stage Entertainment España production includes screen projections of paintings of Victor Hugo, the author of the original novel on which the musical is based. Working with Cameron Mackintosh Ltd and Fifty Nine Productions on productions of Les Misérables worldwide, Creative Technology (CT) are providing five Panasonic PTDS10K projectors and a Catalyst playback rack comprised of Catalyst Media Servers. Four of the projectors are positioned on the back wall of the stage while one is front of house aiming at various on-stage positions to project virtual scenery and supporting imagery.
CT has a long and ongoing relationship with Les Misérables, having supported the
