Ayrton Ghibli on Parkway Drive tour
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Lighting provider for the Australian leg of the tour was New South Wales-based ei Productions who purchased the Ayrton Ghibli units just prior to the start of the tour. “This was a complex show with lots of lighting, moving staging and pyro flames, and it relied heavily upon the Ghiblis to provide much of the lighting’s punchy looks,” commented Neale Mace, managing director of ei Productions. “The fixtures were chosen by the band’s lighting designer, Steve Granville, after he heard we were looking at them, and I don’t think I’ve seen a light - especially an LED-based one - have so much punch and colour output, not to mention its zoom.”
Granville positioned the Ghibli fixtures across three flown trusses where, Mace remarks: “They looked incredible. Having seen this show, I’ve never seen an LED based fixture that is as bright as the Ghibli. They also have intense colours and can produce beautiful air / beam effects. We didn’t actually use the motorised framing feature on this tour, but it’s great to know that we can also use them for front truss profile work when needed.”
Granville agrees: “The Ghibli is the first LED profile fixture I’ve seen that is super bright and has a perfectly flat field that doesn’t drop off over a distance,” he says. “The prism and zoom are nice, the gobos are really good, and the colour mixing is great.”
Also included in the Australian touring rig were 64 Ayrton Magic Blade-R fixtures which Granville ran in full extended mode, running the pixel mapper and content through the High End Hog.
(Jim Evans)