Details

14 March 2016

Run by Sachin Naik - who has connected with many politicians, dignitaries, VIPs and celebrities in the course of his work - the Pune based operation supplies technical production to events of all types from vast political rallies for half a million people or so to concerts and musical extravaganzas to corporate presentations.

Known for many years as a high quality audio rental company and also for building large portable venue superstructures, Nitin Speaker's & Electrical opened its Intelligent Lighting division a year ago.

"We were being asked more and more frequently if we could supply lighting," explains Naik, "So we decided to do it properly and make a substantial investment so we could stock and supply the very be

Details

14 March 2016

Flown off 25 x two-ton motors, the panoramic screen surface is split into five units and rigged across the rear of the stage, upstage of the drum riser which is itself clad in active tiles. As Tonks says a lot of thought has gone into making the logistics of rigging a screen of this size manageable in a touring environment: "Where we can the points are pre-rigged or in some cases we load in the whole screen system the night before the rest of the production.

"When broken down, the interlocking panels fit int

Details

14 March 2016

The Theatre's head of lighting, Vladimir Evstifeyev, invested in the PLCyc1s after testing them in the venue in early 2013.

"Vladimir and I were amazed at the PLCyc1's brightness and homogeneous filling without coloured shadows, and also absence of visual crossings of the light flows from adjacent fixtures," says Andrey Isotov, lighting designer at the Maly Theatre. "I was keen to be able to use the latest in LED lighting technology while working on The Scarlet Flower show, and the PLCyc1s do the job perfectly."

"Each PLCyc1 LED luminaire can replace the equivalent of a traditional four-colour, 500W per circuit cyc l

Details

14 March 2016

"The visitor reaction to the products on our stand was fantastic," says CEO Simon Caldwell. "The Zoom Stage 200 went down very well, powered only by a standard power drill. The diea was acknowledged to be brilliant and highly practical."

ABTT put Independent Studio Serrvics on the map as UK distributors for Milos and Tuchler.

"The truss systems and staging from Milos and Tuchler are being requested more and more in the UK and we are happy that this trend was reinforced by the obvious interest they generated on the stand," says Caldwell.

(Jim Evans)

Details

14 March 2016

The new v3 software is all about speed with faster start-up time, show loading and more efficient access to functions. The clean and modern user-interface has been optimized for touch and gesture technology, which allows the user to work in an environment where everything is accessible from a single finger touch. Users can simply swipe to move from view to view, access other playback banks quickly or change parameter selection. Double tapping on playback status accesses its functions and options. Additionally, users can enlarge the quick slide out for visual parameter control.

&

Details

14 March 2016

The K1 was tuned by KSE & systems engineer Tony Szabo, who was joined by an Adlib crew of 16 including crew chief Marc Peers, and Dave Kay who worked as RF Co-ordinator.

Ian Nelson operated the presenter console, Michael Bernard Flaherty supervised the patch while Adlib's project manager Phil Stoker collaborated closely with the event's technical producers Production North, specifically their sound supervisor Andrew 'Baggy' Robinson and production manager Sarah Hollis, on the logistics.

Time was super-tight. The

Details

14 March 2016

Event production manager Victor Vermaak and lighting designer Renaldo Van Den Bergfrom AV Unlimited (AVU) specified 12 of Vari-Lite's 14,000 lumens output VLX luminaires for the spectacular show at the city's Sandton Convention Centre, which was attended by more than 2,500 guests.

"We used the VLXs in the Presentation area to light the Honeycomb roof. We chose them because of their colour richness and punch," says Vermaak. "The VLXs were used to create colour and mood changes and worked perfectly. The lights were positioned quite a distance from the roof and no other LED wash light in our company would have created what we were looking for over that distance. Plus the awesome zoom

Details

14 March 2016

dbn's Nick Walton and Nick Buckley project managed the event, taking care of lighting and visuals for the Main Stage, Stages 3, 4, 7 and 8, the VIP area and the Tree House.

Working for Ear To The Ground, they provided over 250 moving lights site-wide and engaged in extensive advanced planning to ensure that everything ran smoothly and seamlessly once on location. The operation involved 12 dbn crew the week before, all working efficiently to maximise time and resources.

Nick Walton and Nick Buckley produced a production design for all the areas in which they were involved.

Details

14 March 2016

IAD is located in the planned town of Louvain-la-Neuve which, since 1969, has risen from farmland to having a permanent population of over 30,000, plus many more students during term time. Originally developed to house the Université Catholique de Louvain - with which IAD has a close relationship - the city is now host to a number of education facilities, as well as a science park, exhibition centre, live venue, museums and other amenities.

With its focus on theatre, live music, cinema, television, radio and multimedia, IAD has to ensure its students are

Details

14 March 2016

LazyTown is a leading and highly respected children's entertainment brand comprising an award-winning TV series, live stage shows, sports events, publishing, and more. The LazyTown concept is entertainment for children and the whole family, dedicated to promoting a healthy lifestyle in a fun and engaging way. The TV show has become an international success since it was first launched in 2004 and has been broadcast in over 170 countries, reaching over 500 million homes and dubbed in over 30 languages.

