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14 March 2016

Ranked by Guinness World Records as the world's largest jazz festival, the Montréal International Jazz Festival will span 10 days starting Friday 28 June, featuring 3,000 artists who will perform over 1,000 concerts, including 300 free shows.

"Our main goal is to maximize the quality of the experience for every festival goer," says André Ménard, artistic director for the festival. "Working with Solotech and Meyer Sound gives us a peace of mind in that respect. The co

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14 March 2016

Founded in 1994 with just two classes and six pupils, the Amanda Restell Academy of Dance has grown over the last 20 years and now schools more than 600 children from the age of two. As part of its expansion and to accommodate the growing student numbers, Amanda moved the academy to the former antiques shop at the 100 year old Elmworks Studios building.

During a complete renovation and modernisation programme to bring the new studios up to 21st century standards for safety and comfort, Amanda turned to Harlequin Floors for their expert advice.

Harlequin supplied over 150m2 of Harlequin Activity

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14 March 2016

The party was enjoyed by a capacity audience of 20,000 with a production lighting design created by Martin Kuhn. The Robe fixtures were central to the night of action in the Ostfunk, Planet Bass and House Floor arenas.

Berlin and Mexico based Kuhn - a high profile designer with vast experience working across multiple disciplines - was commissioned by event promoter A&P on this occasion to create a fantastic visual ambience for the Summer Rave.

He has used Robe products in his work for some years. He specified the brand on this occasion for its flexibility, reliability and the wide

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14 March 2016

According to Garth Hemphill, sales engineer for LD Systems' Houston office, Nelson Wilcox served as the project manager with project engineering handled by Tom Smith and Whit Whitworth. Following a careful evaluation of the 11,700-capacity arena's needs, the LD Systems team worked closely with Andrew Nagel, L-Acoustics' head of application, install, to ultimately specify a system comprised of 40 ARCS Focus enclosures paired with 16 SB18i subs.<

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14 March 2016

He notes, "I ended up using SoundGrid especially for problem solving. The most impressive thing for me is the Waves C4, since it is the first multiband compressor that I have used that I can actually hear working when making the subtlest of changes. I use it on the main vocal, backing vocals and bass. I also use the GTR3 guitar amps and stomp pedals on the DI outputs."

He continues, "I like to work at getting the source as correct as possible and apply effects/dynamics as a last resort, but in cases where this isn't possible Waves pl

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14 March 2016

"Hosted by the Production Services team we aim to bring together crew, production and facility companies with broadcasters, talent executives and film makers as well as those in the digital and creative market," says a statement.

Creative England is a national agency that invests in and supports creative ideas, talent and businesses in film, TV, games and digital media. The engaging event is being held in partnership with Equity, the performers' trade union, as part of its on-going relationship with Creative England. This collaboration for the Manchester event provides a

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14 March 2016

For both the O2 Arena and MEN Arena, Capital's sound design presented a main left/right system in a 'double bass' configuration, with each array having a hang of 15x STM M46 main cabinets in the centre, and two hangs of 15x STM B112 bass units, one on each side of the mains. The out-fill arrays covering the sides of the arenas used 15x M46 main cabinets per side. There was also a flown line of nine STM S118 subs per side, and nine S118s ground-stacked per side.

Holger Schwark explains his decision to go with STM for the two concerts. "

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14 March 2016

The breathtaking lighting design, which captured the thrill of a hard-fought victory, was created by David McCranie, using gear supplied by Everlast Productions.

"Elation is honoured that our Platinum Beam 5Rs were chosen to light up such a spectacular event as the Heat's victory celebration," said Eric Loader, director of sales for Elation Professional. "The Platinum Beam has been one of our 'winning' lights since it was introduced, and we're proud to have it ass

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14 March 2016

UK technology company Mantracourt Electronics has launched a new range of load monitoring equipment that targets the requirements of the entertainment industry.

Mantracourt's BroadWeigh system provides accurate, wireless, real-time load monitoring of stage equipment and has been designed to assist rigging professionals within the entertainment sector.

Central to the design of the system is a wireless shackle equipped with a high accuracy load pin that is able to report data wirelessly to a computer or a handheld display. The system is able to monitor multiple loads and trigger an alarm should a load exceed a preset parameter.

"BroadWeigh has been especially developed for riggers to provide simple, effective, accurate and easy to u

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14 March 2016

Josh Moffat of Events Infrastructure designed, operated and specified the lighting equipment, and also supplied the visual technical support for the 2013 State of Origin Game 1 pre-game entertainment. Moffat also has a long-standing relationship with the event producers at Time Square Productions in designing unique looks that work for both television and the live audience. Showtools International supplied the Ne

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14 March 2016

dbn designed and supplied rigging and lighting for a breath-taking recreation of the famed Loch Ness Monster - which played a starring role in the Showdown on the Foyle finale to the weekend-long celebrations entitled The Return of Colmcille.

