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14 March 2016

The band is currently supporting One Direction on their worldwide Where We Are stadium tour and has just announced a monster headline USA, UK and European arena tour for 2015. The band is using a comprehensive range of Sennheiser wireless and hardwired microphone and wireless monitor systems specified by Fo

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14 March 2016

The fixtures were rigged on an upstage bar, either side of the centre and used for two distinct and different effects. Firstly as back-light specials, and secondly, with the addition of gobos and crossing to downstage centre, they formed part of a forest break-up look that focussed on a grave.

The MMX Blade units were recommended to Chivers and Jack Williams, chief LX at the Royal Court by Matt Prentice, head of lighting at RADA - after they have been very successfully used on productions there. (Williams is an ex RADA student).

The MMX Blades "ticked all the boxes"

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14 March 2016

Rich Neale has joined as production manager for entertainment and sport. He joins from Saville Audio Visual where he was conference and live events manager for six years.

Tom Kaye has been recruited as senior rigging technician while Greg Chapman, Anthony Cowley and Mark Anderson join as production technicians. Their roles include preparing, installing, operating and dismantling of production equipment, from small conference breakouts to large scale arena set-ups, to ensure the smooth and effective delivery of events.

The department has provided a series of in-house productions for conferences this year such as NHS Confederation, the British Association of Urological Surgeons and Accelerate 2014. The National Cancer Research Institute in November is among fort

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14 March 2016

This lecture offers a wonderful opportunity to see a presentation given by one of the world's foremost lighting designers, Mark Major. It will hold great appeal to all those interested in lighting and architecture, including architects, interior designers, landscape architects, lighting designers, li

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14 March 2016

The show Memories of August 1914 was devised to commemorate the centenary of the start of World War 1 - in the process highlighting the heroic Liverpool Pals who answered Lord Kitchener's call for volunteer recruits - and pulled an estimated one million people into downtown Liverpool for one of the most successful ever public arts events staged in the UK.

Adlib provided sound systems for the main seven performance sites dotted around the city centre, working for Liverpool City Council's events department. It followed on from Adlib's very successful servicing of the Giants' Sea Odyssey spectacular in 2012.

The different sites all accommodated large

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14 March 2016

The job would be large. In addition to rebuilding the field itself, the school had to replace the field's fatally damaged sound reinforcement system. Installed by Advance Sound of Farmingdale, New York, the new system centres on an Ashly ne24.24M modular processor and two Ashly ne8250 eight-channel amplifiers. Advance Sound installed a similar system at Long Beach Middle School prior to Hurricane Sandy, and that system weathered the fateful storm and remains functional to this day.

"Long Beach High School was very hard hit by Sandy," sa

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14 March 2016

While in only its third year, the Firefly Festival has grown from 30,000 people enjoying great music at an 80 acre site to 80,000 people rocking out on a 300 acre site. Bandit Lites provided the festival lighting for the four main stages and worked with Leif Dixon who was the LD for both headliners: Jack Johnson and the Foo Fighters, playing on Friday and Sunday nights. The festival line up also included Outkast, Imagine Dragons, The Lumineers, Beck, Pretty Lights, Weezer, Arctic Monkeys, Childish Gambino, Girl Talk and Tegan and Sara.<

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14 March 2016

Star Events and Beaver 84 will provide all the staging, seating, production and broadcast structures for the concert, as well as most of the fencing, barriers and ground protection. The structures will also be used for the opening ceremony.

Project director for AEG Live, Jim King, said, "It made a lot of sense to work with Star Events on these prestigious events, due to the close working relationship between our team and theirs, and also because of Star's extensive experience of working in the Olympic Park both during and after the London 2012 Games."

(Jim Evans)

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14 March 2016

The first venue completed by Dancefloor was the Winter Stadium, the 6,000+ seat capacity home of the Orli Znojmo hockey club. The Winter Stadium is also used for international matches, hockey camps, figure skating training sessions and competitions, skating courses and public skating, but had long suffered with poor sound levels and intelligibility, lacking the ability to inform and involve visi-tors and produce an exciting atmosphere for events.

Libor Klemenc, Dancefloor's managing director, explained the choice of loudspeakers, "For high intelligibility and overall sound quality we chose Community R.5 12-inch, two-way loudspea

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14 March 2016

TNDV's relationship with the Country Music Association is enduring, delivering full-service mobile production for several annual events including pre-show festivities for the CMA Awards each November. The CMA Music Festival is the most immense, encompassing many outdoor stages with live performances from well-known and emerging national and local musical acts. TNDV also provided onsite shooting, graphics and editing services across most stages, producing 30 original packages used in conjunction with an ABC TV special that aired on 5 August.

In addition to the mus

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14 March 2016

This full concert version of Chess demanded a massive audio system. The production tapped the power of three SSL Live consoles, supplied by Bary Sales AS in Oslo, to handle the inputs from the live band, choir and the Arctic Philharmonic. This application is among the largest implementations of SSL Live thus far.

