The Gigpiglet team has worked with JoeCo's award-winning BlackBox products since the first models were released in 2009. The computer-free 24- and 64-channel 1RU recording and playback systems are compatible with any analogue and digital consoles, or other equipment, offering a range of i/o options that include MADI, DANTE, AES, Lightpipe and analogue line or mic. Audio is recorded di
The company now has six full time staff and works with a regular pool of freelancers servicing a whole range of shows including TV productions, corporate events, concerts and theatre shows - most of which are using Robe fixtures from their rental inventory.
As well as lighting design and equipment rental services, Event Lighting builds scenery.
There was already an investment in Robe when the company started as Jernej had actually had the wherewithal to make his first purchase of Robe moving lights with ColorSpot and ColorWash 575 XTs to use on shows he was lighting. These were among the first of the ranges that Robe produced after launching as an 'own-brand' i
The band's production team met with Thunder Audio pre-tour to discuss the challenges that they'd face in bringing the exact same show to Bastille fans every night, despite tight load in- and out- times and a varied list of venues - from sports arenas to intimate theatres - with the resulting mix of gear rigging restrictions and sonic differences. As a result, the touring sound company specified a portion of its newly acquired L-Acoustics K1 complement - including 24 K1
Metzger gained fame for his role as 'Dä Blötschkopp' and is one of the most sought-after artists of the popular Cologne Carnival that takes place every year in western Germany. "In Cologne, we have five seasons instead of four," comments Stephan Flören of LichtUnit GmbH, who wore several hats for the production, including lighting designer and spot caller as well as key and show lighting op. "The fifth season is the Cologne Carnival, which is very special, and for this special season we have special artists and comedians and Marc is one of them."
Recorded live for German station WDR, Metzger's anniver
It was the second year that XL Video has supplied the event. XL Manager Guy Vellacott and his team worked alongside brand experience agency Flourish Creative's director Guy Tremlett and technical production manager Mark Brattle to create a slick streamlined video-orientated set environment to suit the vibe of the event.
Highlights included presentations by Google and YouTube executives together with some of the channels' most successful content creators like fashion and beauty vlogger Zoella and supe
The festival takes place over three days in August, with a main outdoor stage in the town's central market square, the Grote Markt. Smaller outdoor stages are housed at nearby Klokhuisplein (Clock House Square), Oude Groenmarkt (Old Greenmarket) and Nieuwekerksplein (New Church Place). This year's edition featured artists like Oleta Adams, VanVelzen and Eva Simons.
Jurlights supplies and manages the technical production
Services for the church are held at a variety of campuses ranging from high schools to community centres and entertainment venues and are produced primarily by volunteer "worship teams". While the sermon is delivered from the Grants Mill main campus in Birmingham, Alabama via the Internet, each campus worship team runs the program and services locally. "We wanted to create a p
ACSP's Lance Bromhead visited the school to discuss their project requirements. Having worked on numerous ACSP school drama LED lighting installations, Lance suggested that Kennet School's Head of Creative Media and Film, Peter Scoggins, and Dave Yates, drama technician, visited a recent system installation at Passmores Academy in Harlow, Essex.
He commented, "Passmores Academy had required a similarly efficient, low maintenance, user-friendly lighting solution. Fortuitously, the day we visited Passmores, they were putting on a show production, so it provided a good live demo of the lighting system."
Over the 21 years there have been hundreds of companies and thousands of visitors who have supported the show. Organisers want to say 'cheers' and invite the industry to help celebrate. There will be a lot happening at the show to mark the special occasion with the industry.
At the last ENTECH show in 2013, a total of 4,705 visitors came through the doors and an all over attendance of 5,469 including revisits (audited) attended the last ENTECH. In 2015, organisers are expanding and improving the show to make it even bigger and better, say the organisers.
ENTECH will take place 7-9 July 2015 at the Royal Hall of Industries, Moore Park. It's easy to get to via public transport, close t
At the heart of the sound system is a pair of Avid Venue control surfaces, Gareth's regular mixer of choice, while the sizeable sound system is an all-d&b audiotechnik affair. V-Series forms the core proscenium system (V8 and V12 cabinets), complemented by V and J-Infra Subs, and a T-Series centre cluster.
Overall, the complete system totals some 120 sp
The Clay Paky Roadshow, put together and run by DWR's Robert Izzett was a wonderful success. Instead of having a central venue where clients were invited to see the products, The Projectors consisting of Supersharpy, Mythos and Stormy were taken to rental companies and theatres in Johannesburg, Durban and Cape Town.
"This has been an amazing experience for the Clay Paky team," comm
The Avignon Festival has invested in a Cobalt 20 desk for their main performance space with a Congo jr powered by Cobalt as online backup during the shows. Back in 1996, the event's organisers bought the first Avab desk to use in the Cour d'Honneur (Court of Honour) of the Palais des Papes (the Pope's Palace) and they also own 25 further Avab style desks that they use each year for their other spaces. So it was fitting that, when the Cobalt desk was released earlier this year, they were keen to try it out.
Says Jean Louis Pernette, commercial director for ATF, "The festival's technical managers realised they needed to modernise their main
Societe Generale wanted to revolutionise its existing provision by combining the functions of a conferencing system with those of a public address system. It required a system capable of allowing communications to flow across multiple locations in two different buildings. The system was to be flexible and easy to use whilst at the same time offering very high quality, c
Kilowatt was the technical solution designer and provider for all shows, the largest of which was staged at Sandton Convention Centre in Johannesburg for 2000 delegates, with lighting equipment subcontracted by locally based MGG Productions.
