Ocean Frontier
- Details
The attraction's centrepiece is a 5m deep themed Atlantic reef, contained in a massive seawater tank, and complete with a 10m-long wreck of the 'Kaye Louise' which also provides habitats for indigenous creatur
The attraction's centrepiece is a 5m deep themed Atlantic reef, contained in a massive seawater tank, and complete with a 10m-long wreck of the 'Kaye Louise' which also provides habitats for indigenous creatur
A.C. was awarded the contract after supplying a cost-effective solution requiring minimal upgrading of the existing gallery fixtures to accomplish all theatrical lighting aspects of the brief. Throughout the build project manager Ray Dolby worked closely with the exhibition's designer, Trista Quenzer, to en
High End Systems Halcyon Silent builds on ETC’s legacy of fanless automated fixtures by incorporating features from the highly sought-after Halcyon family. Halcyon Silent perfectly balances silent operation with brilliant output of 18,400 lumens and high-impact features.
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The 10-night sold-out production ('amateur' in name only) was staged in a 1,200 capacity big top located in Boscawen Park, Truro, and featured five trucks of staging and equipment, a cast of over 100, a 12-piece semi-pro orchestra with considerable sponsorship and a budget of £120,000.
The event's technical infrastructure - including lighting, sound, staging power and distribution -was all supplied by Viking, who have worked with the Operatic Society on many previous occasions, twice on productions in the same big top.
Lighting designer Ian Leonard utilized over 40 Robe fixtures, including eight Pro Wash and eight Pro Spot 250s, with 12 each of the Robe Pro Wash and Pro Spot
These courses have taken place in a variety of locations, including Bristol, Birmingham, Manchester, Leeds, Glasgow, Edinburgh and Dublin, as well as at the company's base in Maidstone. The current training programme offers a range of 10 courses, principally covering service and operational skills.
Chris West, Martin UK's head of training, is employed on a full-time basis to organize and run these training courses. When he's not doing that, he's developing new courses to cover the wider variety of educational needs of the company's customers. Over the next year, Ma
Adlib won the contract after working with Bowie's FOH engineer Pete Keppler on the Eels this summer. Keppler specified a VerTec system for the tour after using it for the first time at last year's inaugural 'Move' festival in Manchester, which was headlined by Bowie.
Adlib was the first UK hire company to invest in JBL's renowned line array system back in 2001 soon after its launch. Since then, it's been in constant use on a myriad of tours and events around the world. The latest deal, co-ordinated by Arbiter's Karl Bates, sees Adlib supplying 32 VT4889 full-size enclosures, 32 VT4880 subs, 32 4888 medium-sized VerTecs an
The ChainMaster story began with a request for help from the theatrical world. The need was for an electric chain hoist conforming to the VBG-70 standard which was in force at the time. (VBG is an accident prevention and insurance organization, and VBG-70 was drawn up to improve standards of safety in venues). At the time, there was no equivalent electric chain hoist system on the market, so ChainMaster's managing director, Frank Hartung, who founded the business along with his wife, Susanne, recalls: "That was all the incentive our team needed to develop the requisite system."
In the spri
When the stage heats up, you need equipment that can keep up without compromise. The Gravity Touring Series has been specifically designed to meet the highest demands – for rental companies, professional musicians, concert organizers, and large event venues. Premium materials, exceptional durability, and impressive longevity make these products stand out. Whether on tour, in constant use, or under the toughest conditions: the Touring Series delivers maximum reliability and performance – every day, on every stage.
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Most of the press surrounding the event focused on the awful travel experiences of many of the thousands of fans who travelled to Knebworth - 375,000 in total across the three shows - ourselves included. And let's face it travel chaos made for good headlines, as did the sheer number of people who were packed into Knebworth Park: this was not an event for anyone with a fear of crowds - 120,000 plus each night - although a large proportion of these stood no chance of actually seeing the star of the show directly.
However, it was the show itself that made the delays, travel headaches, expensive 'pints' of beer and enormous viewing distances worth i
But that's not all. If you work in broadcasting, you might know of Orbital as a specialist provider of broadcast communications systems and expertise. If you're involved with museums, heritage and cultural sites, you may know of the company as a proponent of Sennheiser's guidePORT personal tour guide system: during September Orbital will complete a major guidePORT p
- Glastonbury's Pyramid Stage has traditionally been equipped with Turbosound Flashlight systems, but this year, in a major departure for the organizers, SSE Hire provided one of the world's largest Nexo GEO T Tangent Array systems. Nearly 100 GEO T4805 cabinets were used, configured with two far-field arrays of 24 cabinets each (25m offstage each side) and two near-field arrays of 11 cabs flown from SSE's Teepee structures, each about 7m offstage. There was also a centre array of six T4805s for centre image/near-field, and two field delays (eight cabinets each) 130m down-range from the system. Camco Vortex amplifiers powered the whole system. SSE's Chris Beale says they used 12 CD-18 subs per side, plus nine S2 subs under the near-field
The Festival drew some top names with 2003 headliners including Radiohead, Yes, Bonnie Raitt, Jethro Tull, Cypress Hill, Morcheeba, Craig David, Herbert Gronemeyer, Stereophonics, George Benson and The Pretenders - plus just about every musical genre you might care to mention.
