With the calibre of such artists as Juanita Du Plessis, Theuns Jordaan, Steve Hofmeyr, Bobby van Jaarsveld, Bok van Blerk, Robbie Wessels, Lianie May, Karlien van Jaarsveld, Jay, Riana Nel, Jannie Moolman, Arno Jordaan, Jak de Priester, Corlea Botha, EDEN, Dewald Wasserfall and more, the show promised to be a hit.
Featuring this amount of talent meant that the set and production for both the Moreleta Park Church Auditorium and the Grand Arena, GrandWest, had to be on point. Designed by Michael Gill and built by Gearhouse SDS, the set was the perfect balance of light and metal finishes. With concentric circles and strips of light built into the stage, the focus was drawn to each of the performances. To reach as many audience members as possible, two round performance platforms either side of the stage extended the performance area.
MGG's new VuePix E-Series Pro 12mm LED Mesh Screen became the backdrop to the impressive portrait LED Walls and reinforced the design cues with light strips and flowing, metallic lines.
A production of this magnitude is no mean feat. It was for this reason that the team called on, for a second consecutive year, the project management skills of Denzil Smith. Smith's meticulous planning, along with his passion ensured that his MGG team, the sole technical supplier, put many hours of hard work into the pre-production and build. The result of such efforts was a definite level of professionalism.
The lighting was conceptualised and programmed by Mauritz Jacobs of Dream Sets. Jacobs thouroughly enjoyed the task due to the fact that Coleske Artist's 'Afrikaans is Groot' is not like any other show. His preparation included listening to the play lists and watching previous recordings of the show. The basic objective was to light for a fantastic live show that had five LED Walls to compete with, and also light for the DVD recording.
His gear included over 140 Robe fixtures varying from Robe Pointes to Robin 100 Beams, 70 Clay Paky fixtures including the B-Eyes, great power on control via a grandMA2 Full Size. Another piece of equipment that Jacobs swore by was MDG Atmosphere Hazers which made each beam of light as striking as possible.
After a month of programming, the final week of preparation took place at the premises of Coleske Artists. Jacobs worked closely with Arnold Coleske where Jacobs fondly stated "From the start, I enjoyed the Coleske Brothers and from the word go we got on well."
(Jim Evans)
