The power of original painting created in real-time and projected onto stunning architecture accompanied by live music is a special collaboration between projection artist Ross Ashton, virtuoso percussionist Dame Evelyn Glennie and acclaimed visual artist and painter Maria Rud.
The location for this magical outdoor experience - Venue 316 of the Fringe Festival - is the quadrangle at George Herriot's School. The high impact art is being projected onto the side wall, of the beautiful 17th century chapel - which becomes part of the world renowned Festival, famous for showcasing new, innovative and thought-provoking works.
Says Ross, "We are extremely excited to be performing at the Fringe and exceptionally fortunate that Dame Evelyn was also available so that we could all work together on crafting another special and ground-breaking AniMotion work."
Ross created a projection map for the side of the chapel building which provides the detailed canvas - including all the architectural quirks and nuances which is laid over a lightbox onto which Maria paints live.
The images captured by the camera are fed into a laptop running Millumin, a software originally developed for VJs which can edge blend and map, and which also provides a number of other useful and cool functions that Ross has custom manipulated to produce elements of the AniMotion magic.
The content is fed out to two Panasonic PT-DZ21K projectors, beaming a blended 25m wide by 18m tall projected image of the painting process onto the side of the chapel
Maria initially experimented with a number of ideas and established which shapes and colours worked best with the dynamics of the building. Then for each performance, the creation of the final eight painted works is entirely improvised - and slightly different - for each show.
For the Edinburgh shows, Dame Evelyn performed a series of modern classics including Michi by Keiko Abe and Prim by Askell Masson. The music and the rhythmic style and strokes of the painting finding its own distinctive harmony, in turn creating a highly emotional engagement with the audience.
The one hour performance at Edinburgh has a capacity of 300 people, and so far they have been extremely fortunate with the weather.
The projectors are being supplied by Alastair Young of War Productions from Edinburgh, the cameras are from Ian White and Progressive Broadcast, and the d&b sound system is delivered by Warehouse Sound, co-ordinated by Ann Sullivan.
Also integral to the production team are Evelyn Glennie's sound engineer Andy Cotton and Ranald Nielson who is co-ordinating the video production.
Ross comments, "The fluid nature of the performance is something audiences really seem to embrace. The idea is to eliminate walls between the audience and the creative space, so anyone watching is encouraged to become closer to us via the work process ... and as they see and appreciate the mechanics of what we are doing. We want their movements to be as free as possible which ensures that no two shows will ever be the same. The reaction on social media has been a great testament to how effective this approach can be."
(Jim Evans)
