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14 March 2016

Andy will be fulfilling a strategic role at Orbital, working to develop the company's long-term sales plan, while making full use of the product-specialist expertise available within the organisation.

MD Chris Headlam comments, "At Orbital we have real passion for what we do and are always looking to add extra elements that enhance our service. With Andy's arrival we are focusing on how we innovate within the whole 'sales' field, on the basis that we are already a well-established a

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14 March 2016

The Phenom combines traditional lighting features with lasers' crisply­defined effects and vivid colours. The Phenom also boasts intrinsic audience­scanning safety, DMX control, an integrated media server, full­colour laser output, and a speedy moving head.

Intrinsic audience scanning safeguards are permanently calibrated by Lightwave International to ensure Phenoms are always audience safe at a minimum distance of 9.1m. No operator, hardware, or software error can defeat the intrinsic safety design once rigged. Any Phenom rigged 9.1m or more from the audience will always perform under the FDA CDRH regulated maximum permissible exposure.

The Phenom is the first moving head laser to implement intrinsic audience scanning safety, making

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14 March 2016

This new projector is suitable for small- to medium-sized venues, and its optional rental frame makes it equally suited for the rental and staging market as well. The projector will be commercially available from December 2014 onwards.

"Our RLS-W12 projector is a smart choice for customers who are looking for a cost-effective projector that delivers the brightness needed for large screens," comments Richard Marples, strategic market director venues & hospitality at Barco. "Designed for fixed installation in museums, theaters and conference auditoriums, it's als

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14 March 2016

LDI will see the unveiling of a brand new hazer - the EcoHazer, making a world first preview on Le Maitre's booth.

Le Maitre hazers are already known for their incredible output and low power consumption, not to mention the haze fluid which converts to produce the purest, most efficient and long lasting haze on the market. The new EcoHazer takes the environmental aspect even further and Le Maitre believes that it is the most energy efficient water-based hazer on the market today!

The EcoHazer consumes a low 100-150W, a rate that other haze units on the market with a similar output simply can't match, with many requiring up to 1500W - that's ten times the electrical energy! The EcoHazer uses a completely new heating system borne out of L

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14 March 2016

"Having already had some dealings with the company, I was keen to join CIE-Group when the opportunity arose," comments Lloyd. "The 50thAnniversary year has made it an exciting time at CIE-Group, and it is also that clear through its range of brands and value added services, the company is offering something new for the AV integrator. I'm looking forward to spreading the word further."

"Lloyd has a wealth of AV industry knowledge and experience, plus a proven track record in relatio

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14 March 2016

Most associated with global 1999 hit Livin' La Vida Loca, the Puerto Rican singer retains huge popularity in Spanish-speaking countries. Front of House engineer Privet and monitor man Steve used their usual DiGiCo SD7s on the Mexico shows, but the 'fly in' shows in Chile and Argentina meant they had to source consoles locally.

Privet and Steve are committed to using DiGiCo mixers, so the company's Fernando Delgado helped them to source SD8s in Chile and SD10s in Argentina.

"There is much talk in the business about which manufacturer's desks have the best sou

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14 March 2016

SLS opened in August as the Strip's first major hotel-casino unveiling in four years. Located on the site of the legendary Rat-Pack era Sahara Hotel, Life is a multi-tiered club with a stadium style theatre design and 60ft-high ceiling. There is a good reason for that as the club occupies what used to be the Sahara Theatre and retains some of its original structure. Transformation from the legendary Sahara means the space includes special features like a catwalk system and theatrical rigging points for aerialists to perform.

Steve Lieberman and SJ Lighting have again delivered a first-class

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14 March 2016

The company selected eight Chauvet Professional Rogue R2 Spot lights, eight Chauvet Professional Legend 412Z heads, COLORado 2-Quad Zoom Tour fixtures, and six each of Rogue R1 Beam units and Q-Wash 560Z-LED light heads.

Keyteq also chose to invest in TRUSST, backed by Chauvet, taking over 60m in various sizes with accessories and corners to enable a multitude of combinations - ensuring creativity and greater design freedom to offer to all clients.

Ian Chandler, director at Keyteq, explains, "We've steered away from lighting inve

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14 March 2016

Says RML, With all of the changes to studios in London, over the past few years we have done more and more work in Manchester and Glasgow and now our brand is a recognisable one there, which is a great achievement!

"To ensure that we at RML can provide the type of service that our customers can and should expect, we work with local company Teknique Systems Ltd (TSL), who oversee our projects in Scotland. Tony Kennedy and his team have a great rapport with customers and know the crew and studios like the back of their hand, making them an obvious choice to work with."

Roger Williams designed the lighting show, which was formed of Robin LED 600 Wash, MAC 500, MAC Auras, Sunstrips, a Followspot and 50 LC2140 panels.

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14 March 2016

Lighting designer and technical manager from the Royal Danish Theatre, Tommy Larsen, is responsible for lighting, sound and video. "We wanted to create a hype around the Opera House and put focus on this amazing building, which is visible throughout central Copenhagen and the Dockland," he explains.

