Barnhart, of Full Flood, LA, incorporated 220 Ayrton MagicPanel 602 fixtures into his design to enhance the vibrancy and dynamism of the performances on stage.
The MagicPanel fixtures were arrayed in two massive, raked banks which flanked the performance area and served to extend the visual impact of the stage within the massive 82,500-seat stadium. The MagicPanel banks were arranged in two 'chevron' shapes which were mounted on custom-made risers that rose from 4" at the front of the stage to 11" at the back with each row staggered to sit 6" (15cm) higher than the one in front.
At Mars' request, the show was to replicate an atmosphere as close to a live rock concert as possible, a factor which helped determine the high-octane style of Barnhart's design. The MagicPanel banks gave Barnhart a blank canvas which he could use to amaze the audience or integrate with the rest of the lighting - possibilities which he used to the full by employing MagicPanel as both a lighting fixture and a projector through which to run video content.
Throughout the show MagicPanel ran the gamut of appearances: a subtle of a sea of golden light, which echoed the gold jackets of Mars and his band, accompanied 'Treasure' as the MagicPanel units turned slowly and independently with random sparkle patterns radiating from each independently controlled LED emitter. This gave way to the drama of red blocks of light blasting at full power into the sky with the arrival of the Red Hot Chili Peppers on stage for Give it Away.
"I think at some point in the 13-minute show, everything the MagicPanel could do, they did!" says Barnhart. "We also ran video through them in addition to using them like lighting instruments." The video content, such as a simulated fire effect, which ran through the MagicPanel units, was simultaneously fed out to the LED videoscreen backdrop, forestage and even the hats of the audience for an all-encompassing look.
The MagicPanel units were controlled by a PRG V676 console operated by lighting director, Peter Radice. "I had control of the continuous pan and tilt, and could also over-ride the video feed with colour," says Radice, who did not use any of MagicPanel's on-board effects, but rather treated each panel as a "pixel" when writing colour chases. "Jason Rudolph fed the MagicPanel units video via a GrandMA2 and Hippotizer media servers. There were several times when I would over-ride the video to run colour chases through them, or use them to bump to accent the music."
Super Bowl XLVIII was the first Super Bowl to be played outdoors in cold weather, but despite their IP20 rating, the MagicPanel fixtures were able to cope with the harsh conditions. "The potential for severe weather was all the challenge we needed," says Barnhart. "We covered the MagicPanels when we were not working with them but they did seem to hold up ok."
(Jim Evans)
