BlackTrax tracks The Weeknd
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Production manager, Rob DeCeglio, takes up the story: “BlackTrax was the first tracking system that I have used that is worth the setup time. Other systems in the past either were not accurate enough or still require human operators of some kind. This certainly opens the doors for other tracking applications and diversification, everything from artists to set pieces.”
“For the Weeknd, it’s always about art. Designers and production alike are charged with creating something that’s unique, something that compliments and enhances the music, and something that brings the focus without being a distraction to Abel Tesfaye (The Weeknd).”
In highlighting the creative and production benefits of BlackTrax, DeCeglio said: “Besides needing to use BlackTrax for practical reasons, it also gives the ability to focus on the performer with unique angles, colours, and an incredible amount of accuracy that you would never get with a traditional follow spot.”
For the Weeknd, futuristic set design was by Es Devlin and lighting design was by Sooner Routhier of SRae Productions. Starboy: Legend of The Fall was the first time that Routhier had used BlackTrax. “I love the Black Trax system. I would love to put it on every show for the rest of my life!! The technology is incredible and makes such a huge difference in your production.”
Additional credits for the tour go to Daren Koop, lighting programmer and operator, and Marc Thomas, on-site TAIT integrator.
Having already toured Europe, South America, North America and Canada, the Starboy: Legend of The Fall will wrap up in Australia this December.
(Jim Evans)
