From a technical point of view, the show breaks new ground. The same is true backstage where Euro Media, the European leader in the provision of broadcast services who are responsible for bringing Rising Star to French TV screens, decided to call on Paris-based company Yasta to provide the music premix for the OB van.
Yasta specialises in live audio recording and mixing of major artists and events for broadcast, either via TV or internet streaming. They have developed a turnkey digital audio solution built around a Lawo mc²56 digital console combined with Optocore networking modules. Yasta was keen to test their methods of audio workflow management in a TV studio environment, so in addition to handling the music premix, Yasta offered to set up and manage the entire audio signal chain from the stage right out to the OB van.
"A traditional solution in a TV studio environment would probably take the audio from the stage via analogue microphones before being split to go to all the other destinations (FoH, monitors, premix, OB van etc.)," explained Yasta's co-founder, Louise Bardet, who is handling the music premix for Rising Star. "In each case it's just an A-to-B link that no-one else can see or manage. Our solution differs in that it is fully digital from the stage all the way out to the OB van - in the case of Rising Star, all of the microphones (except the presenter mics) are digital as well - and completely transparent. Everyone in the chain has access to all the signals from everywhere in the network. That way, if something goes wrong at some point in the chain, or if we decide at any point to change things around, the signal can be instantly and seamlessly accessed from elsewhere and either re-routed or intervened upon in whatever way is necessary."
"It is the combination of Lawo with Optocore that makes this solution so uniquely powerful and flexible," continued Louise's colleague and co-founder, Benoit Gilg. "The size and power of the Lawo matrix is simply awesome, and now that Lawo has given Optocore the possibility to emulate Lawo's DALLIS interface, it's as though the console sees its own I/O cards and can thus control Optocore's preamps as if it they were its own. This means that we can harness the combined power of Lawo and Optocore for optimum results."
So how about the mc²56 as a mixing desk? "It's true that we're blown away by the power of the matrix, which is particularly pertinent for us and the way we use the desk, but of course the mc²56 is simply the most amazing console in its own right," said Louise. "The sound quality is just unparalleled - what you hear through this desk before you've done anything to the sound is more musical than through any other console I've used. I also love the fluidity and ease with which you can configure your work surface however you like depending on the job you're doing and the way you like to work. On this job in particular, it's also a big bonus that I can manage all of the digital microphones directly from the console."
(Jim Evans)
