The Week in Lighting & Sound
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Germany Calling - The first European edition of US music festival Lollapalooza is to be held in Berlin next year, organisers have announced. The main event
Germany Calling - The first European edition of US music festival Lollapalooza is to be held in Berlin next year, organisers have announced. The main event
Jamie Corbidge was the LD for the event, with equipment supplied by Storm Lighting. He had overall control from his Sapphire Touch as competitors including Harlem rap squad A$AP Mob, grime collective Boy Better Know, Jamaican reggae act Stone Love and Rebel Sound, and a collaborative made up of bass superstars Chase & Status with MC Rage, World Clash champion David Rodigan and jungle pioneer Shy FX performed.
Stephen "Sven" Jolly operated for Boy Better Know and Stone Love on two of the four stages, jumping from one Tiger Touch II to another. Shaheed Litchmore was LD for A$AP Mob, using a Tiger Touch II for th
The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.
The festival was split into two distinct days - the first (in conjunction with Hallowe'en) was named Freq'show, and this made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen
EAI managing director, Gerard Rodrigues, confirms that the MLA system had been recommended by his company. "The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away. The MLX subs also became a talking
"With 'Kongsted in Koncert' we are creating an experience for the crowd that is different from my other shows," the artist explains. "Here we can control more parameters - light, sound, visuals, production design, décor etc. - in a way that is not possible on my more standard live shows. This gives us the opportunity to create a very unique experience linking together my music and playing style in perfect harmony."
To match his vision of creating an environ
Liz Agostini, event director commented, "It's great news that we have secured the PSA as an event partner for the 2015 Show and we welcome them on board. As an organisation, the PSA aims to pool knowledge and improve technical awareness, which is exactly what we strive to achieve with the Event Production Show, so we are confident we will make a good match."
(Jim Evans)
Although lightweight and easy to use, the Funfetti blasts out a torrent of confetti that can cover an area as large as 540sq.ft (50M²). It has a throw distance up to 30ft (9M) and its powerful bursts last as long as 25 seconds each.
"Breaking out the confetti is an instant way to ramp-up the fun factor at any party or e
Housed in an efficient compact design that means the Platinum BX is also surprisingly fast, the wider lens produces a thicker beam of light that looks great mid-air, making it ideal for high-impact long throws. This small but powerful moving head is ideal for a variety of applications from the largest stages at concerts, stadiums and festivals to TV shows, special events and more.
The
"Big is truly beautiful when it comes to display technology," says dnp VP global sales & marketing, Soeren Kraemmergaard. "The Supernova XL Screen's size and optical performance make it the ideal option for large venues such as big conference rooms, auditoriums and houses of worship. It's the cost-effective option too". Soeren Kraemmergaard continues, "We've designed the new screen to be visually impressive yet still affordable, with a smart shipping solution that saves cash and time."
The Supernova XL Scr
The DiGiCo SD App is compatible with all consoles in the SD Range and allows users to take advantage of both Apple and DiGiCo's touch screen technology.
The advent of the DiGiCo SD App means that your iPad becomes a remote control surface and also an expansion of the control surface. This application takes the existing feature set and presents it in a new way to take advantage of the extra screen. This allows engineers to implement very specific functions dedicated for FOH or Monitors.
Aimed at installation and touring applications, the DiGiCo SD App includes a number of dedicated screens that open up the iPad surface to a selection of the consoles' functionality. For example, there are eight macros available on the hardware buttons of an SD9, but by connecting the iPad v
The Lycian 1274 was unveiled at PLASA London 2014 and is now available for sale. The Superstar 1.2 Short brings all the controls favoured for years on its sibling, the 1275 Superstar, one of Lycian's best-selling followspots, but in a more compact form factor and with a smaller diameter front lens.
With its short overall length the 1274 offers a remarkable size to output ratio.
As a short throw, optically the 1274 is designed for throws to beyond 100 feet/ 35 meters. It utilizes the OSRAM Sharx series 1200W double-ended lamp positioned in a dichroic glass reflector.
The Superstar Short is capable of beam widths from head shots to two person circles or greater in much of its optimum operating range. The 1274 top mounted control cluste
Adam Tyszka prepared the hands-on light set-up for this event, implementing his and Sebastian Pachciarek's lighting design vision. Sebastian Pachciarek elaborates on this vision: "Our goal was to create a show that displayed the windsurfing competition in a new and unexpected way. This type of event is most commonly held on coastal areas, but in this case it was in a pool, specially built for the purpose."