FOH and monitor consoles shared 64 inputs from the band and soloists on stage, while the third Live was used to submix 86 orchestra channels down to six stereo stems.

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14 March 2016

The event is renowned for its eclectic line ups and friendly, family orientated atmosphere - and superlative audio, which has been supplied by Entec since 2006.

This year Mark 'Magic' Ellis-Cope, newly installed as Entec's head of sound after the legendary Dick Hayes' recent retirement, led the team who worked closely with Guilfest's production manager, Paul Warner.

Magic comments, "It is always a pleasure to work at Guilfest and we did miss it last year when there was a short break. The atmosphere is fantastic and everyone really pulls together to make it one of the nicest festivals on which we work".

The d&b system design utilised b

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14 March 2016

Adamson's Jochen Sommer assisted with system design and was on site to oversee the set-up and tuning of the Energia system. The festival line-up included a variety of popular performers including Joe Lynn Turner, Ian Paice, Ken Hensley, Pink Floyd Show UK and Russian heavy metal band Aria.

The impressive 35m stage was flanked by left-right Energia line arrays followed by large-scale video walls that delivered visual impact throughout each performance.

"In comparison to similar events, this was an extremely large undertaking," explains Oleg Ivanov, Adamson Russia. "The Adamson system performed extremely well delivering exactly what

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14 March 2016

The Melbourne-based company was set up 24 years ago by CEO Steve Lincoln-Smith and boasts strong links with the major resellers and independents around the country. The company prides itself on providing high quality product and consistency of supply to its customer base.

"We market products that ensure long term customer success, and our partnership with Audient will help us maintain this trend. Audient's expanding range of DAW focused products comprises of leading edge products that feature the legendary ASP console mic pre's, top class Burr-Brown ADC, look great, and better still, come in at a surprisingly reasonable cost," he explains.

"We're partnering with prem

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14 March 2016

Upcoming courses taking place in September include 'An Introduction to Sound' which will give attendees a good understanding of how sound behaves and hopefully inspire them to delve deeper into the world of sound and communications engineering, and 'Designing for Speech Intelligibility' which takes a look at the relevant British and European standards for speech intelligibility for voice alarm systems and gives an interpretation of their requirements. The course also takes a detailed look into the factors affecting speech intelligibility and how they can be controlled.

For more information, please visit: www.isce.org.uk/training-2014.

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14 March 2016

Marvel Universe LIVE! is out on tour this month after debuting in Tampa, FL, premiering at New York City's Barclays Centre on Wednesday, 13 August and visiting 85 North American cities in its first two years before coming to the United Kingdom, with other global destinations to be announced. Produced by Feld Entertainment, this visually stunning multimedia production sees the Avengers, Spider-Man and members of the X-Men in a live production for the first time - doing battle with some of their most notorious foes, in a show designed to wow audiences of all ages.

Spectacu

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14 March 2016

Dave Millard, founder of Full Fat Audio, was Project Audio's sound engineer for both events, working in partnership with Funktion-One 'chief' Tony Andrews and Project Audio's Ibiza system technician George Yankov: "We used the Live1 on the opening party but for the 25th Anniversary we needed to wireless mic a troupe of flamenco dancers on sta

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14 March 2016

Whereas their predecessor houses a single 500W LED source the new LED Studio 3203T/D contains a 250W LED - making it suitable for the TV studio, theatre and multi-functional situations as well as commercial display.

Unlike the LED Studio 3205D this latest model boasts two different colour temperatures (3200K on the LED Studio 3203T and 5600K on the LED Studio 3203D). And with a colour rendering index (CRI) Ra of >93 it is higher than that of the LED Studio 3205D.

Other than that, it shares the same design as its counterpart, with 50,000 hours lamp life, luminous flux measurements of 7100 lumens (14°), 10,700 lumens (48

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14 March 2016

Hans, Arne and scoring specialist Daniela Mükisch have used Nuendo since version 2 was released, back in 2003. The team prides itself on the studio's excellent facilities, which have attracted a client base that includes virtually every high profile German actor and producer.

A total of six Nuendo workstations deliver a seamless workflow for transferring projects between the company's dedicated mixing, Foley and dubbing studios.

M&E has been using hardware control since ado

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14 March 2016

The debut of the $200m-plus film, attended by Hugh Jackman, Jennifer Lawrence, Patrick Stewart, Halle Berry and other stars, was a huge event filling a hall inside the cavernous Javits Centre and illuminating a 75ft-wide screen hung on the hall's north wall. The showing also had to be able to reproduce the film's bombastic 5.1 surround soundtrack, but the Javits is no cinema; the same huge floor-to-ceiling glass wall that offers spectacular views of the Hudson River and New Jersey can also create uncontrollable aural reflections that would turn the hall into an acoustical nightmare.

Event producer Samantha Sackler Productions tapped NYC-based See Factor Industry, its