The flexibility and functionality of the ATI Paragon PII Production includes state-of-the-art dynamics, including ATI's patented compressor, plus four-band parametric EQ on each input channel. The console can generate eight stereo subgroups, eight mono aux sends, four stereo aux sends, eight stereo matrix outputs, two mono main outputs and two stereo main outputs, allowing it to fit any application. Each channel also provides two variable direct outs. Onboard scene automation utilizes the company's Distributed Intelligence design for improved performance over traditional systems.
The PII is used for the FOH mix for all Opry productions. The FOH mix includes the backline of Opry musicians with various instruments like the fiddle, mandolin, bass, drums, steel guitars, acoustic guitars, as well as several inputs for vocals. Tommy Hensley, FOH engineer for the Grand Ole Opry explained: "For the Opry, I normally run 58 channels. Some folks think it's a simple show, but the reality is just the opposite. In one Opry performance, we can do 60 acts in two-and-a-half hours. The show is broken up into 15-minute segments with four acts each; the maximum is two songs. The PII has recallable faders and soft switches and keeps group assignments so it saves me a lot of time and effort during a performance. I can just recall many of my settings. This console has a lot more features. I particularly like the eighteen stereo inputs. It's just a great desk. The mic pre and EQ are beautiful."
On the air since 1925, the Grand Ole Opry is the world's longest-running live radio program. In 1974, the Opry relocated to the 4,400-seat Grand Ole Opry House where it now remains. In 2003, the venue underwent a $7.5 million renovation to shore up its entertainment retail value. Additions included a 2,400sq.ft Opry Shop retail store, a 2,000sq.ft box office, updated lighting systems and a new sound system for the auditorium.
(Sarah Rushton-Read)