As an essential ingredient in the lighting design for this project, the two designers chose SGM's popular SixPack pixel array with a powerful RGBA LED light source. They allocated no less than 100 pieces of the fixture in two different locations. The first gro
44 Designs was introduced to MediaMaster Pro by A.C. Lighting, Inc. during a demo at 44 Design's Nashville office earlier this year. 44 Designs promptly selected MediaMaster Pro to control the intricate video system on their next project.
"For Thompson Square I wanted to create something that would introduce a modern architectural design into a conventional concert venue space and present the audience with something that would look good lit or unlit," says Jeff Lava, founder of 44 Desi
With the participation of industry partner SMPTE - the Society of Motion and Television Engineers - and following on the heels of the highly-successful Sound for Picture programme track at the recent AES137 International Convention in L.A., the 57th Conference is positioned to set yet another milestone for the AES. With a direct focus on the Future of Audio Entertainment Technology, this conference will explore the latest issues facing audio professionals today in regards to cinema, television, online content and more, and is being co-chaired by Brian McCarty and Dr. Sean Olive.
Sound produc
When Kylie kicked off her latest tour in the UK, crowd barrier specialists Mojo Barriers ensured fans with front row views were kept safe, installing 80m for the front of stage at the Liverpool Echo Arena. An additional 80m of stock was then added, bringing the total to 160m, which will be used across the European leg of her tour, culminating on 17 November at Zurich's Hallenstadion.
The barriers, a mixture of straight and specials such as corners and gates, allows the production team - headed up by Kevin Hopgood - to create a configuration that includes golden circle, t-shaped thrust for a catwalk and extended front of house. As requested by Hopg
Chief operations officer, Alfonso Martín, explains the rationale behind delivering d&b specific training: "The structure and content of the training sessions created by d&b audiotechnik makes them accessible to all our customers - both current and prospective. The participants were a real mix of people with different skill levels and different reasons for attending: from some of the most respected and senior sound engineers in the country to audio guys just starting their careers at local rental companies. We also welcomed a good numb
Undertaking an ambitious artistic journey, Fontana travelled the path of the Acqua Vergine from the source springs at Salone to the ancient tunnels still in existence under the streets of Rome. By using microphones, hydrophones, and accelerometers - some placed in the water flow and some imbedded into walls - Fontana captured th
Luc, who has a vast experience of lighting high profile musicals and has worked with the producers on previous shows, has developed his own distinctive style for lighting this genre of musical theatre.
The challenge for Dreamgirls, which is touring The Netherlands, is that the main setting is backstage at a theatre. All the locations flip between this, various onstage performance scenes and other connected places as the story unfolds, however the set - designed by Eric Van Der Palen - does not es
The technical elements are breath-taking as Paule Constable's lighting interacts with Finn Ross' video designs, Ian Dickinson's sound design and Bunny Christie's versatile set design allow us to join Christopher's world. Many of the technical lighting achievements are done using RC4Magic wireless DMX, and would not have been possible without tiny RC4 dimmers.
The National Theatre was an earlier adopter of wireless DMX and dimming and have used multiple generations of RC4 Wireless products. Nearly every show produced by the National Theatre has incorporated RC4Magic devices. Additionally, each theatre space operates its own individual set of unique digital IDs to ensure no interference from other systems. Only the RC4Ma
Streamline Systems is headquartered in Trinidad & Tobago and specializes in the design of high quality sound, lighting and video systems throughout the Caribbean, and Michael has been using Robe and Anolis products in his work for some time. He appreciates the quality, features and cost-effectiveness of both brands.
For Next - the seventh venue for which Streamline has designed and specified technical systems for their client Princess International - he chose 72 Anolis ArcSource 4 MCs and six Robe Robin LEDBeam 100s which were at the heart of the lighting rig.
The club occupies a sing
A design team from Complete Production Resources and Impulse Creative Group (both of Orlando) utilized this expanded area to inject a new level of dynamism and energy into the storied club with a beefed-up lighting rig that features an array of fixtures from Chauvet Professional.
Located in the 86-year-old Firestone Tire and Auto Building, Firestone Live! cut its teeth as a nightspot and concert venue during the early EDM boom of the 1990s. Rolling Stone and Billboard ran flattering pieces on Fires
"It was our eighth year doing the pageant," says Peralta. "It's always a challenge to recreate the excitement of the show; we're looking to enhance and improve the previous year's telecast. With three days devoted to pageant preliminaries, which are not broadcast, we got an opportunity to build the show on site. Friday and Saturday were camera rehearsal days then Sunday was the live show."
Kevin Lawson was respo