The production elements of this ambitious schedule were managed by technical co-ordinator Andre Vouilloz, while audio aspects were in the hands of Patrick Vogelsang, MD of Meyer's Swiss distributor Niveau2 and the fes
Pod Bluman, well known for his role in several guerilla projects, doesn't regard guerilla projection as an issue, and he's not alone:
"We rarely get more than half a dozen or so onlookers, so there are never any huge crowds leading to problems. Most of the projections are of a corporate advertising nature anyway, so it's very rare to do anything that is truly controversial." It seems that the Police are fairly indifferent to it as well; despite a major security threat closing Parliament Square and Whitehall, Bluman and his team sat on an empty Westminster Bridge merrily projecting onto the Houses of Parliament without any intervention. "I have been searched under the prevention of terrorism act,
Activists also halted shooting of the new Jack Nicholson movie in Paris, where riot police also removed demonstrators trying to stop the Rolling Stones concert at the Stade de France.
The catalyst behind the strikes is the French government's decision to change the workings of the unemployment fund for theatre, dance, film and music professionals, which currently takes into account their time-off between shows. The fund is 825 million Euros in deficit and the government is now insisting that benefits
Professionals from the theatre lighting industry in Asia will now have a platform from which to share information and ideas on their craft, and foster closer networks with other lighting designers when Esplanade presents the first Asia Light 2003, a theatre lighting seminar, from 13 to 15 October.
The facilitator for Asia Light 2003 is Francis Reid, a theatre lighting specialist with over 40 years of experience and author of the indis
Lighting designer Andi Watson had been keen to develop a concept that was practical to tour for festivals as a 'special', but which could also be incorporated into the lighting rig and visual elements as the tour developed. Originally, he thought in terms of a video-based solution, but this transmuted into the idea of having a row of colour-changing LED battens upstage, capable of producing a variety of spectacular effects, as well as introducing a layer of texturing and depth to the stage.
Watson researched the LED products currently on the market before deciding on the James Thomas Pixelline 1044 batten, of which 48 were rigged vertically, end-to-end on 24 Manfrotto stands. Watson reali
Also new from ETC is a new wall-
Audient is displaying one of the first production units of its brand new eight-channel mic pre-amp, the ASP008. This compact, 1U rack-mount unit features eight mic preamplifiers, developed from the mic-pre design used in the company's ASP8024 recording console and the Aztec Live Performance console. All channels include XLR input
Designed with simplicity in mind, the DiGiTRACS is built into a rugged 4U 19" rackmount casing with internal cooling, and connects to the FOH D5 Live using two BNC MADI cables. The unit is rackmounted on rails, with a lockable front panel, and slides out for easy access.
400Gb of media storage is provided by a high reliability RAID multiple hard disk array for maximum data security. It also features an 80Gb removable 'caddy' drive for archiving, back-up and post-production data exchange. The front panel provides USBII
The UPJ-1P is the first Meyer Sound self-powered loudspeaker system to incorporate VariO technology - a unique system that allows the 80x50 HF horn to be rotated through 90° without compromising the loudspeaker's awesome performance. This allows the UPJ to be a true workhorse - equally suited to main FOH duty, as a front fill, under balconies or even as a monitor wedge.
The UPJ-1P represents a major milestone for Meyer Sound's UK customers; based on the concepts that have made the UPA-1P the most successful self-powered loudspeaker ever, the new addition to the family opens up a world of audio possibilities for rental companies in every market.
Power Gems conducted a series of tests at Philips in Belgium, which demonstrated that lamps which had operated for 1,000 hours on high frequency sine wave displayed considerably reduced de-vitrification, and appeared almost new. Power Gems see this development as revolutionizing the way we consider discharge luminaires in the future, not only for the moving light industry but for theatre, venue and film applications also, where the ballast now
To help bridge the video and traditional lighting worlds, Catalyst DL1 incorporates the communications standards of both: VGA, RGBHV and S Video inputs for incorporating movie, film or graphics content, and DMX programming - a lighting communications standard that allows the DL1 to be remotely pointed or focused from any DMX-based control u