The band are very much into big chorus rock looks with smooth verses. Dara had specified 28 Alpha Beam 1500, 24 Alpha Profile 1500 and 16 sharpys. "The power and beam from Clay Paky fixtures I find unparalleled at present and their reliability is fantastic. The fire power chosen had the ability to go from slick smooth looks to iris beam chaos without haste and the beams go for miles."
The design incorporated three straight lighting trusses with four angled trusses to make two u shaped trusses. These held all profiles, beams and the sides held the sharpys. "I wanted the sharpys to create an ACL look by having four on each side, four on the mid stage and four on the floor. I could write chase effects that would have that old time feel to them but with fantastic beams especially when using the spot gobos."
All lights were placed at different heights to provide a layered approach and to interact with the soft good trusses.
This made for a very clean overhead design and gave the illusion that there was not as many fixtures in the air until they all fire up. Six Alpha Profile 1500 and four Sharpys were placed behind the backline for additional layering. 16 par cans were also scattered about the backline to give a warm glow during the show. "I'm not a fan of lights hanging all over the place and looking like junk, hanging for no reason except for candy, so the clean lines in the design were a must and there is a lot to be said for simplicity. I wanted to create a classic rock show that is warm and saturated but has these huge wide looks that come from nowhere and kicks it into 2012."
(Jim Evans)
