Ellie Goulding's engineers are Oz Bagnall (FOH) and James Neale (Monitors). Oz specified the Coda Audio system, which once again proved to be a flexible solution for the wide variety of theatre and town hall venues.
It was the first time that Adlib has worked with Bagnall and also with tour/production manager Derek Fudge, proving a very positive experience all round. Adlib's crew - systems engineer George Puttock and stage monitor technician Alan Harrison - were also a big part of ensuring that Ellie Goulding's performance had the best possible live sound.
The system comprised 24 x Coda LA12, 16 x ViRay and 16 x SCPF speaker cabinets, all driven by Coda Audio's own C10 amplifier and DNC260 system processors. The ViRay cabinets were very flexible being used as down-fill cabinets hung underneath the LA12 cabinets or on stage as in-fills and out-fills.
For system processing, one of Adlib's standard Lake LM26 / LM44 rack packages was utilised. Bagnall cut the mix using an Avid Profile console, chosen because of familiarity and flexibility.
Bagnall ran all the vocals through Midas XL42 preamp channels, making use of the XL42's analogue EQ. The signals were then converted into AES using spare input router outputs in the Lake LM26's. The analogue inputs on the LM26 were set to the lowest headroom- allowing for least quantization noise & highest SNR for the conversion to digital.
Monitor engineer James Neale chose one of Adlib's DiGiCo SD7 consoles, in which he finds a very quick and straightforward user interface.
A Sennhesier 2000 series wireless vocal microphone with a DPA d:facto capsule was used for Ellie's vocal. Sennheiser 3732 - II and 5200 handhelds with 5235 capsules were used for the three backing vocalists. There are no wedges or side-fills on stage and the band all use Sennheiser IEM systems - a mixture of Sennheiser 2000 series and G3 systems were used. The radio microphone and IEM's systems were part supplied by Adlib and the rest owned by Ellie.
For the opening acts, Adlib provided eight of their MP4 low profile wedges driven by Labgruppen PLM20000Q amplifiers.
Tour / production manager Derek Fudge stated, "Having known of Adlib for many years but never having actually worked with them, it has been a pleasure and pain free experience. Oz and James have been happy with the equipment and the crew have been friendly and professional. Bloody marvellous!"
Adlib client manager Phil Kielty comments, "Watching Ellie and the band develop their live performance over the last few years and deliver such a stunning show has been a genuine privilege. From touring with Bruno Mars stateside to playing the O2 Apollo Manchester, Ellie consistently delivers for her fans. Also Coda Audio is coming into its own on the live landscape."
(Jim Evans)
