An Inspector Calls has returned to the West End at the Playhouse Theatre (photo: Mark Douet)
UK - Stephen Daldry's multi-award winning production of An Inspector Calls has returned to the West End at the Playhouse Theatre. This now famous revival was first performed at the National Theatre in 1992 and has since won 19 major awards across the globe.

Lighting designer Rick Fisher has lit the production since its infancy and returns once again for this latest run. He approached White Light to provide the lighting equipment, which included the GLP impression X4 Bar 20s which the company has recently invested in.

An Inspector Calls is written by JB Priestley and tells the story of a family's dinner party being interrupted by the mysterious Inspector Goole who is investigating the death of a young woman. Rick comments, "What's great about An Inspector Calls is that it's still a brilliant production which resonates with a lot of audiences. Generation after generation have seen the piece and it seems to be as popular as ever."

Since Rick first lit the show almost 25 years ago, there have obviously been significant advancements in lighting technology; something he has incorporated into this production. Rick comments, "A lot of the lamps we used on the original rig have now become obsolete - the show has outlived the technology! For previous productions, we have always relied heavily on tungsten. Now LED technology is able to produce similar effects to tungsten lights yet do so using much less energy."

Whereas there were numerous upgrades with this particular production, a notable addition to the rig was the GLP impression X4 Bar 20.

The X4 Bar 20 has a very specific purpose on An Inspector Calls. Rick states, "The X4 Bar 20s are used to provide a particular rain effect on the show - something that is vital in capturing the mood of the play. The actual staging area at the Playhouse Theatre is fairly limited, taken up significantly by the set. This essentially means there is less room to manoeuvre.

"Thanks to the flexibility of the X4 Bar 20s, these can achieve the exact effects required within that space. We have rigged the units vertically at the side of the stage. This means that the first view of the rain comes through this sidelight yet this won't cause any spillage on the stage floor."

Rick is also using the bars on RENT, which is currently embarking on its 20th anniversary tour before arriving in the capital next year at the St James Theatre. He comments, "The bars really are quite revolutionary, creating certain effects in both productions that simply wouldn't have been feasible before. As a lighting designer, this allows you to be as creative as possible; which, in turn, hopefully provides the audience with an unforgettable experience."

Dave Isherwood, WL's technical director, comments, "At WL, we always ensure that we invest in the latest technology so that designers such as Rick receive the greatest amount of options. We immediately recognised the quality and versatility of the X4 Bars hence the reason we added them to our extensive inventory. They have already been used on a series of shows and we expect this to continue."

(Jim Evans)


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