LazyTown's sound supervisor, Gunnar Arnason, who also owns a recording and post production company called Upptekid, is responsible for selecting all of the audio equi

Details

14 March 2016

The Killers were the headline act at the Isle of Wight Festival where Le Maitre effects included 25' Silver Mines; Mortar Hits; 30' Silver Comets with tail; Flash Reports;1x25' Silver Gerbs; 30x20' Silver Cascades; 30' Red Comets'; 25' Red & Purple Mines; Blue & Purple 30' Comets with tail; 25' Gold Glitter Mines; and 30 Air Canons.

In addition, Mines, Gerbs, Mortar Hits, Flash Reports, Flame Projectors were also going off at the Download Festival for Iron Maiden and Airbourne.

Le Maitre were working in collaboration with Pyrotek Special Effects Inc.

(Jim Evans)

Details

14 March 2016

PLASA London is the key exhibition in PLASA's international events calendar, and takes place from 6-9 October 2013. This year's event brings an added challenge as PLASA London transitions from Earls Court to its new hig

Details

14 March 2016

The shows were supervised by Bennett and operated by lighting director Wally Lees. Lighting equipment for all three was supplied by leading Brazilian rental company LPL Professional Lighting and included Robe ColorSpot and ColorWash luminaires, together with other moving lights and generics.

LPL's Erich Bertti project managed all three Brazilian dates which saw McCartney perform for the first time ever in Belo Horizonte (Minas Gerais), Goiânia (Goiás) and Fortaleza (Ceará).

The production used 12 x Robe ColorWash 2500E ATs located on the stage floor, nine ColorSpot 2500E ATs on overhead trusses and 20 x ColorWash 1200E ATs distributed on the side and followspot trusses. "As usual the Robe fixtures worked really reliably," said

Details

14 March 2016

Norman has come from Adphonic where he was sales director. During his career, Norman's attention to detail and his utmost care for his clients will bring a new level of support to the Illuminate Design team, says the company.

(Jim Evans)

Details

14 March 2016

For the third year running the Awards, which were broadcast from the Royal Opera House's glittering auditorium, were lit by respected lighting designer Ben Cracknell.

Lighting designer Humph McDermott continued the lighting theme outside on the Radio 2 Stage, where special live performances and live streaming of the Awards were watched by hundreds of theatre fans on the Covent Garden Piazza.

And it was outside that the brand new Sharpy Wash 330 came into its own. McDermott used them, alongside Sharpy Beams, to cut through the daylight and complement the sparkling theatrical atmosphere inside the Royal Opera House.

McDermott needed a super bright fixture to cut through the

Details

14 March 2016

A smaller version of GLP's popular Impression X4 fixture, the Impression X4S utilises seven high powered 15W RGBW LEDs at its source. These LEDs give a single homogenised colour output from its unique looking front lens across a wide spectrum and with high output for a very compact fixture.

"Adding flexibility, the Impression X4S turns things up considerably for such a small fixture with an expansive 7:1 zoom ratio that ranges from 7 to 50 degrees," says GLP. "At its narrowest, the Impression X4S features both a hard and

Details

14 March 2016

Lighting designer Scott Holthaus had 70 Clay Paky Sharpys and 23 Clay Paky Alpha Beam 1500s in his inventory for the Chili Peppers' night-time shows on both festival weekends. "The Sharpys were on moving pods on the stage while the 1500s were on top of my vertical towers, on the floors and screamers; eight 1500s were front of house," he explains.

Holthaus recounts how "one show was nearly cancelled due to a sandstorm. There were sand dunes on the stage. Our video portion and many of the fixtures were disabled. All I had was Sharpys and Alphas." With so many particulates in the air Holthaus wanted fixtures "that throw a beam

Details

14 March 2016

In March 2012, a new office and warehouse was opened in Stockholm to enable Woodlite to service its clients and the generally buoyant business in the area even more quickly and efficiently.

Midway through 2012, Woodlite started purchasing Robe's Robin LEDWash series fixtures - both 300s and 600s - and more recently it has invested in the new Robin DLX LED Spot fixtures.

This increase in business with Robe has been prompted by the demands of their rental partners ... and in turn their clients who are specifying Robe increasingly frequently for shows, concerts, tours and events.

"We also like to be proactive in ou

Details

14 March 2016

W-DMX BlackBox ran Luminair and controlled GlowUp fixtures during the dinner, which was attended by royal heads of state from 18 countries. Among the many notables on hand were Britain's Prince Charles and his wife Camilla, and the Japanese Crown Prince Naruhito and Crown Princess Masako. W-DMX for the banquet was supplied by Keylight Design & Supply in The Netherlands.

Later that day, the Ahoy arena in Rotterdam hosted a very special concert marking the interval between the Queen's abdication and the new King's induction, featuring the Dutch national song, specially written

Details

14 March 2016

The cable is engineered to suit all high-end touring applications and is suitable for those working in the professional live entertainment industry as well as for AV and custom installations of all types.

The US branch will be stocking cables from the Comus' ranges for speakers, instruments and microphones.

Comus features include flexible and durable jacket compounds which remain supple even in sub-zero temperatures! The whole cable construction is designed so that the cables are resistant to kinks and twisting, making them ultimately easy and adaptable to work with.

The jackets are tough, but easy to strip for quick, easy and painless installation.

The cables also feature low capacitance and low dielectric insulation,