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14 March 2016

This year, the Pleasance celebrated its 30th anniversary at the cutting edge of independent and innovative theatre, and was once again central to the Edinburgh vibes staging some of the best new works and showcasing breakthrough talent with an average of 10 shows a day running in each of its spaces!

All the technicals were overseen by Pleasance technical operations manager Matt Britten and lighting by Pleasance Edinburgh head of lighting Dom Knight, who also designed and specified 'house' lighting rigs for the venues.

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14 March 2016

The four-piece - comprising brothers Joseph and David Dunwell on vocals and guitar, bassist Rob Clayton and drummer Adam Taylor - has played both club shows and support slots in bigger venues over the course of the tour.

Sean is operations manager at Subfrantic, a rental company with extensive use and knowledge of Yamaha digital consoles. He chose a Yamaha QL5 and Rio3224-D as the ideal solution for the size-versus-features requirements of a hard working band which is touring on a budget.

"Club tours are challenging at the best of times, especially when you're fac

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14 March 2016

Blunt released his newest album in October of 2013 entitled Moon Landing, which features an emotional and powerful side to the singer-songwriter we have not yet seen. The album is personal and intimate, reflecting back to where Blunt got his start and where he is now.

"We have worked with James Blunt since 2005, this is our fourth world tour with him, and all James' shows have been dominated by Martin moving lights," Said Johnson. "This is the largest production we have taken out on the road thus far."

The theme of the tour is the romanticism and loneliness of the moon landings. For

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14 March 2016

"We are extremely happy with this new business alliance which brings together two of our industry's leading, high-end brands to offer quality solutions to the market," says Robert Juliat sales director, Claus Spreyer.

The two companies join forces to team Licht-Technik Vertriebs GmbH's specialised range of motorised yokes, motorised barndoors, colour changers and dimmer shutters with the full range of Robert Juliat Fresnel, PC and profile fixtures. Aimed at theatre and studio installations, the collaboration will benefit these institutions with precise control over their fixtur

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14 March 2016

Placed high on the roof of the City Hall, four Community RSH-462 loudspeakers broadcast short extracts from Li Bia Bouquet, the anthem of Namur. The schedule of play is phased throughout the week to play longer on such days as market day, and less on Sundays when it could disturb the residents.

An InOut RePlay R-01E is used for content and scheduling, while digital processing and loudspeaker management is provided by a Community dSPEC226. The high power Focussed Array RSH-462 loudspeakers are driven by two t&mSystems SP1600 700 Watt amplifiers.

O

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14 March 2016

It's interesting to see the results when people give something back to the industry, as was the case four years ago when Karen Burt of Planet Productions Code Teen and Gavin Taylor of the GrandWest Entertainment in Cape Town spearheaded the successful music and entertainment initiative called Backstage Pass High School Jam. The performance project did not only unite cultures, communities, schools and families, but above all encouraged self-pride, achievement, self-appreciation and the fulfilment of dreams.

Inspired Stages, hosted at the GrandWest, was the next step of the journey, giving students the op

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14 March 2016

In two short seminar sessions - Sunday 5 October 1.30pm - 2.00pm, and Monday 6 October - 11.30am - 12.00pm - Byrne will introduce Entertainment Workshops, an alternative education facility that provides an opportunity for young people to access hidden skills through hands on learning. EW encourages the use of the latest industry equipment and technology and offers practical work-based experience with strong links to providing a pathway to a career.

The TheatreStage is presented by The Theatres Trust, the National Advisory Body for Theatres.

The stage will be located on stand R40, di

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14 March 2016

"I assist the stage manager with the day to day running of the backstage workings such as the scheduling of crew, liaising with our suppliers when we need to, servicing and repairing any equipment, purchasing new equipment to either replace or expand our existing in-house equipment and generally make sure that the team has everything they might need," said Jolene.

With this in mind, the Lyric recently purchased Philips Selecon PL2CYC LED Luminaires. "When the Lyric opened its doors in 2007, i

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14 March 2016

Designed and operated by Oz Player, who used the fixtures in both the truss and floor package, commented on the ACL-type beam's frost effect wash look, "I've used the Elation Beam 5R on many shows and the soft edge frost adds another dimension."

Production manager Paul Joyce, who added extra Platinum Beam fixtures to the fleet for Tom Jones' shows earlier in the year, added, "I'm really happy with their performance. It's a great return on investment and we have them scheduled out on a major tour happening this month as well."<

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14 March 2016

"The Mozart is the perfect eye candy fixture and this was an ideal application for them - they really showed off the depth of the stadium and did a great job on camera," says Cory FitzGerald, the tour's lighting director. "We alternated Mozarts and Sharpys all around the second level of the Stade de France. They worked brilliantly." Lighting was co-designed by FitzGerald and Roy Bennett.

With settings from three to 48 DMX channels, and 1, 4, or 16 RGB "pixel" groups per fixture, the lightweight, low

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14 March 2016

Users will be able to control several devices simultaneously thanks to its multi-target capability, besides of providing the possibility to protect the access to the software with a password. OSCillation makes possible to mix audio and lighting for embedded video in PC or Mac.

