TiMax at the core of Handen Arts Centre
- Details
Among the acts powered by Stocks and the GLD-112 were Pulled Apart By Horses at Leeds First Direct Arena, Zico Chain (supporting Iron Maiden at London's O2 Arena) and Hawk Eyes, during the band's System Of A Down support slot in Europe.
The Allen & Heath GLD-112 is a larger version of the popular GLD-80 mixer, with eight additional control strips, taking the channel count to 28 fader strips in four layers. The new console provides 48 input processing channels, eight stereo FX returns, 30 configurable busses and 20 mix processing channels.
Stocks says of the new GLD-112, "It's by far the best-sounding console in its price range, it's a very dynamic board and the CPU is fantastically quick
Celebrated five years running at Benidorm's Guillermo Amor Stadium, over 75,000 spectators flocked to the concert grounds to see a line-up of some of the world's best artists, including Two Door Cinema Club, Portishead, Glasvegas, Love of Lesbian and Lori Meyers.
Two stages were set up on the venue's grounds to handle the massive influx of performers and fans and both were configured with an army of systems from D.A.S. Aero Series 2 product range. Local company Acústica PAE was called in to supply and set up the festival's sound system, collaborating closely with D.A.S. Audio's Sound Project Department on system design and installat
This year the prize for the most unusual conundrum must go to The Dairy in Bloomsbury where a swimming pool, complete with a synchronised swimming team, provided the centre piece for Stella McCartney's collection. As project manager, Tom Brown explains: "This was something of a one-off creative challenge: we had to provide monitoring for them underwater as well as provide audio feeds out of sight and keep our solution safe with the water."
Elsewhere around the capital, venues offered a varied array of acoustic challenges. Take the Farmiloe Building in Clerkenwell, a Victor
The Hybrid 18 screen panel features a standard medium 18mm pitch comprising 32 x 32 pixels per panel, with 4 x 4 higher brightness (7700nit) low-resolution pixels also embedded in the same panel.
For the Ellie Goulding tour, 19 TAIT produced touring frames to make up a rear video screen. Each frame contained 2 x 2 panels of Hybrid 18 (four in total) giving a surface of 64 x 64 medium resolution pixels and 8 x 8 low resolution pixels per touring frame. The touring frames were flown at 45 degree angles so they were an attractive diamond shape mosaic surface upstage.
The idea of using something new app
Arts Council England chair Sir Peter Bazalgette admitted an imbalance existed, adding: "More should be done." He told the the BBC Radio 4 Today programme: "There is an imbalance, there's no question. I've only been at the Arts Council for a few months. I'm absolutely passionate about funding arts and culture in the regions... We need to do more...I would say judge us in two years time. The trend is towards more spending in the regions and that's what we'll be doing."
Net News - The first YouTube awards have been held in New York. The event featured Eminem, La
Imagination conceived, wrote, designed and produced every element of the show. For the first time ever, fireworks were launched from seven warships, combining with a light show from 28 land and ship locations, a 30 minute projection show, live action on-board ships plus aerial flyovers from the Navy and Air Force. This was all choreographed to a soundtrack taking the viewer on a 1
When award winning film composer Hans Zimmer brought his smash-hit tour Hans Zimmer Live to North America fall 2024, the show's audio team sought out to bring infrafrequency bass to the show to add new depth to the show's audio experience. The team chose Danley Sound Labs.
Mainly comprised of existing CT personnel that already have a rich experience and skill set in media technology and services, CT has also appointed David Mulcahy as Media Consultant. Mulcahy, who joins the company as a full-time employee this month, brings with him extensive experience of working with clients and creative teams in the media and visual world. With a background in theatre, corporate and music
Fluent in both English and French, Fabry comes to his new post with over 14 years of experience in pro audio sales, much of it in the Canadian market. For 12 years, he held top-level sales positions at Bosch Security Systems (previously Telex Communications), where he handled sales for lines such as Electro-Voice, Dynacord, Midas, Klark Technik, and Bosch in Canada, the United States, Latin America, Africa, and the Middle East. Fabry also directed global sales efforts at Williams Sound.
GerrAudio was former
They wanted to find a control system with familiar syntax, in order to ease users' learning process on the new desks, and which would have great support and would be future proofed, with regular software updates keeping up with advances in lighting technology.
After browsing the market for a replacement control desk for about a year, head of lighting Anders Kjems and his team decided on ETC Gio for their main stage and a second for touring, complementing the Ion they previously bought for the 40-seat foyer stage. As part of the ETC Eos line, both Gio and Ion use the same control syntax they were used to from their previous desk, enabling both resident an
Legendary rock production/lighting designer Leroy Bennett, whose long line of collaborations includes Prince, Tina Turner, Faith Hill, Paul McCartney and Lady Gaga, Rammstein, Madonna, Beyoncé and Bruno Mars has installed 14 motorised pods on variable speed winches above the stage, each containing nine Ayrton MagicPanels in a 3 x 3 configuration.