The other four shows - Cape Town, Bloemfontein, Port Elizabeth and Durban - also featured the Robe LEDWashes and LEDBeams plus Robe Pointes.
Kilowatt's team, led by project director Rhys Pughe Parry and technical project manager Jonty Mylne collaborated closely with live brand experience agency Hero to create the entire event environment.
The present
The one day event was produced by South African based, production house, O'MAGE with technical direction from CI-Nation. Staged at the Sun City Super Bowl, the format saw a daytime conference session followed by a gala dinner in the evening, attended by around 1200 top executives from the organisation.
Lighting for the event needed to be flexible, dynamic and multi-purpose, so MGG asked one of the country's top LDs - François van der Merwe - to come on board as Lighting Designer. Robe was chosen as the majority of the fixtures on the rig on which van der
The #DJVan is a modified Mercedes Benz V-Class, the latest version that is available j since end of May 2014. RENNtech modified the van to a mobile DJ stage. Besides the adaption to the whole look and design, they implemented a DJ stage, including the latest Pioneer DJ equipment, some strong PA speaker system and multiple different lighting effects.
As a highlight, RENNtech implemented two Laserworld DS-1800RGB lasers which they mounted in a safe way to the top roof of the DJ booth. The laser setup is controlled by Pangolin Quickshow to create great effects, text and logo projections.
The DJ booth of RENNtech's #DJVan is hidden in the re
Music Matters Live was broadcast live on YouTube from the event's main Fountain Stage in Clarke Quay, an entertainment hotspot on Singapore's waterfront. Yet the massive event also required the collaboration of other venues around the city, including two Timbre Group locales which are no strangers to D.A.S. Audio: both are fitted out with a
With integrated warping, blending and colour matching capabilities these projectors will allow for a seamlessly HD+ bright image. Also LM Productions are Christie Gold Members and a Certified Technical Partner, allowing the company to undertake service and warranty work on a wide range of Christie video projectors.
"These projectors are adding to our ever growing stock of Christie projectors including the both LCD and DLP 3 chip models including the amazingly bright Roadie 35,000s. We look forward to using these projectors to wor
The company, based in the capital Windhoek and run by Michael Verrmulen and Johann Swart, has been operating since 2006 and has built up a great reputation for providing complete technical solutions including design and lighting, sound, video, staging and rigging equipment.
The business is currently experiencing steady growth and at the moment servicing between eight and 10 large events per year plus numerous smaller ones.
The company is active across all sectors, from music festivals to B2B events, presentations and experiential, however the last three years has seen a particular upturn in corporate business, prompting the need to expand the equipment stock.
The fixtures were purchased via R
Production manager Matt Towell explained, "Made in Dagenham features a very clever set and a very different look to what you would normally expect from a West End musical. Given the very dissimilar nature of the scenic elements of the two shows, there was only a certain amount of equipment that could be re-used, so it was far from simply taking light, sound and set off the old system and re-hanging it. I needed to work with a team I both knew and trusted and I knew I'd have that in Unusual's Jeremy Featherstone and his team."
Jeremy commented, "Our knowledge of
The innovative Stormy CC uses the latest LED technology while retaining all the charm of the classic strobe. Its light source is a strip of powerful white LEDs, which perfectly emulate a bright Xenon linear lamp. The flash effect is enhanced by the Stormy's parabolic reflector, like a classic strobe's, which does not project the light directly forward like other LED strobes.
"The Stormy CC fills a hole in the market with a realistic strobe-style fixture that isn't just a brick of LEDs," says John DiEleuterio at Main Light Industries. "Having a strobe that'
Designed by the celebrated Catalan architect Lluis Domènech i Montaner, the Sant Pau Recinte Modernista is a complex of buildings erected in 1902 in what is today downtown Barcelona. The fully restored Modernista pavilions, designated a World Heritage Site by UNESCO in 1997, now house the historic archives of Hospital de la Santa Creu, a former infirmary dating back to 1401, a health info center, and an arts center that hosts all kinds of events from conferences and training to presentations and corporate parties.
The most handsome room in the Sant Pau Recinte Modernista administration pavilion is named after its architect Lluis Domènech i Montaner. Featuring plush appointments in period style, the 170 m² venue may be rented f
Pequenos gigantes is a TV show where children between four and 12 years old, compete to show their best abilities in dancing and singing.
It is the first time that A.leda B-EYE K20 has appeared in Spanish television. In the centre of the stage there was a great frame formed by several A.leda B-EYE K20 where the contestant was staging. Some Sharpys and some Alpha Profile 1500 completed the light and effects of performance.
Alberto Martín was the lighting designer, Oscar Jiménez, Catalyst technician, and Javier Mosteiros and Javier Perea, moving lights technicians.
The Clay Paky's equipment, whose official distributor is Stonex in Spain, were provided by rental Compa
But Capital went a step further. In order to extract the optimum performance from the 14 MLA enclosures (plus down-fill) that formed the main front facing PA, and 14 MLA Compact (out-fills) on either flank of the historically difficult venue, earlier in the week their technical manager Ian Colville had undertaken a site survey and re-evaluation.
He explained, "As this was our first combined MLA/MLA-C show at the Royal Albert Hall, it seemed a good opportunity to check the architectural data to ensure that we had the most accurate information to enter into the [dedicated Martin Au
