Brompton supports Music for the Marsden
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Sir Tom Jones, Eric Clapton, Bonnie Tyler and Van Morrison were amongst a formidable line up that took to the stage performing their greatest hits, raising close to one million pounds for The Royal Marsden’s new treatment and research facility; the Oak Cancer Centre in Sutton, Surrey. To complement the star-studded benefit, video rental company Universal Pixels (UP) deployed Brompton Technology’s LED processing power to provide a visually stunning show.
Tasked with realising the project, UP chose Brompton's Tessera SX40 processor together with Tessera XD data distribution units to achieve the ambitious concept. UP provided 152.5m2 of INFiLED ER5 LED tiles, which comprised five upstage totem LED screens, the largest being 2.5m wide by 8m high, and two IMAG LED screens, each measuring 7.5m wide by 4.5m high.
Three Brompton 4K Tessera SX40 LED processors and three Tessera XD units were used to run all the panels, with two disguise gx 2c servers providing 4K video playback and seamless content delivery to all the screens.
“We used one SX40 and one XD unit for the central upstage totems, as we needed the 4K canvas size,” explains UP’s project manager, Mark Strange. “This came directly from the disguise servers.
“The Brompton interface is so intuitive,” he continues. “When sending the SX40s out with our crew I have the confidence that everything is going to work, and within the tight timelines that we have to meet when installing a show.”
The two other Tessera SX40s and XD units were used for the two IMAG screens, with camera director Dick Carruthers utilising Grass Valley camera control system so the two screens could show different content. The team also fed the disguise server into the PPU, so they could have playback onto the IMAG screens as well.
“We wanted to use the SX40s and XD units for the IMAGs to allow a direct SDI input from the PPU,” explains Strange. “By minimising the delay time and not going through any other processing, we were able to deliver the cleanest signal flow to get signal from the cameras to screen.”
(Jim Evans)
