Details

14 March 2016

The tour's lighting and visuals design has been created by Bruce Ramus, and lighting director / operator on the road is Simon 'Junior' Johnson. The lighting and video equipment is being provided by Melbourne based Powa Productions.

Ramus has worked with Sebastian for about two years. He was given an open brief to come up with a flexible and dynamic scheme to help make the show rock on this one, the start of the live campaign to promote Sebastian's latest number one album 'Armageddon' which is already double platinum!

Ramus had used Robe moving lights on the last two of Sebastian's tours

Details

14 March 2016

The 12-strong band debuted all tracks from its new album, due for release this summer, accompanied by a ten-piece orchestra.

"Positioned on a cliff top, the open-air amphitheatre was a logistical challenge, requiring a mixer that would fit with the rest of the PA in a van small enough to negotiate the narrow lanes leading to the venue but could also handle the 50 plus channel count," comments FOH engineer, Tommy Williams.

An iLive-T80 surface with iDR-48 MixRack was selected at monitors, expanded with an xDR-16 to handle the microphones from the string section. The xDR expander had an M-MADI card fitted for multi-track recording of the show

Details

14 March 2016

With eight of the world's most powerful leaders involved - including Barack Obama, Angela Merkel, Francois Hollande, Vladimir Putin and David Cameron - media interest was exceptionally high. Satisfying a demanding brief was Delta Sound, who chose exclusively Yamaha digital mixing consoles to fulfil the summit's audio requirements.

Contracted by CTN Communications, Delta's experience of working at the 2005 G8 summit in Gleneagles and the 2009 G20 meeting of global finance ministers and central bank governors made them the ideal choice. Project manager Mark Sawyer

Details

14 March 2016

Jennie Barratt, show manager, PLASA London 2013, comments, "PLASA London delivers an attractive proposition to exhibitors, with over 12,000 high quality visitors who are eager to see the latest technology and are in a position of purchasing influence. We are pleased to welcome both new and returning exhibitors, from the industry giants to smaller yet innovative brands, many of whom have new products to present during the show."

Alex Barrand, audio specialist at Pioneersays, "We are returning to PLASA after a few years' hiatus as it is the ideal platform from which to launch our new Profes

Details

14 March 2016

"We have been using Meyer Sound Milo and Mica line arrays with great success," says Pablo Bonilla, the managing director of PROmontaje. "Now, with Leo, we will be Venezuela's leading provider of large-scale audio production for big concerts, festivals, major sporting competitions and large-scale corporate, governmental, and cultural events."

PROmontaje's new Leo system comprises 30 LEO-M line array loudspeakers, 18 1100-LFC low-frequency control elements, a Galileo Callisto loudspeaker management system with four Galileo Callisto array processors and a Galileo 616 AES processor. The system was purchased thro

Details

14 March 2016

With the help of these videos, even newcomers can perfectly mike and record their music and polish their performance, says the company. In addition to the most important product features, the short tutorials also provide many useful tips on positioning the microphones at an instrument and help vocalists to choose the ideal mike. The video clips cover the evolution 600, 800 and 900 series

In the rehearsal room and on stage, filmmaker Geert Verdickt - himself a musician and vocalist in a band - explains the individual microphones and shows how they can best reproduce the sound of each instrument or voice, respectively.

Oliver Ohrndorf, marketing manager MI for Sen

Details

14 March 2016

Designed by Andy 'Fraggle' Porter and supplied by Neg Earth the rig had to accommodate a plethora of very different artists along with three headline acts, each of which played a single night of the festival, and each to record audiences.

"I knew I needed something powerful and reliable," comments Porter. "I also wanted a fixture that I knew was familiar to all the incoming LDs and that would provide the feature set for each of the very different lighting designs they wanted to deliver. Obviously many of the supporting acts are playing in daylight, so we needed something that would cut through on a sunny day! Vari-Lite VL3500 Wash and VL3500 Spots are ideal for this as they are super bright, extremely reliable and robust in all ki

Details

14 March 2016

The size of the Eclipse HX-Delta makes it well suited for applications where space is limited but advanced connectivity is required, such as with OB trucks and smaller studios. The Eclipse HX-Delta system also has a new connection paradigm for larger venues, such as multi-level studios. Due to its small size and lower cost, HX-Delta gives users the option of building a distributed matrix system with frames in multiple areas of a facility. This new solution features a more flexible workflow and perm

Details

14 March 2016

The compact, 10-date tour took place in arenas across the country. Cobra sound light, a full-service provider for pro audio and event technology equipment, recently added the Energia E15 PA for its sound quality, scalability and simple rigging.

"The tour was very compact - Sean Paul played at 10 venues in 12 days with seating ranging anywhere from 3,000 to 7,000," explains Michael Buchner, partner at Cobra sound light. "It was important that the system be flexible and scalable. Fortunately we had just added the E15s to our inventory, which were exactly what was required."

The tour travelled with 24 E15 line array modules powered by eight Lab.gruppen PLM 20000Q amplifiers. The size of the left

Details

14 March 2016

AS Project Co. specialises in live and event sound and has been using the Yamaha CL live console series in conjunction with Pro Tools HD. As existing Yamaha CL series users, AS Project Co. decided to take advantage of the fact that the console has built-in Dante functionality by choosing RedNet 5. Two RedNet 5 units are connected to Pro Tools HD and to the Dante network, allowing 64 channels of high-quality, uncompressed digital audio to pass between the console and the recording system.

