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14 March 2016

Project manager from Get Visual, Jacob Elsig, delivered lighting installations to many of the graphic and innovative projects and participated in the creation of the urban attraction together with the festival's coordinator and his lighting designer, Christian Vigs°. With the environment in mind, a key factor for the festival was to utilise light sources based on LED technology.

"It seemed natural to contact SGM in relation to this festival," says Elsig who was involved in The Spanish Steps, The Train Station Square's installation named The Spider, Hotel Saksildhus and other smaller one-da

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14 March 2016

"I've been using the DHA Light Curtains for a long time," comments lighting programmer Rob Halliday, "and while we've always been aware of the noise they make - a combination of the filament ring from six Par56 lamps and the buzz of the transformer driving them - it's never really been an issue before, perhaps because we've often used them on loud musicals, or perhaps because they were hidden behind masking. But on this show, with an exposed rig, a hard, curved back wall that seemed to throw even the slightest sound straight out into the audience, and a director and lighting designer dete

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14 March 2016

Exhibit-goers begin by rediscovering the nature of energy in the dynamic Energy Garden area, where they can transform energy from one form to another via a series of electro-mechanical devices and immerse themselves in a short film that dramatically presents the story of energy in our world. Guests then convert their knowledge into action via a multi-player simulation game in which they design an energy-saving car, house, neighbourhood, transportation system and city power grid.

Electrosonic teamed with exhibit designers Evidence Design, interac

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14 March 2016

Noises Off - Performances of The Curious Incident of the Dog in the Night-Time at the Apollo Theatre, London, have been cancelled for an extra week until 11 January. The venue had originally planned to reopen after 4 January. However a statement on Nimax Theatres'

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14 March 2016

"The sound was spectacular, and incredibly even for an in-the-round setup," says Brendan Hoffman, FOH engineer and production manager. "From FOH at one end of the arena up to the stage and the higher seating sections, differences were negligible. It was a gut punch on the floor and a gut punch at the top level."

Supplied by VER Tour Sound, the Leo system comprised 96 Leo-M line array loudspeakers deployed in four arrays of 14-each for long-end throws, an

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14 March 2016

Before opening in March of 2013, Game Seven Grill underwent a major renovation including new seating, championship décor and a new sound and video system featuring Community CP6 pendant loudspeakers for the interior and R.25-94T loudspeakers for the Grill's outdoor plaza seating.

Game Seven's sound and video systems were designed and installed by Parsons Technologies of Phoenix, Arizona. Mark Schultz, Systems Engineer, designed the systems at Game Seven Grill

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14 March 2016

Philippe Barguirdjian, technical director of DUSHOW, and his sound team were responsible for mixing and recording the three shows, each of which lasted around four hours. For rehearsals, four linked BBR64MADI systems were connected directly to the front-of-house DiGiCo SD7 and SD10 consoles. Here, the recorder's virtual soundcheck facility came into its own, enabling singers to save their voices ready for the

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14 March 2016

True to its name, the tour is "an experience rather than a show," says lighting director Nick Whitehouse. "It's very visual with lots of projection and lighting and a lot of new technology. We got pretty creative with everything and had fun putting it all together."

The tour is in support of Timberlake's third studio album, which has a sophisticated vibe. The singer will play dates in North America, Europe, Australia and South America.

"We did seven weeks of rehearsals," Whitehouse reports. "The gear really got a work out - 20 hours a day." On the tour "the whole rig is hidden behind a scenic back wall and ceiling. We have 80 Sharpys and 130 Sh

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14 March 2016

The LED investment has been made with a range of suppliers including Shenzhen-based Unilumin Group Co and its subsidiary Radiant Opto-Elec Technology Co Ltd to purchase a series of LED products based on the latest technologies. In total more than 1200 m2 of LED products for the XL Video rental business will become available from February onwards.

The LED investment covers amongst others: State of the art 2.5mm high contrast LED; Super lightweight 3.9mm Utile LED; 18mm Magic Cube outdoor and indoor LED; 7mm blackface Magic Cube outdoor and indoor LED - the first of its kind in this segment; The latest innovation of 18mm Hybrid LED which combines LED screen with LED spotlights in the same panel. This invention

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14 March 2016

For its 2013 event West Evenement chose a new venue, the huge Le Liberte function hall in nearby Rennes, which has capacity for 5,300 people. The company had many new things to present, and wanted to choose the best venue to maximise the presentations. Eight demonstration areas were set up within the hall, and among new developments to be introduced here were sound systems and technology from Nexo.

Nexo's commercial director Jean Jacques Vias, together with concert sound specia

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14 March 2016

"Slush was a really prestigious project for us and there was no room for any mistakes. When you do projects like this, it is extremely important to consider what kind of equipment you're planning to use and how to use them. Sun Effects has a reputation in Finland to only deliver high quality equipment that works, even in the most demanding environment," says, Riku Sourama from Sun Effects.