This application adds six preset layouts useful for users who need to control audio and lighting with DMX devices or digital signal processors designed by Work Pro. AS well as its compatibility also with TouchOSC layouts, users will be able to customize their own layouts for all kind of devices

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14 March 2016

"Patrick and Paul each bring a career's worth of rigging expertise to J. R. Clancy, as well as a deep understanding of our customers' needs and the products and services they require," said Mullen. "They will work to develop new products, find new pathways to innovation, and open new markets for Clancy products."

Patrick Finn joined Clancy in 2009 as a dealer project manager and product manager. He returns to continue his work in product development while researching new innovations within the entertainment technology field. He brings experience as a technical director, theatre consultant, and rigging and fall protecti

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14 March 2016

The new office, which includes 30,000sq.ft of workshop space, seven loading docks and a full ground-supported test stand will accommodate work for West Coast theatre, casino and theme park clients. Other features of the location include all utilities and systems for testing and system configurations for these projects. In addition to functioning as TAIT's West Coast permanent installation hub, the onsite team will handle operations, local show service and support, project management and administration.

According to Dana Bartholomew, VP of West Coast Operations, "The new TAIT Stage Technologies facility is not only great for clients in this region, but it will also serve as a home base for our integrators when they're working on installation projec

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14 March 2016

Founded in 1978, Garrett has built an enviable reputation in Portugal by ensuring that it always offers relevant solutions to the market and employing a highly experienced team. As a result, it has an impressive list of brands in its portfolio, to which it is proud to add DiGiCo.

"For some time, we have wanted to work with a brand of mixing console that is both a market leader and technology innovator," says Garrett's Raul Fernandes. "This will allow us to provide our customers with a stronger offering in the field of professional audio and to apply the products directly to our turn-key projects.

"Although there has been some instability in the Portuguese market for the last two years, DiGiCo is a brand tha

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14 March 2016

Originally hired by Nathanson's management - who he met through his work with the group Train - to produce a lighting scheme for the tour, Hogan also reached out to Gavin Degraw's team to see if they had something in mind for the lighting. At this point, they decided it would make sense and be efficient if Hogan coordinated the lighting needs of both artists ... in a single adaptable and flexible design.

The size of the venues on the tour varied, and featured numerous theatres, so in order to fit the production in to the majority of spaces, Hogan chose a front and back truss to provide his lighting positions.

For Nathanson, there was an

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14 March 2016

IBC technical resources /audio, Terry Nelson, specified a Cadac MegaCOMMS high resolution digital audio network to distribute audio throughout the 1,700 seat IBC Big Screen Experience auditorium, where the IBC ran a programme of presentations and screenings, demonstrating "how the disciplines between cinema and traditional broadcast are merging". The IBC Big Screen Experience featured cutting-edge cinema technology, including Christie 6P 2D and 3D laser projection and Dolby Atmos immersive audio. Programme highlights included screenings of re-mast

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14 March 2016

"I chose Solaris 16X1s because, based on my experience with the amazing Solaris Flare, I knew they would perform well for my needs," says Mike Swinford, the show's lighting and production designer. "We use them to outline the overhead trusses and also to outline the T-shaped thrust. They're performing very well and ride on the trusses everyday so they do not have to be handled at every show.

"As with the Flare product, I am really impressed by their high output, plus linear effects when used with the MA console driving them. The 16X1's individual LED "pixel" control is a real plus". Production personnel include tour LD Keith Hoagland and lighting programmer Mark Butts. The Solaris LED pr

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14 March 2016

Mojo Barriers' Gatekeeper 2.0 intelligent turnstile system attracted organisers BSM, which needed to ensure capacities of the open air concert venue - which also hosts Primavera Sound festival - weren't breached. The venue welcomed live music fans across three nights who danced the night away to a host of local and international acts.

Leon van der Velden, project manager at Mojo Barriers, said, "The Gatekeeper 2.0 is the ideal soluti

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14 March 2016

Founder Justin Hammond, who has been at the sharp end of the professional lighting, video and AV rental industry for eight years, spotted a gap in the market for quick, simple, reliable and no-nonsense service providing wireless lighting kit.

He states, "There's been a massive surge in popularity and use of wireless LED lighting over the last two years - there's no messing around with cabling, and the lighting fixtures can instantly transform any environment. Wireless Lighting is designed to provide a fast, efficient and straightforward service to all those wanting to make use of this technology on their events."

Clients can log in to the website, place their order, sele

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14 March 2016

Like all other City Winery locations, the philosophy behind the new 350-seat, cabaret-style listening room in the historic Napa Valley Opera House is a meticulous attention to sensory delight. The sound system is no exception acoustically or visually, according to Ed Greer, City Winery's chief production officer.

"Because we focus on singer-songwriters, we needed a PA that is extremely accurate acoustically, that can deliver with complete transparency," says Greer. "The Mina arrays achieve that goal, and their sleek profile also fits with the elegance of the room. Any system we install in City Winery will be Meye