But this vision was far from straightforward. Immediate challenges encompass the front of the structure, which is a glass façade with steel bars; then there is the great distance, the task of illuminating the water in front of the building through the light output (or its reflection) ... all the while ensuring the minimum of inconvenience for the audience seated in the foyer area.

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14 March 2016

"It seemed that every time we put some lights up, half an hour later they were encased in branches so it wasn't so much a matter of focusing more a matter of pruning," commented lighting designer for the event Richard Grenfell.

Richard wanted a look of dappled light coming through the trees but how to rig a fixture that delivers a fat and wide-angle beam with only a four metre trim in the venue, was a problem. The only fixture that could do this was the Clay Paky B-EYE which Richard used in a static mode.

"If you take the B-EYEs out of their disco / kaleidoscope mode into a nice fat breakup beam and then use the inbuilt effects to very slowly p

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14 March 2016

The production was designed by Florian Wieder and Matthias Kublik from Wieder Design. The circular main stage featured a backdrop of LED surrounded by a series of elegant, curved metal ribs to form a vortex style structure inspired by the show's 'Time Machine' theme. A thin curved catwalk extended into the audience and an award presentation area and glamour pit faced the main performance stage.

XL's crew was led by project manager Guido Ruysschaert assisted on site by two crew chiefs Kurt Verhelle and Daan Govaerts.

Once again XL worked closely with MTV event manager Maggie Mouzakitis and production executive Andy Derbyshire, and Ogle Hog who provided all the content control and screen management.

A total of 170sq.m of

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14 March 2016

Lafortune worked alongside show director Josh Mowczko to specify numerous Clay Paky fixtures, including the Alpha Wash 700, Alpha Wash Halo 1200, Alpha Wash 1200, Alpha Spot HPE 1200, Alpha Profile 1200 and Alpha Spot HPE 1500, with the fixtures delivering a range of beautifully absorbing textures, reliability and ultimate flexibility.

"This show was probably one of the first ever Cirque du Soleil productions with a specific storyline, which became the catalyst for many of the subsequent design choices," explains Lafortune. "The four main characters represent the four elements, which are reflected through colour so it originally made sense for the lighting t

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14 March 2016

According to Theatreplan partner, Dave Ludlam, the opportunity to expand into Hong Kong was not to be missed. "It was clear that in order to deliver the best possible service to the WKCDA, we needed a base in Hong Kong," he explained. "In addition to the enhanced service we can provide to the Black Box project, it also offers u

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14 March 2016

There were four positions available on the European Regional Board. Ed Pagett of Panalux was elected for a second term as Chairman, Peter James of Shure Distribution as representative to PLASA's Distributor members and Malcolm Burlow of Highlite was voted as the Dealer/Retailer representative. Robert Kronman joins the Board as the new Individual representative.

Four positions were also up for election on the North American Regional Board with Todd Spencer of PSAV elected as Vice-Chairman, Tracey Cosgrove of Rosco Laboratories as Secretary, Orestes

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14 March 2016

The regulator's decision will mean that radio microphones and other wireless audio devices key to the UK's thriving creative industries, including West End and regional theatres, could be forced to operate in less than two thirds of the spectrum to which they currently have access. Every night over 1000 wireless radio microphones are used in London's West End alone, largely operating within the spectrum that is to be cleared.

Fears remain that, if appropriate mitigating steps

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14 March 2016

The idea to address the issue came from the statistical evidence that when people sit in front of a movie screen they absorb 40% of the different sound effects whilst in a theatre this figure drops below 10%.The Békéscsaba Jókai Theatre has developed a system that crosses over between cinema and theatre sound in the form of a 8.1 channel surround so

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14 March 2016

According to Delta's operations director, Jonathan Bell, the decision to invest in Halo-C was straightforward. "The system has already proved itself to us many times over, not least of which by winning the tender with SBD to re-equip the Royal Albert Hall. Going through that process enabled us to evaluate the system extremely thoroughly. In short, it's an extraordinary product. The clarity and detail is exceptional, but what is truly outstanding in our opinion is the level of accuracy and ability to control dispersion over significant distances.

"When the time came to increasing our inventory of rental stock, we therefore decided on

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14 March 2016

The advert debuted during the season finale of Downton Abbey. Thousands of viewers across Britain saw it marking the end of a weekend of television packed with the Christmas adverts from major retailers, including John Lewis, Marks & Spencer, Argos and Asda.

The Christmas advert is the most talked about commercial advert in the UK. John Munro, CEO of Immersive, comments: "During a visit to the US, I experienced the whirlwind around Super Bowl adverts . . .

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14 March 2016

Working in collaboration with Wilson Butler Architects, Theatre Projects led the renovation of the 180,000sq.ft building's auditorium, theatre equipment, and support spaces. Nearly all of the renovations were conducted in phases, allowing the theatre to maintain its schedule of events.

Originally built as a Shriner Temple, the iconic venue opened in 1927 and became known as 'The Mosque' because of its tw