Slush is a nonprofit, two-day technology and startup event where the most promis

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14 March 2016

Magnetic Storm originally invested in Robe moving lights - the 575 series - some years ago, which have proved reliable and solid for many years done dealing with Magnetic Storm's busy schedule of events.

When the time came to upgrade with the latest technology, they decided to go with LED and purchased four Robe DLS Profiles and four DLX Spots from Robe's South African distributor, DWR.

LED was chosen because it's good value, longer lamp life, lower ongoing maintenance and expedient power consumption made good sense economically and env

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14 March 2016

MacKarell's extensive experience in digital media spans 15 years in the post sector. Starting out as manager Mmedia illusion support for Avid Technology Inc. he then worked for NBC Peacock Productions. In 2010 he joined Deluxe where he managed special projects, rolled out infrastructure improvements and new workflow designs. As senior engineer/ workflow architect for Technicolor he then designed, tested and implemented project-specific workflows. Chris MacKarell joined ARRI CSC in 2011 as digital wor

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14 March 2016

Andy M. Sutikno, CEO at ASIIS, explains his reasons for bringing Amadeus live sound equipment on board to the company's prestigious product lineup, "Once again I found a brand which really suits our philosophy about high-end sound. The Amadeus speakers have a very detailed mid-high frequency performance, very warm, yet transparent mid frequency response, and a fully articulated low end," he says, recalling his introduction to Amadeus during listening sessions at the 2013 Prolight + Sound show at the Frankfurt Musikmesse.

"Their products' sound quality, which definitely comes from Amadeus' high-end studio design experience, is apparent in its live sound systems with the ability to deliver a

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14 March 2016

Robe Pointes were also used to illuminate elements of the 'Fan Mile' covering five major roads in and around the event site as part of a lighting design by Lars Murasch, and were supplied together with other lighting equipment for the event by rental company TLT Event AG.

The show's glittering international artist line up included the Trans-Siberian Orchestra, The Overtones, Scooter, Adel Tawil and TVOG winners from 2012 and 2013 Ivy Quainoo and Nick Howard respectively plus many others. It was attended by nearly one million revellers and watched live by over 4m on Germany's national ZDF TV channel, culminating in a spectacular fireworks display to welcome in 2014.

Twenty

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14 March 2016

Behind the scenes, lighting designer Oscar Dominguez and his lighting crew have accomplished all this winning the 2013 Primetime Emmy Award for Outstanding Lighting Design/Lighting Direction for Variety Series using a rig that relies heavily on VL3015LT Spot, VL3515 Spot, VLX Wash, VL3500 Wash, VL3000 Spot and VL550 Wash luminaires all supplied by Illumination Dynamics.

"For me, the Vari-Lite luminaires are the backbone to this lighting rig,"

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14 March 2016

"Since the new Mina system was installed in the main sanctuary, everybody has noticed the difference," says Elec Winner, the church's director of technical ministries. "The clarity of the high end is amazing. Now everything has its proper place in acoustic space, and the coverage from front to back is completely uniform. Our senior pastor is extremely happy. The sound check before the service takes less time, and the gain before feedback is much higher."

The new system comprises left and right arrays of seven Mina

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14 March 2016

The office's new address from January 2014 is: XL Video The Netherlands, Haparandaweg 67 E3, 1013 BD Amsterdam.

XL Video's new office will act as both a meeting point for clients and partners as well as its regular daily operations.

Houthavens is known as the new hotspot of Amsterdam's creative industry. The area harbours creative companies from different industries, from fashion to design to media. This will present XL Video with an inspiring environment to work in, hosted in a brand new office space, says the company.

Lucas Covers, group C.E.O. of XL Video comments, "2013 has been a year full of ne

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14 March 2016

Colour Sound is supplying all lighting and LED screen for the tour where Waterfield is working closely with laser designer and camera mixer Matt Buttons to produce a spectacular visuality for the tour which has helped win them sand the band plenty of rave reviews!.

Waterfield wanted to introduce some architecture into the design and also have the flexibility of the rig being as floor based as possible, so he started with five upstage trussing towers, which Colour Sound designed and had specially fabricated by James Thomas Engineering.

These measure 1.2 by 1.2m wide / deep and are 3.6m high in full-height mode, but designed to break down into two sections at 1.2 a

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14 March 2016

Showcasing Gaz's new solo material, the tour took place in churches across the country. Engineer, Gavin McComb, selected an iLive modular system comprising an iLive-80 Control Surface and iDR10 MixRack to manage FOH, with iLive apps and PL controllers for additional remote control.

"Apart from being a very well designed piece of kit, iLive is also extremely compact, with a footprint of around 1m sq. so you can slot it into virtually any situation, even if you're going to a small venue that already has its own in-house stuff. As a system, the audio quality is fantastic, all the internal effects are very easy to use and sound great, whether it's a small, medium or large-sized venue."

Gavi