Sound engineer Masahiro Fukuhara spoke about his implementation and initial thoughts of RedNet: "RedNet 5 is recognised immediately as two 192 Digital I/O un

Details

14 March 2016

"The Smashing Pumpkins are a powerful and dynamic band with big colourful lighting and you have to keep the visuals fresh," began Upton. "The proof with VARI-LITE is that the VL3500 Wash luminaires are once again my f

Details

14 March 2016

At the heart of Hakkasan is a 10,000 sq ft multi-tiered nightclub kitted out entirely with the UK brand's loudspeakers, comprising 24 TFA-600HW Flex Array modules and 12 TFA-600L low frequency loudspeakers, flown in four arrays of three low frequency cabinets with six wide dispersion mid/highs. In addition, the dance floor system employs six ground-stacked TFA-600B single 18" bass cabinets and three TFS-900Bi install-specific dual 18" subwoofers.

A total of 12 RACKDP-50 4-channel amplifiers power the 24 Flex Array cabinets. 22 TCX-8 compact passive two-way loudspeakers, and eight NuQ-6 ultra-compact passive loudspeakers supply under-balcony fill. Upstairs, a further 21 TCX-8 speakers have be

Details

14 March 2016

SRD Group in Kent were asked to supply a unique lighting effect to add height, depth and texture to the stage. To do this they purchased 30x 1m LED tubes from MilTec (UK) Ltd. The tubes were used in two locations- 10 mounted on the curved roof of the stage, fanning out vertically to add height and 20 were hung vertically at the rear, forming a curtain of light. The tubes were pixelmapped onto an Avolites Pearl desk and used throughout the day to complement and enhance the stage lighting.

Colin Umbers, project manager for SRD reports, "The customer had a clear idea of the effect that was required but the original plan turn

Details

14 March 2016

"The Royal Hall is a historic venue on the Venetian walls encircling the old town of Nicosia, Cyprus. A lot of high-class events are hosted at the venue and the recent addition of the Midas Digital System meets demands of any event be it small or large," commentsMoswain Antao, head of marketing at NMK.

He adds, "The PRO6 is a mid-range desk which can be upgraded at anytime to a PRO9 to handle more inputs and auxiliaries if required making it a great return on investment for the venue."

(Jim Evans)

Details

14 March 2016

Although a new name to the concert touring market, SW19 Production's team is packed with familiar faces and its involvement in the Glassheart tour was the result of close associations with key members of Leona's team.

"I'd worked with creative director Emma Bull and musical director Steve Anderson on Kylie Minogue tours, and with Leona's Front of House engineer Dave Wooster on many occasions," explains SW19 production manager Kevin Hopgood. "Leona had also changed management companies immediately before the tour and they were open to a change and a fresh eye on things.&qu

Details

14 March 2016

Through this appointment, Stage Audio Works will provide the following technical support services to Christie's customers in South Africa: technical telephone support , service and repair Christie products under warranty and a local inventory of parts and consumables for Christie products

This arrangement will help to support the fast growth of Christie's business in South Africa since the opening of its first Southern hemisphere branch office in Johannesburg this time last year.

Dale Miller, vice president EMEA for Christie explains, "Our business in South Africa and Sub Saharan Africa has grown quickly since investment in our Johannesburg branch office. Now the appointment of Stage Audio Works to the role of Authorised Service Centre allows us to maintain the high st

Details

14 March 2016

Watched by over 11m viewers, the Britain's Got Talent 2013 final was one of the UK's most-watched programmes of the year. Sound director Robert Edwards entrusted the compact DK2 meter to measure the live broadcast stream to check the programme's integrated LUFS level (the EBU loudness criteria). ITV maintains a dual acceptance policy for programme delivery, which means that programmes can be delivered with observance to the traditional +8dBm Peak level or to -23 LUFS (plus or minus 1 LUFS).

"It is vitally important to know where our programme sits in relation to these emerging standards," Robert Edwards says. "In the UK we have very strict delivery standar

Details

14 March 2016

The HK Audio IL 60-CT is a compact two-way ceiling mount speaker designed for installation into ceilings.

Thuraya is a leading mobile satellite communications company that empowers people with tools to bring the organizations and communities they serve closer together. They offer "innovative, flexible and dependable technology that helps you overcome the toughest challenges and achieve the highest aspirations - facilitating reliable communications where and when it matters most".

"The IL 60-CT is a robust speaker solution for meeting rooms," commented Manivelu Saiprasad, HK Audio product specialist at Melody House. "It features a built-in 100V transformer offering selectable power taps, which may be activated o

Details

14 March 2016

Throughout the stage, 34 Martin MAC Viper Profiles, 13 MAC 2000 Wash beams, 20 MAC Aura LED's, 12 Atomic Strobe 3000's and 12 Scroller 3000 lighting units were deployed, strategically designed to provide a spectacular visual landscape for the show.

Soundgarden's live production team ordered the Martin lighting solution specifically for the Palicio de los Deportes performance.

"We've been using Martin lighting for years and our inventory has been trustworthy and bright from the beginning," s

Details

14 March 2016

The open air concert was staged by Miligram Music on a site at Usce in Belgrade, right at the confluence of the Rivers Danube and Sava ... and attended by an enthusiastic audience of 100,000.

The pressure was on to ensure that it was a memorable and spectacular event for everyone - all of those experiencing it live, plus the additional tens of thousands watching on TV.

Fifty Robe Robin 100 LEDBeams and 20 x ColorSpot 700E ATs were used to light the audience. With so many people and a live telecast by the Serbian Broadcast corporation on national TV, audience lighting was