USA - FreedomFest has continued to grow; each year almost doubling in size. Accordingly, this year's event was moved to Florida Classic Park, and with close to 30,000 people in attendance it became the largest event of its kind held on Florida's West Coast.

Adamson and Hire Company Atomic Professional Audio based in Rutland, Vermont, sponsored the 2008 concert sound system. Adamson concurrently hosted a clinic on sound system design and technology aimed for church facilities of all sizes and styles of worship.

The clinic which was held immediately following Matthew West's sound check on the FreedomFest main stage, featured Benoit Cabot (Adamson tour support) and Adam MacGillivray (Adamson sales & support) covering fundamentals of system design, demonstration of Shooter, Adamson's predictive sound design software, along with various Adamson speaker products.

Sound design for the entire FreedomFest PA was executed by Jesse Adamson using the Shooter software and featured 24 Adamson Y18s, 8 Y10s, and 12 T-21Subs on the ground as the main rig, with an additional four Spektrix Ws as front-fills. The PA, which was powered entirely by Lab.Gruppen and processed with XTA, was specified by the event production manager Brian Haas after hearing it on the Linkin Park Tour. Haas then specifically sought out to replace a competing system used at the event the previous year.

The location and set-up included some problem spots which Haas describes: "Due to the positioning of the stage in relation to the audience field, not only did we have a very wide area to cover, but had to shoot over a crest of a hill. To make matters worse, we were not able to get the full trim height we wanted, because of the positioning of the lifts for the PA."

Adam MacGillivray, Ben Cabot and Evan McElhinney (Atomic Pro Audio - system tech) spent over an hour tuning the PA: "They were being more thorough than anyone I have ever seen, and the results were fantastic. They not only attained amazingly even coverage over the crest of the hill, but back beyond the actual seating area with a well controlled drop-off. The horizontal coverage was also remarkable, specifically the coverage of the far side of the field achieved without any additional PA."

Front of House Engineer Matt Payne mixed on a Midas Heritage while a Crest monitor console was run by Chris Mertler.

(Jim Evans)


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