Showdown on the Foyle was a specially commissioned public performance written by Frank Cottrell Boyce, created by Walk The Plank and played out over 30 hours on the streets of the UK's City of Culture. Artist Francis Morgan's water bound Loch Ness monster ensured a gripping finale for the tens of thousands of spectators gathered along the banks of the Foyle River, with dbn's lighting bringing the beast to life in spectacular fashion.

The showdown saw Colmcille, a key figure

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14 March 2016

The Electric Canvas has been responsible for the Sydney Opera House projections over the last four years of Vivid, providing the projection technology, technicians and architectural templates that are the backbone upon which the creative content is produced. Each year the guest artist is provided the appropriate templates, format and workflow to create their work for delivery by OnlyView media servers that feed the large array of high-powered projectors.

The Electric Canvas is also solely responsible for the day-to-day operation and maintenance of the projection system's pixel-a

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14 March 2016

"The VPU is the right video tool to offer users," commented Althaus. "And judging from the good feedback, it really is exciting what is achievable.

"The VPU has many functions and possibilities and is an ideal tool for lighting people. As key users already know the grandMA2, they don't have to learn something new or learn new languages. This makes it quick and easy. Next to the functionality, it's the integration we are highlighting. Setting up the server takes fifteen minutes, this saves at least an hour."

The MA VPU allows videos to be displayed

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14 March 2016

As part of its commitment to regional broadcast, and in celebration of Bollywood's 100th anniversary, BBC Three commissioned one of the most colourful and dramatic live events the city of Bradford has ever seen.

A free event held in Bradford's City Park, with famous Bollywood actors and dancers flown in from India, plus some well-known faces from the UK, East met West and opera met Bhangra in Bollywood Carmen Live, a truly modern adaptation of Bizet's classic opera. Stage Electrics was there to light the way for this spectacular production, deploying both crew and lighting equipment.

The main challenge was to light a show that took place at nine o'clock in the evening on a date close to the longest day of the year, making it stand o

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14 March 2016

The tour features "a multi-screen design with integrated lighting in almost all scenic elements" says Lighting Designer Baz Halpin with silentHOUSE. "The LED screens move during the show and the lighting moves with them. The placement of soft goods, physical scenic structures along with staircases and risers give the stage an asymmetric feeling."

One hundred Sharpys are used "all over the set," he reports. "We have them hung from moving GT truss, LED screens, custom 'octo-truss' and dotted on the floor in and around the set."

During the show 40 Elidy LEDs are used on the downstage truss as audience blinders and

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14 March 2016

"Despite the popularity of our consoles, it's still relatively unusual for bands to take their own equipment into a festival, due to the restrictions imposed by the quick turnarounds between sets," said DiGiCo managing director James Gordon. "The fact that three top class bands are insisting on taking their DiGiCos into a festival as vast as Glastonbury shows just how much they have come to rely on the ease of use and great sound quality of our products."

"I only use DiGiCo consoles, so I will be using my SD7, while our monitor engineer John Shearman will be taking his SD10 on

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14 March 2016

"When an engineer steps into one of our rooms, they know they will have a familiar rig that they can step up to and use straight away," says manager Jimmy Mac. "Most importantly, it has to have the most up to date features. With so many different makes and models of digital mixing desk in the industry, having a powerful machine like the SD9 and a name like DiGiCo providing support is a winning combination."

Following a training session for Music Bank's studio technicians, run by DiGiCo's Tim Shaxson, the SD9 has been used on a number of sessions, receiving a universal thumbs up from engineers.

"Everyone has commented on the desk's logical use and the freedom to fully customise the layout to fit an individual's needs," says Mac. "Being abl

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14 March 2016

More than 40 participants competed in this year's contest, prompting organisers to split the competition into two rounds. During round one, participants created a light show from a music track, after which six finalists were selected. Round two was then held live at the Prolight & Sound NAMM Russia.

Contestants had at their disposal Martin MAC 101, MAC Aura and MAC Viper Profile moving heads, as well as Atomic 3000 strobes with an M1 lighting console for control. Contest rules were the same for all participants: one rig, one music track and unlimited latitude for creativity. A panel consisting of Martin executives and Russia-based Martin personnel judged the

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14 March 2016

The exterior architectural structure of Magdiel synagogue is simple and square in its shape, severe and austere in its appearance, with no ostentatious decoration. Built like a fortress, the two-storey structure presents, above the entrance door, five narrow and tall windows designed in the typical Israeli international style. Above these windows there is a small gable fitted with a menorah, a nine-branc

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14 March 2016

Stage Technologies has installed a fully integrated powered flying system including four flybar winches, a two line performer flying winch and four moveable point hoists with re-configurable rigging hardware for setting up complex 3D flying applications. Equipment is controlled using the latest Au:Tour equipment as well as an array of desks running eChameleon software.

Nikki Scott, managing director of Stage Technologies commented,"We are delighted