Ayrton MagicPanel 602 is a moving head v
The stand will feature some of the many marques which AC-ET distributes exclusively in the UK, alongside other leading brands the company is an authorised reseller for.
AC-ET's lighting division will showcase their diverse portfolio of conventional and LED lighting solutions, including the latest offerings from Chroma-Q, Mole-Richardson, Jands, Manfrotto and Avenger, Spotlight, Gekko and ETC.
AC-ET's Video division will demonstrate t
Recently relocated to an enlarged 25,000sq.ft facility - a measure of RZI Lighting's own success - CEO Ray Ziegler expects to continue adding impression heads to the inventory.
"The new equipment from GLP is really very exciting," he says. "The X4 has some great features including pixel chases and a fantastic look on stage, the colors are really saturated and the effects are easy to make with a simple console. But it's best part is that it's a fixture I can make money on - and that's what I like most."<
The activity backstage at the annual Monterey Jazz Festival is usually
Fisher Stadium underwent a major renovation beginning in 2006 that included additional seating, synthetic turf, stadium lighting, a large press box and a 19' x 35' video display. The renovation included sound system upgrades but the upgraded system did not provide even coverage in the new seating areas and it had neighbourhood spill issues. In addition, many spectators complained that the new subwoofers seemed overpowering.
Last year, Lafayette asked Communication Systems, Inc. (CSI) of Allentown, Pennsylvania to red
The 90 minute show is a mixture of dialogue and songs, with Sara playing piano accompanied by Rutger Hoorn on drums. Having used rented mixing consoles up until now, Sara and mix engineer Jan Heideveld felt it was time to have their own system.
"Sara has 150 live shows coming up in the next 18 months, so we felt it was worthwhile to invest in a system that would tour with us," says Jan, an experienced sound designer and mixing engineer, who has worked with Sara on her last two tours.
After an 'audio shootout' of several different digital consoles, they chose the CL1 fo
The show included a tumultuous 'homecoming' show at Liverpool Echo Arena, where the band welcomed surgeon Dr. David Lawson - after whom they are named - to the stage and thanked him again in front of an ecstatic crowd, six years after his work saved the life of lead singer Andy Brown.
Adlib were chosen as technical supplier under the wing of James Sharpe, Andrew Thornton and John Pryer for 24/7 Productions Ltd. Adlib client manager Phil Kielty commented: "We were really pleased to be working with Lawson. It's been brilliant to watch the band's live career evolve over the last two years and Adlib is proud to be part of the team.
Kielty continued: "Everyone on the cre
Situated at an altitude of 1700m, Le 1700 is a French restaurant that also features live music and dancing. "We were asked to provide some speakers for a live test as part of the complete refurbishment of the restaurant," explains Pierre Fahed of Techno Sound. "The PA had to be suitable for the playback of recorded lounge music suitable for quiet dining, but also for the amplification of live music for danc
The four projectors were instrumental in creating a sense of realism for this claustrophobic suspense thriller, starring Dougray Scott and Kara Tointon, and co-written by Omid Nooshin and Andrew Love (with Nooshin directing).
The action takes place aboard a Charing Cross to Hastings commuter train, and follows the 90-minute journey - with horrifying consequences.
It was to create a fast moving backdrop that Zack Winfield, who is producing the film with Ado Yoshizaki Cassuto, decided to use projection - rather than resorting to the more sterile and conventional 'green screen' alternative - and approached QED, Christie's rental stag
The Public Theatre presents free Shakespeare in the Park at Central Park's Delacorte Theatre every summer. This year it paired Comedy of Errors with a spring break-style musical version of Love's Labour's Lost..
Eight Sharpy Washes were provided to lighting designer Jeff Croiter, who lent his talents to both plays in the park. "I was very lucky to find them. I didn't know they existed until I saw them at a demo," he explains. "They proved to be the perfect light for us - I couldn't imagine using
Held at the College's campus in Sidcup on Saturday 15th March 2014, 12 teams of students from School Sixth forms & Further Education Colleges are invited to light up the grounds and buildings, in a spectacular display of light and colour.
The day begins at 11.00am and finishes at 9.00pm; this year Rose Bruford College aims to attract 12 teams, made up of 5 year 12, 13, or FE students to participate in a full day of activities that lead up to the final competition and prize-giving ceremony.
This is an exciting opportunity for young people interested in science, art, design, technology and technical theatre to compete with each other; they will need a creative eye and to be excellent collaborator